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Put your hands on the remote! browse music »1st and Repair by Monte Montgomery
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fave it Jam-band | Roots Rock
13 tracks | 54 minutes
Released Dec 2003
on Heart Music
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- sample lyrics "DOWNLOAD" 02:35 Movin On lyrics BUY MP3 02:35 Movin On lyrics "GIFT MP3" 02:35 Movin On
- sample lyrics "DOWNLOAD" 03:45 Sorry Doesn't Cut It lyrics BUY MP3 03:45 Sorry Doesn't Cut It lyrics "GIFT MP3" 03:45 Sorry Doesn't Cut It
- sample lyrics "DOWNLOAD" 03:04 1st and Repair lyrics BUY MP3 03:04 1st and Repair lyrics "GIFT MP3" 03:04 1st and Repair
- sample lyrics "DOWNLOAD" 03:21 Love to the People lyrics BUY MP3 03:21 Love to the People lyrics "GIFT MP3" 03:21 Love to the People
- sample lyrics "DOWNLOAD" 05:16 Leaving Paradise lyrics BUY MP3 05:16 Leaving Paradise lyrics "GIFT MP3" 05:16 Leaving Paradise
- sample lyrics "DOWNLOAD" 05:01 Girl Like You lyrics BUY MP3 05:01 Girl Like You lyrics "GIFT MP3" 05:01 Girl Like You
- sample lyrics "DOWNLOAD" 04:32 River lyrics BUY MP3 04:32 River lyrics "GIFT MP3" 04:32 River
- sample lyrics "DOWNLOAD" 03:09 Pocket Change lyrics BUY MP3 03:09 Pocket Change lyrics "GIFT MP3" 03:09 Pocket Change
- sample lyrics "DOWNLOAD" 04:33 The Fall lyrics BUY MP3 04:33 The Fall lyrics "GIFT MP3" 04:33 The Fall
- sample lyrics "DOWNLOAD" 02:51 Last Goodbye lyrics BUY MP3 02:51 Last Goodbye lyrics "GIFT MP3" 02:51 Last Goodbye
- sample lyrics "DOWNLOAD" 03:30 It's Alright lyrics BUY MP3 03:30 It's Alright lyrics "GIFT MP3" 03:30 It's Alright
- sample lyrics "DOWNLOAD" 03:21 For What It's Worth lyrics BUY MP3 03:21 For What It's Worth lyrics "GIFT MP3" 03:21 For What It's Worth
- sample lyrics "DOWNLOAD" 09:52 Love Come Knockin' lyrics BUY MP3 09:52 Love Come Knockin' lyrics "GIFT MP3" 09:52 Love Come Knockin'
Acoustic guitar virtuoso who plays the acoustic like an electric in the vein of SRV, Jimi Hendrix, Mark Knopfler, Lindsay Buckingham, & John Mayer
Bio / Background
"Austin, Texas, has once again unleashed a phenomenal guitar slinger on the world. This time, however, the trouble comes on acoustic guitar. His impassioned attack evokes every great player he has ever loved. He slaps the neck like Michael Hedges, taps Van Halen-esque false harmonics, soars melodically like Eric Johnson and strums with the brutal attack of SRV. Montgomery has pushed the acoustic-electric further into the realm of virtuoso rock guitar than anybody before him."
- Jude Gold, Guitar Player Magazine
Winner of the 1998, 1999, 2000, 2001, 2002,2003 and 2004 Austin Music Awards for BEST ACOUSTIC GUITARIST during SXSW (South by SouthWest) Music Conference.
Monte Montgomery performed live on Austin City Limits, airing with Bruce Hornsby, 1999] “Monte Montgomery blows people away. There’s no other way to describe it... (he) makes his strings produce sounds that obliterate notions of what one human is capable of pulling off on this simple instrument.
↓ more ↓Glance around the room wherever he plays and witness wall-to-wall looks of sheer slack-jawed astonishment.” -– Terry Lickona, Producer, AUSTIN CITY LIMITS, PBS-TV http://www.pbs.org/klru/austin/artists/program57.html
"The gifted guitar wizard... Monte Montgomery embodies everything that a six-string hero from Austin should, but dares to be different by not using a Stratocaster or any other kind of electric guitar. In a city that reared Stevie Ray Vaughan, Eric Johnson and Chris Duarte, such affinity for an acoustic guitar is almost sacriligious, but Montgomery proves he's a devout follower of his predecessors by wowing audiences, who can't believe how electrifying his shows really are. With ‘1st and Repair’, the 30 year old guitar slinger took matters one step further, showcasing his singing and songwriting talents. The combination of his sandy voice and loose, laid-back,fingerpicking guitar style has earned comparisons to Mark Knopfler and Bruce Cockburn, but his connection to the fabled Texas town of Luckenbach -– he spent his teens there -– and his heartfelt, soulful approach to sonwriting have made him a uniquely Lone Star figure." -– Chris Riemenschneider, BILLBOARD Magazine
"At the helm of the burgeoning music scene in Austin, Texas is Monte Montgomery, a guitar virtuoso who blends down-home country vibes with smooth pop and hints of R&B. Though Montgomery's band is only three strong (with the bassist Chris Maresh and the drummer Phil Bass), its sonic qualities are monstrous; each musician exhibits tremendous dexterity, and the trio often sounds like a six-piece band. Montgomery is most inspiring live, but his group's skilful riffs and crafted lyrics have carried over nicely to its second album, "Mirror" (Heart Music), released in June of this year." -– Andrew Taber, The New York Times
"Monte Montgomery tears it up on the fretboard and the mic, and he's brought a strong rhythm section just for reinforcement. His guitar playing describes a true wealth of sounds -– just picture a slap-bass player on an acoustic steel string with a penchant for Stevie Ray Vaughn, and you'll be in the ballpark. At the same time, his blazing fingerstyle, precise, percussive accompaniment, and exceedingly creative use of harmonics are only part of his truly unique guitar style. And Montgomery's outstanding technique does not prevent him from delivering a clear, melodic solo that dances through the changes. The folk-tinged songwriting is well developed, and this man's got stuff to say about life and love. In fact, Montgomery is an impressive, versatile vocalist in his own right. The album's single, ‘1st and Repair,’ features a multi-syllabic John Popper style, while he boasts a range and vibrato on ‘Leaving Paradise’ that could easily make him a candidate for Boyz II Men. It's all in a day's work for this multi-talented six-stringer." -– Rolling Stone Magazine
BEST IN THE U.S. - THE TOP 10 BEST (UNDISCOVERED) GUITARISTS IN AMERICA. “Holy Sh*t! Rewind!... Monte was the first artist chosen for this column (the first to make our jaws drop!) His scorching yet musical solos combined with great pop sensibility in his songwriting is what caught our ear. But when you consider that he's playing those Van Halen-esque solos on an acoustic guitar with distortion, it becomes a slam dunk!" -– Michael Mueller, Guitar One Magazine
“Monte’s intuitive right- and left-hand approaches lead to his developing some unorthodox techniques. Today he seasons his playing with some often spectacular string slapping, two-handed tapping, percussive string stops, six-fret stretches on chords and daring intervallic leaps on single-note solos.” -– Bill Milkowski, Guitar World Acoustic
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