Sacumba by Luis Garay Percussion World

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World Fusion | Brazilian Jazz

13 tracks | 52 minutes

Released Sep 2003
on Percumba Records

Click Listen sample for a 30-second preview. All tracks are 192kbps high fidelity sound quality. Protected WMA $0.77 or unprotected MP3 $0.88.

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sample lyrics "DOWNLOAD" 03:10 Sambazo lyrics BUY MP3 03:10 Sambazo lyrics "GIFT MP3" 03:10 Sambazo
sample lyrics "DOWNLOAD" 03:24 Afrodezia lyrics BUY MP3 03:24 Afrodezia lyrics "GIFT MP3" 03:24 Afrodezia
sample lyrics "DOWNLOAD" 06:44 Afro-Chin lyrics BUY MP3 06:44 Afro-Chin lyrics "GIFT MP3" 06:44 Afro-Chin
sample lyrics "DOWNLOAD" 03:50 Dumbe lyrics BUY MP3 03:50 Dumbe lyrics "GIFT MP3" 03:50 Dumbe
sample lyrics "DOWNLOAD" 03:23 Timbalero Dance lyrics BUY MP3 03:23 Timbalero Dance lyrics "GIFT MP3" 03:23 Timbalero Dance
sample lyrics "DOWNLOAD" 04:57 Marimba Azucar lyrics FREE 04:57 Marimba Azucar lyrics "GIFT MP3" 04:57 Marimba Azucar
sample lyrics "DOWNLOAD" 03:00 Afro 11/8 lyrics BUY MP3 03:00 Afro 11/8 lyrics "GIFT MP3" 03:00 Afro 11/8
sample lyrics "DOWNLOAD" 03:22 Martillo lyrics BUY MP3 03:22 Martillo lyrics "GIFT MP3" 03:22 Martillo
sample lyrics "DOWNLOAD" 07:00 Sacumba lyrics BUY MP3 07:00 Sacumba lyrics "GIFT MP3" 07:00 Sacumba
sample lyrics "DOWNLOAD" 03:54 Percumba lyrics BUY MP3 03:54 Percumba lyrics "GIFT MP3" 03:54 Percumba
sample lyrics "DOWNLOAD" 02:33 Tumba Coco lyrics BUY MP3 02:33 Tumba Coco lyrics "GIFT MP3" 02:33 Tumba Coco
sample lyrics "DOWNLOAD" 03:45 Chacara lyrics BUY MP3 03:45 Chacara lyrics "GIFT MP3" 03:45 Chacara
sample lyrics "DOWNLOAD" 03:09 Spirit of Maculele lyrics BUY MP3 03:09 Spirit of Maculele lyrics "GIFT MP3" 03:09 Spirit of Maculele

Luis Garay's sensation Percussion World's new multipercussion album, "SACUMBA." is a rhythmic delight. It's impossible not to move your body to the exuberant, infectious, pulsating beat. You'll feel like dancing as the passion and inspiration of the drums


Editorial review

Born in Argentina, but resident in the U.S. since 1992, percussion master Luis Garay obviously likes the sound of the drum. Along with three other percussionists, he explores a number of Afro-Latin styles on this disc, getting deep inside the sound, often with some stunning playing (just listen to some of the work on the samba "Sambazo," for example). And even if you're not a lover of rhythm standing virtually alone, there's enough going on here to entrance your ears. Especially enthralling is the dense "Afro-Chin," which evolves beautifully, with some stunning marimba work that grows in intensity all the way to the conclusion. In fact, the marimba tracks are some of the loveliest on here, in part, perhaps, because they do offer melody, as on "Marimba Azucar." But it's always the rhythms at the heart, and with these excellent players, they're multi-layer, one springing off another (and recorded with great clarity -- you can pick out every beat of each instrument). They make even the most complex things, such as "Afro 11/8" sound perfectly natural, no small feat, while propelling other pieces at a fiery pace. And the Argentinean flavor of "Chacara" is irresistible. Without ever being academic, Garay instructs -- and entertains. ~ Chris Nickson, All Music Guide

Bio / Background

Described in the Washington Post as a "percussionist of marvelous virtuosity", Luis Garay was born in Cordoba, Argentina, where he was principal timpanist for the Cordoba Symphony Orchestra. Residing in the US since 1992, he is percussion soloist and leader of Luis Garay Percussion World, a popular world percussion performing ensemble in the Washington D.C. area.

Throughout his 30 year career, this classical, jazz, and Afro-Latin multi-percussionist has performed throughout the Americas and Europe. He has received many prestigious honors such as recognition by the U.S. Government as an "Artist of Exceptional Ability," a performance for Pope John Paul II in the Vatican, the Gold Medal from the International Rotary Club, the Team Leadership Award of the Group Study Exchange Program and a fellowship from Amalia Lacroze de Fortab at The Inter-American Music Friends and at the Organization of American States and The Catholic University of America and Margot Fonteyn.

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