Every Time I'm With You by Pamela Rose

Artwork | Cover of Every Time I'm With Youview larger image
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Jazz Vocals | Swing/Big Band

10 tracks | 41 minutes

Released Nov 2001
on Three Handed Records

Click Listen sample for a 30-second preview. All tracks are 192kbps high fidelity sound quality. Protected WMA $0.77 or unprotected MP3 $0.88.

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sample lyrics "DOWNLOAD" 04:11 Every Time I'm With You lyrics BUY MP3 04:11 Every Time I'm With You lyrics "GIFT MP3" 04:11 Every Time I'm With You
sample lyrics "DOWNLOAD" 04:51 On the Sunny Side of the Street lyrics BUY MP3 04:51 On the Sunny Side of the Street lyrics "GIFT MP3" 04:51 On the Sunny Side of the Street
sample lyrics "DOWNLOAD" 03:21 Whether to Stay or Go lyrics FREE 03:21 Whether to Stay or Go lyrics "GIFT MP3" 03:21 Whether to Stay or Go
sample lyrics "DOWNLOAD" 03:33 Consider Me lyrics BUY MP3 03:33 Consider Me lyrics "GIFT MP3" 03:33 Consider Me
sample lyrics "DOWNLOAD" 05:08 Bye Bye Blackbird lyrics BUY MP3 05:08 Bye Bye Blackbird lyrics "GIFT MP3" 05:08 Bye Bye Blackbird
sample lyrics "DOWNLOAD" 05:03 Love For Sale lyrics BUY MP3 05:03 Love For Sale lyrics "GIFT MP3" 05:03 Love For Sale
sample lyrics "DOWNLOAD" 02:50 It's Only a Paper Moon lyrics BUY MP3 02:50 It's Only a Paper Moon lyrics "GIFT MP3" 02:50 It's Only a Paper Moon
sample lyrics "DOWNLOAD" 05:21 Never Known a Morning lyrics BUY MP3 05:21 Never Known a Morning lyrics "GIFT MP3" 05:21 Never Known a Morning
sample lyrics "DOWNLOAD" 04:08 You Came a Long Way From St. Louis lyrics BUY MP3 04:08 You Came a Long Way From St. Louis lyrics "GIFT MP3" 04:08 You Came a Long Way From St. Louis
sample lyrics "DOWNLOAD" 02:59 I'm Just a Lucky So and So lyrics BUY MP3 02:59 I'm Just a Lucky So and So lyrics "GIFT MP3" 02:59 I'm Just a Lucky So and So

Jazz, swing and blues, in the classic style of Dinah Washington and Etta James.


Editorial review

For her second CD, San Franciscan Pamela Rose has shifted the emphasis away from original material and blues to more familiar standard staples. While there are still a few originals, it's tunes by such major contributors to the Great American Songbook as Duke Ellington and Jimmy McHugh who get the singer's attention. And she does very well with them. "Bye Bye Blackbird," with Rob Sudduth's tenor laying down a soulful backdrop, is done at a much slower tempo than usual. Its arrangement and tempo are much like Mel Torm?'s rendition, with Phil Woods' alto doing the sax honors. A jauntily arranged "Consider Me" is the best of the very good Rose/Nate Ginsberg originals with its catchy, swinging rhythms. Close behind is a graceful ballad, "Never Known a Morning." This time it's Jeff Ervin providing the necessary tenor sax backdrop over Ginsberg's piano. Another difference from Rose's first is that her voice has lost some of its nasal quality, becoming richer and fuller. This may well be due to the different kind of songs on this play list when compared to the previous CD. She is much more a torch singer with such songs as "On the Sunny Side of the Street," with an arrangement that transforms this old warhorse into a highly charged, emotional vehicle for Rose. But she still brings to the up-tempo material the same exuberance and sass that pour from the speakers in joyful vocal celebration. In addition to the tenor help, Ginsberg's trio, sometimes sounding like the old Art Van Damme Trio, does the bulk of the support work. This CD is another solid vocal outing for the very talented Pamela Rose and is recommended. ~ Dave Nathan, All Music Guide

Bio / Background

Pamela Rose, a San Franciscan jazz and blues singer and songwriter, teamed up with pianist Nate Ginsberg for this second CD "Every Time I'm With You".

This second outing won much praise for it's smooth beauty and well-written arrangements and originals.

"Her improvisations and her interaction with the band, especially with pianist Ginsberg, were outstanding, and her blues swings hard!"

-Jazz Now Magazine, July 1995

"Pamela Rose is really refreshing in a time when too many singers think they're "doing" Jazz by scatting all over the mapa and vying to see how out of tune they can get. Not that Pamela doesn't take liberties with a melody; she does, but always with some aesthetic purpose in mind...clever originals, thoughtful and always effective."

-Robert Tate, San Jose Mercury News 1996


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