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Put your hands on the remote! browse music »Sounds from the Big House by Peggy Lee Band
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fave it Free Jazz
9 tracks | 51 minutes
Released Jul 2006
on Spool
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- sample lyrics "DOWNLOAD" 14:10 Rock Paper Scissors lyrics BUY MP3 14:10 Rock Paper Scissors lyrics "GIFT MP3" 14:10 Rock Paper Scissors
- sample lyrics "DOWNLOAD" 04:57 Little reminders lyrics BUY MP3 04:57 Little reminders lyrics "GIFT MP3" 04:57 Little reminders
- sample lyrics "DOWNLOAD" 04:02 Night Skate lyrics BUY MP3 04:02 Night Skate lyrics "GIFT MP3" 04:02 Night Skate
- sample lyrics "DOWNLOAD" 05:49 Bug Hunt/Target Island lyrics BUY MP3 05:49 Bug Hunt/Target Island lyrics "GIFT MP3" 05:49 Bug Hunt/Target Island
- sample lyrics "DOWNLOAD" 04:52 Spiralling lyrics BUY MP3 04:52 Spiralling lyrics "GIFT MP3" 04:52 Spiralling
- sample lyrics "DOWNLOAD" 03:19 Distance lyrics BUY MP3 03:19 Distance lyrics "GIFT MP3" 03:19 Distance
- sample lyrics "DOWNLOAD" 04:57 Sounds from the Big House lyrics BUY MP3 04:57 Sounds from the Big House lyrics "GIFT MP3" 04:57 Sounds from the Big House
- sample lyrics "DOWNLOAD" 05:36 Horse's Dream lyrics BUY MP3 05:36 Horse's Dream lyrics "GIFT MP3" 05:36 Horse's Dream
- sample lyrics "DOWNLOAD" 04:13 Go dog Go lyrics BUY MP3 04:13 Go dog Go lyrics "GIFT MP3" 04:13 Go dog Go
Free Jazz Improvisation
Editorial review
This (Canadian) West Coast band has surprisingly more in common with the cool sound of (American) West Coast jazz than might be expected. This group has performed together for several years, and the only surprise here is the relatively conservative nature of the results, with a light airy core underlying the freer elements. Peggy Lee has distinguished herself as a fine cellist, with an ear for complexity and an affinity for radical sounds. Here, though, she mostly eschews the extremes (although the uninitiated, in particular, may hear a strikingly radical pulse), focusing not so much on melody as on symmetrical lines, logical progressions, and conventional chords. There is also a much stronger jazz element than before. Lee and Dylan van der Schyff are the most impressive improvisers: Lee has total control of her cello, coupled with an attractively sugary tone, while van der Schyff adds plenty of diversity. The horns are less imposing, with trumpeter Brad Turner a more conventional soloist and Jeremy Berkman an adequate, if not exemplary, fit on trombone. The center holds reasonably well, with Lee at the helm and van der Schyff the anchor. Tony Wilson contributes some hardcore electric guitar on the upbeat "Go Dog Go." The magnificent Fran?ois Houle performs only on the long opening track, and he is in exemplary form, as usual. Lee's compositional skills continue to progress, but it is her singular performance as a cellist that makes the deepest impression. ~ Steven Loewy, All Music Guide
Bio / Background
Peggy Lee, cello
Brad Turner, trumpet and flugelhorn
Jeremy Berkman, trombone
Tony Wilson, electric guitar
Chris Tarry, bass
Dylan van der Schyff, drums, percussion, electronics, trumpet,
with guests Robin Reid, marimba and Francois Houle, clarinet
Second release from the extraordinary ensemble. Lee’s compositions kick, simmer and sing, and confirm her as a major talent of what Muhal Richard Abrams called contemporary creative music. The seamless improvisations which colored the first recording so vividly and which erased the lines dividing inside and out playing are here too. This is a must for those that enjoyed the debut (also on SPOOL)
Produced by Peggy Lee and Shawn Pierce. Recorded and mixed at the Factory, Vancouver, B.C., (April 2002) by Shawn Pierce for Maximum Music.
What the Critics are Saying:
...the real point is that if this is avant-garde jazz music , it's the kind of avant-garde jazz music anyone can love.
↓ more ↓Lee can play "out" with the best of them, and since she's one of the world's finest improvising cellists, she often does. But as a bandleader, she's more concerned with striking a balance between sonic exploration and a more traditional melodic approach, and to that end she has constructed a group that can do anything. ... Passionate virtuosity and committed versatility like this are hard to come by, but if you've got this CD you'll always have some close at hand....Alex Varty, the Georgia Straight
The Vancouver-based cellist leads a sextet through an edgy program navigating a course between 21st century jazz and avant-garde chamber music on Sounds From the Big House. The orchestrations are superb, exploring a panoply of timbres, moods and rhythmic feels.... There are some fine solos, with the leader and Berkman sounding particularly inspired. Drummer van der Schyff''s splashy, expansive percussion propels even the more abstract passages with a potent pulse, and Wilson cranks out distorted skronk one moment, post-Frisell Copland-esque Americana the next...Bill Barton, Coda
Peggy Lee
Upon arriving in Vancouver in 1989, Peggy Lee has participated in numerous creative projects. She is a member of Talking Pictures and the Tony Wilson Sextet. As well, she performs with the NOW Orchestra, who have made their musical presence felt through their work with Barry Guy, Rene Lussier, Koch, Shutz & Studer, and Butch Morris. Lee also works with Standing Wave, a new music ensemble dedicated to performing new written works, principally by Canadian composers. Other performance collaborations include work with electo-acoustic composer Paul Dolden, trumpeter Dave Douglas and pianist Paul Plimley. In addition to her SPOOL recording with Dylan van der Schyff (These Are Our Shoes), Lee has also recorded with Talking Pictures, Vinny Golia, the NOW Orchestra with Barry Guy and with Rene Lussier, Carlos Zingaro, and François Houle's John Carter Project, which features Dylan van der Schyff, Mark Dresser and Dave Douglas.
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