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Put your hands on the remote! browse music »The Mystic Trumpeter by Randy Sandke
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fave it Contemporary | Traditional Jazz Combo
10 tracks | 72 minutes
Released Apr 2005
on Evening Star
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- sample "DOWNLOAD" 09:46 Liquid Prelude BUY MP3 09:46 Liquid Prelude "GIFT MP3" 09:46 Liquid Prelude
- sample "DOWNLOAD" 05:07 The Walks of Paradise BUY MP3 05:07 The Walks of Paradise "GIFT MP3" 05:07 The Walks of Paradise
- sample "DOWNLOAD" 05:35 Sounds of Smiting Steel BUY MP3 05:35 Sounds of Smiting Steel "GIFT MP3" 05:35 Sounds of Smiting Steel
- sample "DOWNLOAD" 07:09 The Flames that Heat the World BUY MP3 07:09 The Flames that Heat the World "GIFT MP3" 07:09 The Flames that Heat the World
- sample "DOWNLOAD" 08:02 Distant Thunder BUY MP3 08:02 Distant Thunder "GIFT MP3" 08:02 Distant Thunder
- sample "DOWNLOAD" 05:18 Enough to Merely Be BUY MP3 05:18 Enough to Merely Be "GIFT MP3" 05:18 Enough to Merely Be
- sample "DOWNLOAD" 10:10 Allegro BUY MP3 10:10 Allegro "GIFT MP3" 10:10 Allegro
- sample "DOWNLOAD" 06:03 Adagio BUY MP3 06:03 Adagio "GIFT MP3" 06:03 Adagio
- sample "DOWNLOAD" 08:19 Scherzo BUY MP3 08:19 Scherzo "GIFT MP3" 08:19 Scherzo
- sample "DOWNLOAD" 07:04 Rondo BUY MP3 07:04 Rondo "GIFT MP3" 07:04 Rondo
Jazz with a New Perspective
Editorial review
In the liner notes he wrote for The Mystic Trumpeter, Randy Sandke makes an interesting comparison: Sandke, himself a trumpeter, compares jazz to the 19th century poetry of Walt Whitman (b. 1819, d. 1892). Sandke writes that "both revel in joy and irreverence -- delight in controlled anarchy and a love of freedom in all its variety" and goes on to say that "Whitman, with his untamed mane and beard, was a prototype for all the rebellious hipsters that inhabited smoky basement clubs." And Whitman's poem "<i>The Mystic Trumpeter</i>" is the inspiration for most of the music on this 72-minute CD, which was recorded in 2003 and 2004. Sandke's "The Mystic Trumpeter" is a six-movement piece that favors the more abstract and cerebral side of post-bop; the mildly avant-garde piece doesn't go out of its way to be accessible, but it offers rewards to those who aren't afraid of some abstraction and don't always insist on instant gratification from music. The same goes for "Symphony for Six," the intellectual four-movement piece that follows "The Mystic Trumpeter"; drawing on influences ranging from Charles Mingus to mid-'60s Miles Davis, "Symphony for Six" isn't any less challenging. It should be noted that although this album was recorded in the early 2000s, "The Mystic Trumpeter" and "Symphony for Six" are both extended works that Sandke performed on-stage in New York City in the '90s -- "The Mystic Trumpeter," in fact, was written in 1992 (the centennial of Whitman's death). So why didn't he record them sooner? As Sandke points out in the liner notes, record companies aren't always receptive to ambitious ideas. But Evening Star was obviously receptive, and the company should be applauded for not being afraid to release this worthwhile CD. ~ Alex Henderson, All Music Guide
Bio / Background
FEATURING:
Randy Sandke (trumpet); Scott Robinson (tenor & soprano sax, bass flute); Wycliffe Gordon (trombone); Ted Rosenthal (piano); Greg Cohen (bass); Dennis Mackrel (drums & percussion)
ABOUT THIS CD:
Although I have made many recordings during my career, nearly all have been made according to the wishes and strictures of a particular recording company. Almost never have I had the latitude to do my own original music in my own way. This situation especially applies to that body of music that I refer to as "metatonal." Metatonal music is music that is harmonically derived, as is tonal music, yet uses different harmonies in a different way. For those who are interested in taking a closer look at this new approach to composition and improvisation, I refer you to my book, HARMONY FOR A NEW MILLENNIUM, published by Hal Leonard Music, Inc. (2001). In a sense, this is my first record, or at least the first recording devoted exclusively to my own personal way of creating music.
