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Put your hands on the remote! browse music »Love Me Like The Devil by Leatherbag
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fave it Country Folk | Gentle
8 tracks | 31 minutes
Released Sep 2006
on Superpop Records
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- sample lyrics "DOWNLOAD" 04:03 Tennessee lyrics BUY MP3 04:03 Tennessee lyrics "GIFT MP3" 04:03 Tennessee
- sample lyrics "DOWNLOAD" 03:03 Jennie From Miluakee lyrics BUY MP3 03:03 Jennie From Miluakee lyrics "GIFT MP3" 03:03 Jennie From Miluakee
- sample lyrics "DOWNLOAD" 04:08 Bury Me Now lyrics BUY MP3 04:08 Bury Me Now lyrics "GIFT MP3" 04:08 Bury Me Now
- sample lyrics "DOWNLOAD" 03:36 Maybe lyrics BUY MP3 03:36 Maybe lyrics "GIFT MP3" 03:36 Maybe
- sample lyrics "DOWNLOAD" 03:57 New York lyrics BUY MP3 03:57 New York lyrics "GIFT MP3" 03:57 New York
- sample lyrics "DOWNLOAD" 04:37 Karrie's Song lyrics BUY MP3 04:37 Karrie's Song lyrics "GIFT MP3" 04:37 Karrie's Song
- sample lyrics "DOWNLOAD" 04:09 By My Side lyrics BUY MP3 04:09 By My Side lyrics "GIFT MP3" 04:09 By My Side
- sample lyrics "DOWNLOAD" 03:40 Love Me Like the Devil lyrics FREE 03:40 Love Me Like the Devil lyrics "GIFT MP3" 03:40 Love Me Like the Devil
An album unto itself. Cello, lap steel, guitar and vocals. "Love Me Like the Devil' is a simple record that is both haunting and beautiful.
Bio / Background
With a name like Leatherbag (and his backing band “The Cows”), you might expect a rollicking, honkey-tonk sound or even a loud and crass hell-billy rock. In actuality, however, the songs on Love Me Like the Devil are all soft and slow folk narratives, deftly written and understatedly delivered with a mournful cello and slide-guitar backing.
Leatherbag’s voice is rough hewn with a weariness expressed in the best folk songs, but the scratchiness of his singing isn’t overpowering. Rather it shades these songs gently with age and a wise-beyond-his-years sound in the vein of William Elliot Whitmore. The songs also move with a mysterious, slightly uneven phrasing that makes it seem as if only he could properly sing them. But those unique inflections and pauses also keep the songs interesting and rewarding amid the album’s overall lack of variation.
The opening track, “Tennessee,” may be the best on the album.
↓ more ↓Like Springsteen’s “The River” or “Thunder Road,” the destination becomes an illusion of escape and hope, filtered through a lonesome memory: “Cruising down the highway listening to my daddy’s stereo / Lou Reed’s singin’ a song that both of us know / She said this is alright with me / I can follow these jagged lines all the way to Tennessee.” The droning cello and quivering slide guitar give the songs the feel of late night cigarettes smoking out a solitary heartbreak, and even a love song like “Karrie’s Song” is tinged with a feeling of longing and loss.
Leatherbag’s songwriting hovers on the edges of Cohen and Dylan, especially on the brilliant “Jenny from Milwaukee.” His best songs also seem to recall Richard Buckner’s Bloomed in their atmosphere and lyrics, and a touch of Smog’s recent work in their intensity. But those comparisons should only emphasize the singularity of Leatherbag’s songwriting and the exceptionalness of the album.
- Doug Freeman Austinsound.net
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