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Put your hands on the remote! browse music »Mexiquita by James Low
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fave it Country Rock | Country Folk
10 tracks | 33 minutes
Released Apr 2004
on secretsound
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- sample lyrics "DOWNLOAD" 04:01 Mexiquita lyrics BUY MP3 04:01 Mexiquita lyrics "GIFT MP3" 04:01 Mexiquita
- sample lyrics "DOWNLOAD" 03:27 Built to Last lyrics BUY MP3 03:27 Built to Last lyrics "GIFT MP3" 03:27 Built to Last
- sample lyrics "DOWNLOAD" 02:48 Words lyrics BUY MP3 02:48 Words lyrics "GIFT MP3" 02:48 Words
- sample lyrics "DOWNLOAD" 03:23 Carver Blues lyrics BUY MP3 03:23 Carver Blues lyrics "GIFT MP3" 03:23 Carver Blues
- sample lyrics "DOWNLOAD" 04:25 Soledad lyrics BUY MP3 04:25 Soledad lyrics "GIFT MP3" 04:25 Soledad
- sample lyrics "DOWNLOAD" 03:10 Miner's Lullabye lyrics BUY MP3 03:10 Miner's Lullabye lyrics "GIFT MP3" 03:10 Miner's Lullabye
- sample lyrics "DOWNLOAD" 03:29 Endless River lyrics BUY MP3 03:29 Endless River lyrics "GIFT MP3" 03:29 Endless River
- sample lyrics "DOWNLOAD" 02:45 Lord's Prayer lyrics BUY MP3 02:45 Lord's Prayer lyrics "GIFT MP3" 02:45 Lord's Prayer
- sample lyrics "DOWNLOAD" 03:48 Blackcoat lyrics BUY MP3 03:48 Blackcoat lyrics "GIFT MP3" 03:48 Blackcoat
- sample lyrics "DOWNLOAD" 02:21 You Said lyrics BUY MP3 02:21 You Said lyrics "GIFT MP3" 02:21 You Said
These songs go down with a slow, warm burn like the finer brands of tequila.
Editorial review
James Low's most obvious point of reference is the great Texan singer/songwriter Townes Van Zandt. Their phrasing is uncannily similar on some songs, notably the pensive "Words." Also, they cover the same psychic ground in their choice of song material, longtime country favorites like outlaws modern and ancient, and the timeless struggle of heart and mind. If Low's approach is less idiosyncratic than Van Zandt's, it is to his benefit. These songs go down with a slow, warm burn, like the finer brands of tequila. His palette of sound is broad and warm, incorporating horns and strings on some tracks, stripped to guitar and voice on others. ~ Rob Ferrier, All Music Guide
Bio / Background
I was born in McMinnville, Oregon where my father was a teacher and mill worker, and my mother was a nursing student. We moved to a small town in Eastern Oregon when I was two. My Dad wrote songs in his spare time, and my mother played the piano and organ at church. Many of my earliest memories involve rattlesnakes. We lived on the Double B ranch and one of the hands had given my Mother a Colt 45 saying that with three small kids she ought to know how to use it. Not long after, a fat three foot rattlesnake curled up in the back yard, and Mom shot it from the kitchen window. Unsure if it was completely dead we spent the next hour or so pitching cans of Campbell's soup at it through the window. The next dozen or so years were typical of a rural upbringing; fishing, hiking, practicing with a lariat for the junior rodeo (and really sucking at it), and trying to blow things up.
After high school I moved to New York where I made an unsuccessful bid at getting a college education.
↓ more ↓I ended up spending most of my time hanging out in Greenich Village folk clubs. One day I was walking down 52nd street near my Hell's Kitchen apartment, and I saw a place where the facade was made out of a cut up tour bus. Inside the front door was a life size signed cut out of B.B. King. I asked for a job and soon I was flipping burgers at the Lone Star Road House, and sneaking in the back door to see shows. I saw Emmy Lou, Etta James, snuck into the band room to hang out (from a distance) with Rick Danko and Greg Allman. For two years I saw dozens of folk and blues shows while I began writing and performing my own songs at downtown clubs and open mic's. At some point I traded in my dream of playing at the Newport Folk Festival for rock and roll, and years of shit jobs and financial brinksmanship beat some grit in to me.
By 1995 with no record and a (un)healthy taste for whiskey I decided to bail out of the city and go back to Oregon. I packed what would fit into a drive away car and headed to Portland for a job as a carpenter and a plan to get serious about writing. In 2000, my first cd Mexiquita was released, and I landed a residency gig at The Laurelthirst Public
House. This has been my home away from home these last few years and I have been able to call some of my favorite songwriters and musicians my peers. Folks like Little Sue, Pete Krebs, Casey Neil, Fernando, Caleb Klauder, the Jackstraw boys, and many more. I put out a second cd in 2002 titled Blackheart. I'm currently working on a new album tentatively named The Blackgaurd's Waltz. I live in a cozy little house on a dead end street, and I still have a taste for the road.
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