↓ more ↓However, it is my sincere desire that those who hear it respond on an emotional level first before even considering the technical aspect of how this music is put together.
--Randy Sandke
ABOUT RANDY SANDKE:
Randy Sandke has performed at festivals, clubs, and concerts around the world. He has toured Europe over forty times and performed extensively throughout Japan, the U.S., Canada, and India.
Randy has recorded over twenty albums as a leader, primarily on the Concord and German Nagel-Heyer label. A recent discography, published by the Dutch jazz scholar Gerard Beilderman, runs to 53 pages. Among the artists Mr. Sandke has recorded with include the instrumentalists Michael Brecker, Benny Goodman, Kenny Barron, Dick Hyman, Mulgrew Miller, Bill Charlap, Eric Reed, Frank Wess, Ray Anderson, Chris Potter, Sweets Edison, Flip Phillips, Scott Hamilton, Wycliffe Gordon, Warren Vache, and Mel Lewis; singers include Mel Torme, Jon Hendricks, Rosemary Clooney, Cab Calloway, John Pizzarelli, Gregory Hines, Art Garfunkel, Barbara Carroll, Dr. John, Karrin Allyson, Susannah McCorkle, as well as appearances with Diane Reeves, Sting, Elton John, Billy Joel, Bette Midler, James Taylor, Chaka Khan, Billy Eckstine, and Joe Williams.
Randy Sandke has played on the soundtracks of several films, including Francis Ford Coppola's "The Cotton Club," Neil Simon's "Brighton Beach Memories," "American Splendor," and five Woody Allen movies. On Broadway, Randy played in the production of "Chicago" with Beebe Neuwirth at the City Center, which launched the hugely successful revivals on stage and screen. Randy also played the on-stage Harry James trumpet solo which climaxes the show "Fosse." He recorded all trumpet solos for the recent production of "Ma Rainey's Black Bottom" starring Whoopee Goldberg. He has performed on television in Japan, Sweden, Switzerland, Germany, Italy, in the U.S. with Benny Goodman for a PBS special, and on the Late Show with David Letterman.
As a composer, Randy Sandke has received two grants from the National Endowment for the Arts, and has had pieces performed at Carnegie Hall, the 92nd St. YMHA, the Greenwich House in New York City, and Avery Fischer Hall at Lincoln Center. The Carnegie Hall Jazz Band has performed six of his suites. In 1998, the Concord Concerto label released an album featuring several of Mr. Sandke's orchestral compositions in performances by the Bulgarian National Orchestra. Over eighty of Mr. Sandke's pieces have been recorded. In July of 2003 his "Subway Ballet" was performed at the 92nd St. Y in New York City. He has written arrangements for Sting, Elton John, the King of Thailand, and transcriptions for Wynton Marsalis and the Lincoln Center Jazz Orchestra.
Randy Sandke's book, "Harmony for a New Millennium" was published by Hal Leonard, Inc. in 2002 It details a method of exploring non-tonal harmony in the context of both composition and improvisation. Artists who have endorsed the book include Jon Faddis, Joshua Redman, Maria Schneider, Dick Hyman, Nicholas Payton, and Michael Brecker. Randy has also written scholarly articles on jazz history for the Oxford Companion to Jazz and the Rutgers University "Annual Review of Jazz Studies." He has been a guest lecturer at the Julliard School, Manhattan School of Music, the New School, Hofstra University, Rutgers University, Hampshire College, William Patterson College, and the University of Arizona.
Mr. Sandke is listed in the standard biographical sources, such as the "Encyclopedia of Jazz," and most jazz CD reference guides. Jazz Times ran a feature article on him in the October 2002 issue, and the English magazine Jazz Journal profiled Randy in a two-part cover story in 1996. His recent CD, Inside Out, was named one of the top ten albums of the year by Jazz Times in 2002.
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