Puppetmastaz

The unfinished Story of the Puppetmastaz goes a little something like this: In the early 1990?s, when fat producers and brown bankers were casting innocent boys to clone teenage hysteria, the Puppetmastaz decided to form a toygroup. Often described as Hip Hop, the Mastaz stand firm in frameless puppetstyle. Drifting between Circus and Club Culture, destorting any clich?, thourolly bashing up the pop world and setting no limits in musical styles. Maloke: "It?s a jazz thang"

In the early 1990?s, when fat producers and brown bankers were casting innocent boys to clone teenage hysteria, the Puppetmastaz decided to form a toygroup. Often described as Hip Hop, the Mastaz stand firm in frameless puppetstyle. Drifting between Circus and Club Culture, destorting any clich?, thourolly bashing up the pop world and setting no limits in musical styles. Maloke: "It?s a jazz thang"

And this is how it happened: Mr. Maloke, a mole equipped with a top hat and a splitting tongue, left Crooklyn to settle down in Berlin, where he announced the socalled ?Congress of Puppetry?. He was the chairman of the congress, which was not so difficult as he was the only member. One day, he bumped into a group of puppet frogs, consisting of Big Eye, Pit and Turbot the Toad, who, instantly interested, joined the Puppet-congress.

Word got around and soon Puppets came from all continents with different rhyme influences, but that same interest of blasting the Loonie-Verse: Galaxies bursted, wormholes opened and the sun put on a smiley face. In effect the Puppetmastaz were formed.