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Girl Like Me by KJ Denhert
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fave it Jazz Vocals | like Joni
12 tracks | 52 minutes
Released Jan 2003
on Mother Cyclone Records
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- sample lyrics "DOWNLOAD" 04:29 Silence Was Deafening lyrics BUY MP3 04:29 Silence Was Deafening lyrics "GIFT MP3" 04:29 Silence Was Deafening
- sample lyrics "DOWNLOAD" 04:58 Oleander lyrics BUY MP3 04:58 Oleander lyrics "GIFT MP3" 04:58 Oleander
- sample lyrics "DOWNLOAD" 04:23 Little Mary lyrics BUY MP3 04:23 Little Mary lyrics "GIFT MP3" 04:23 Little Mary
- sample lyrics "DOWNLOAD" 04:34 Violet lyrics BUY MP3 04:34 Violet lyrics "GIFT MP3" 04:34 Violet
- sample lyrics "DOWNLOAD" 04:20 Girl Like Me lyrics BUY MP3 04:20 Girl Like Me lyrics "GIFT MP3" 04:20 Girl Like Me
- sample lyrics "DOWNLOAD" 04:33 She Loves You lyrics BUY MP3 04:33 She Loves You lyrics "GIFT MP3" 04:33 She Loves You
- sample lyrics "DOWNLOAD" 03:52 How Many Ways lyrics BUY MP3 03:52 How Many Ways lyrics "GIFT MP3" 03:52 How Many Ways
- sample lyrics "DOWNLOAD" 04:36 I Like Your Face lyrics BUY MP3 04:36 I Like Your Face lyrics "GIFT MP3" 04:36 I Like Your Face
- sample lyrics "DOWNLOAD" 03:04 Red July prelude lyrics BUY MP3 03:04 Red July prelude lyrics "GIFT MP3" 03:04 Red July prelude
- sample lyrics "DOWNLOAD" 04:06 Red July lyrics BUY MP3 04:06 Red July lyrics "GIFT MP3" 04:06 Red July
- sample lyrics "DOWNLOAD" 05:03 Message In a Bottle lyrics BUY MP3 05:03 Message In a Bottle lyrics "GIFT MP3" 05:03 Message In a Bottle
- sample lyrics "DOWNLOAD" 04:06 Oh Susannah lyrics BUY MP3 04:06 Oh Susannah lyrics "GIFT MP3" 04:06 Oh Susannah
Urban Folk Jazz laced with groovy r&b. A hooky blend of a/c Pop, Folk, Jazz and Soul with killer vocals.
Editorial review
In the '70s, no one did more to bridge the gap between soul and the folk-pop/folk-rock/soft rock world than Roberta Flack, who acquired a very interracial following and managed to appeal to Aretha Franklin and Chaka Khan enthusiasts as well as the Joni Mitchell/Joan Baez/Judy Collins crowd. Hits like "Killing Me Softly With His Song" and "The First Time Ever I Saw Your Face" were played on R&B stations, but they also had enough of a singer/songwriter aesthetic to win over what was essentially a '70s equivalent of today's Lilith Fair audience. It isn't hard to understand why, three decades later, singer/songwriter KJ Denhert was invited to open for Flack; Girl Like Me is the perfect marriage of neo-soul and folk-rock/adult alternative sensibilities (with hints of jazz at times). Flack, in fact, is among Denhert's influences, as are Khan, Mitchell, Janis Ian, and James Taylor (Carly Simon's James Taylor, not J.T. Taylor of Kool & the Gang fame). But while Denhert has her musical points of reference, Girl Like Me demonstrates that she is a talented, expressive storyteller in her own right -- and she obviously doesn't believe in confining herself to one genre. Denhert has a lot to offer fans of Alicia Keys, Macy Gray, Jill Scott, and Erykah Badu, but anyone who is seriously into Sarah McLachlan, Shawn Colvin, or the Indigo Girls also needs to pay close attention to her. While Girl Like Me is dominated by Denhert's own songs, she provides a few memorable covers as well (including a slightly bossa nova-ish take on the Police's "Message in a Bottle" and an unlikely remake of the Beatles' "She Loves You"). This very promising effort demonstrates that while Denhert isn't easy to pigeonhole, she is very easy to enjoy. ~ Alex Henderson, All Music Guide
Bio / Background
When you see KJ Denhert perform you will be drawn in by her artistry as a
singer and as a fine guitarist. Each musical set is a tight mix of rhythm,
wit, and passion. For KJ, there is only one adventure more fulfilling than
songwriting and that adventure unfolds on the stage. Her songs are a calling
card, always unique and then familiar. It is the honesty of her performance
and the love of what she is doing on stage that will move you. She is an
experienced bandleader who plays without a net, and that makes her fun to
watch.
New York native, KJ calls her music Urban Folk and Jazz though it is rooted
in Funk and R & B. "The Jazz", she explains, "comes from people's perceptions
of my guitar voicings and the structure of the tunes themselves... using extended solos and the players working off of each other.
↓ more ↓Urban reflects my childhood, growing up in NYC, and Folk, I really adored James Taylor, my first guitar influence, and I use acoustic guitar in my songwriting and live shows, as opposed to many years touring as a lead guitarist."
KJ and her Band the NY Unit perform in such legendary rooms as The Bitter End, The Bottom Line, The Fez, the Living Room, and plays regularly to "standing room only" crowds at The 55
Bar in NY's West Village. KJ continues to receive very positive responses wherever she appears, resulting in new and exciting opportunities. In the last six months, KJ was invited to open for Roberta Flack, spent three weeks performing in St. Barts in the French West Indes, and headlined at the Blue Note, Las Vegas from April 8-13, 2002.
Between appearances, KJ finds time to lend her support to many charitable
organizations. She supports efforts to raise money for Aids and Cancer research, and appears annually in the PNW Women's Resource Center telethon. She provides live "on-site" concerts for hospitalized HIV patients through Lifebeat, Inc. (Aids Awareness Organization NYC). KJ also appears on compilation albums such as the "The Ovarian Cancer Research Fund Album" (Mod Music, NYC)(1999) and "Brooklyn Above Ground"(2001), in support of World Hunger Year.
KJ resides in Westchester NY and states her goals are simple. As an independent record label owner and founder of Mother Cyclone Records, she says, "I want to grow my label and just keep writing". She dedicates her life mostly to music and explains her passion, "I get to do what I really love and I'm very careful about the quality of what I write, release and perform. I've lived the truth of the slow build as a marketing strategy. I'm a dot.com now and I just keep working hard at putting out the best product I can, whether we're playing live or in the studio". Having spent seven years on the road as a lead guitarist, touring the US, Asia and Europe, KJ shares, "I think we're completely ready to break some new cities in the US now. Then, I'd really love to get back to Europe with my material ... It's finally coming together and I'm having more fun than ever!"
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