Hendrik Meurkens, a virtuoso on both the chromatic harmonica and vibraphone, is the most important jazz harmonica player since Toots Thielemans. German-born but now based in New York, Meurkens' recordings and performances garner worldwide acclaim because the transcendent beauty of his music has universal appeal. A two-mallet player in the tradition of Milt Jackson and Bobby Hutcherson, Hendrik Meurkens was en-route to being an instantly recognizable vibraphonist when he heard Toots Thielemans.
A two-mallet player in the tradition of Milt Jackson and Bobby Hutcherson, Hendrik Meurkens was en-route to being an instantly recognizable vibraphonist when he heard Toots Thielemans. Inspired by the sound of Thielemans' harmonica, he taught himself the difficult-to-master instrument.
Hendrik Meurkens' other life-changing musical experience was his introduction to samba and bossa nova. He was so moved by Brazilian music that, after perfecting his unique musical voice at Berklee as a vibraphone major, he moved to Rio in the early 1980s to totally immerse himself in the music and culture of Brazil.
A regular Monday night gig at the popular Rio club, Bar 21, soon demonstrated his acceptance by Brazilian musicians. Meurkens' poignant, emotionally affecting harmonica proved to be a sound that Brazilians strongly embraced and, during his Rio days, he met many musicians who later became collaborators in both Europe and New York.
Back in Germany by 1983, he became a respected studio musician, recording with European Radio Orchestras and leading his own groups, as well as accompanying visiting legends like Harry ?Sweets' Edison and Buddy Tate. Within ten years he had established himself as the "new jazz harmonica voice" and moved to New York, thanks to an exclusive contract with the prestigious label Concord Records. He has since recorded fifteen albums, and continues to perform as both a guest artist and with his own groups, both in festivals and clubs globally.
Hendrik Meurkens' profound involvement in both jazz and Brazilian music has resulted in a very personal and instantly recognizable version of Samba jazz. This music, a cross-cultural amalgam guaranteed to touch the heart, features his harmonica and vibes along with piano, bass and drums, playing his stirring originals and arrangements. The group has been documented on a number of CDs, most notably the Hendrik Meurkens desert island disc, October Colors.
As a featured artist, he has recorded with Charlie Byrd, Jimmy Cobb, Ivan Lins, Monty Alexander, Claudio Roditi, Manfredo Fest and Mundell Lowe, as well as backing such leading artists as Astrid Gilberto and Olivia Newton John and touring with the Ray Brown Trio, Paquito D'Rivera, Oscar Castro Neves, Herb Ellis, Herbie Mann, Charlie Byrd, and James Moody among many others.
As a respected instrumentalist on four continents, the emotional context of Meurkens' music transcends all musical barriers. Hendrik's new CD, Sambatropolis, has been released by Zoho Music. It is an exhilaratingly lively Latin jazz mix of contemporary Brazilian sambas and chorinhos, spiced with virtuosic North American bebop. Also a successful composer (his compositions have been recorded by other artists and featured in the Hollywood movie "Dolores Claiborne"), Hendrik Meurkens remains equally at home playing jazz or Brazilian music. "My mission is simple," he explains. "I want to create music of great beauty.?