Top tracks
- Epilogue: May I Suggest
- did trouble me
- Time Between Trains
- Barbed Wire Boys
- Maybe If I Sang Cole Porter
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Put your hands on the remote! browse music »Last of the Good Straight Girls by Susan Werner
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fave it Modern Folk | Folk Pop
11 tracks | 48 minutes
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on Susan Werner
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- sample lyrics "DOWNLOAD" 03:43 Last of the Good Straight Girls lyrics BUY MP3 03:43 Last of the Good Straight Girls lyrics "GIFT MP3" 03:43 Last of the Good Straight Girls
- sample lyrics "DOWNLOAD" 05:19 Still Believe lyrics BUY MP3 05:19 Still Believe lyrics "GIFT MP3" 05:19 Still Believe
- sample lyrics "DOWNLOAD" 04:09 Man I Used to Love lyrics BUY MP3 04:09 Man I Used to Love lyrics "GIFT MP3" 04:09 Man I Used to Love
- sample lyrics "DOWNLOAD" 04:09 St. Mary's of Regret lyrics BUY MP3 04:09 St. Mary's of Regret lyrics "GIFT MP3" 04:09 St. Mary's of Regret
- sample lyrics "DOWNLOAD" 04:16 No One Here But Me lyrics BUY MP3 04:16 No One Here But Me lyrics "GIFT MP3" 04:16 No One Here But Me
- sample lyrics "DOWNLOAD" 04:40 Through the Glass lyrics BUY MP3 04:40 Through the Glass lyrics "GIFT MP3" 04:40 Through the Glass
- sample lyrics "DOWNLOAD" 04:07 Some Other Town lyrics BUY MP3 04:07 Some Other Town lyrics "GIFT MP3" 04:07 Some Other Town
- sample lyrics "DOWNLOAD" 04:08 Yes To You (Tappan Zee) lyrics BUY MP3 04:08 Yes To You (Tappan Zee) lyrics "GIFT MP3" 04:08 Yes To You (Tappan Zee)
- sample lyrics "DOWNLOAD" 05:25 Something So Right lyrics BUY MP3 05:25 Something So Right lyrics "GIFT MP3" 05:25 Something So Right
- sample lyrics "DOWNLOAD" 05:13 Signing Your Name lyrics BUY MP3 05:13 Signing Your Name lyrics "GIFT MP3" 05:13 Signing Your Name
- sample lyrics "DOWNLOAD" 03:14 Much At All lyrics BUY MP3 03:14 Much At All lyrics "GIFT MP3" 03:14 Much At All
This break-through album remains a classic of the 1990s singer-songwriter scene. New York Times: "extremely promising singer and songwriter who writes about changing social patterns from a perspective that is clear eyed and leavened with humour..."
Editorial review
Susan Werner had been attracting a fair amount of attention on the Philadelphia folk circuit when, in 1994, she recorded Last of the Good Straight Girls for Private Music. Some listeners outside of Philly assumed that this introspective effort was Werner's first album, but in fact, it was her third -- the Iowa native turned Philly resident had already recorded two little-known albums: Midwestern Saturday Night and Live at the Tin Angel. Those who discovered Werner with Straight Girls saw that, like a lot of other female singer/songwriters, the folk/pop/rock artist was heavily influenced by "the three Js" -- Joni Mitchell, Judy Collins, and Joan Baez. But while Werner isn't innovative or groundbreaking, sensitive material like "St. Mary's of Regret," "Through the Glass," and "Signing Your Name" proves that she is her own person and is an appealing artist in her own right. Although the CD isn't overly sociopolitical, "Some Other Town" reflects on the contrasts between life in poor inner-city neighborhoods and life in suburbia. Last of the Good Straight Girls, which was recorded when Werner was 29, didn't turn her into a superstar, but it did give the artist a well-deserved taste of national exposure. [The album was also available featuring the bonus track "Much at All."] ~ Alex Henderson, All Music Guide
Bio / Background
With 6 albums under her belt, an active touring career throughout the U.S. and a string of accolades from the likes of The Washington Post, The Village Voice and The New Yorker, Susan Werner has become one of the defining artists of the folk music genre. Her songs effortlessly slide between folk, jazz and pop and are delivered with a sassy wit and classic midwestern charm.
Farm girl Susan Werner was raised in rural Iowa but began her professional music career in Philadelphia, after studying classical voice at Temple University. Inspired by a Nanci Griffith concert, Werner left behind her opera training and began performing as a singer-songwriter at coffeehouses throughout the northeast. She self-released her first album "Midwestern Saturday Night" in 1992 and then went on to put out "Live at Tin Angel" the following year. In 1995 came her breakout album, BMG/Private Music's "Last of the Good Straight Girls," but a corporate reshuffle left her and her folk-pop masterpiece behind.
↓ more ↓Werner went on, recording two albums even better than her previous work, adding some country and soul sounds to her signature vocal stylings with the help of Nashville multi-instrumentalist and songwriter Darrell Scott, who produced "Time Between Trains" and Colin Linden (Blackie & The Rodeo Kings), who produced her 2001 "New Non-Fiction."
Always ready to reinvent herself, in 2004 Susan Werner released her album of instant songbook classics "I Can't Be New" on Koch Records. For years she incorporated cabaret-style numbers in her live performances, exchanging her guitar for a piano (when there was one to be had), and she'd been asked by her audience to put all those songs in one recording. Fans and critics alike sang her praises: the All Music Guide calling it "a brilliantly constructed, soulful, and cleverly tender effort by a songwriter and musician who is in such complete command of her gifts that it's almost scary."
In 2005 Susan Werner made a splash on satellite radio and in the blogosphere with her "alternative national anthem" entitled "My Strange Nation." For this song, Werner adopted the musical style of a battle hymn, and added lyrics that encompass both the poetry and hypocrisy innate to the United States.
Early 2007 will bring the release of her latest endeavor, a yet untitled hymnal for the spiritually ambivalent. This collection of new material will include styles ranging from traditional bluegrass gospel, in songs such as "My Lord Will Trouble Me," to a hand clapping rouser for agnostics called "Probably Not."
As Howard Reich, chief critic of the Chicago Tribune, wrote in 2006: "Werner is one of the most innovative songwriters working today."
- Ellen Stanley
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