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Put your hands on the remote! browse music »From Burnt Orange To Midnight Blue by Sean Croghan
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fave it Acoustic | with Live-band Production
9 tracks | 45 minutes
Released Apr 2001
on In Music We Trust Records
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- sample lyrics "DOWNLOAD" 06:27 Gweneveire lyrics BUY MP3 06:27 Gweneveire lyrics "GIFT MP3" 06:27 Gweneveire
- sample lyrics "DOWNLOAD" 04:43 Cupid's Credit Card lyrics BUY MP3 04:43 Cupid's Credit Card lyrics "GIFT MP3" 04:43 Cupid's Credit Card
- sample lyrics "DOWNLOAD" 05:59 Friday's Face in Sunday's Suit lyrics FREE 05:59 Friday's Face in Sunday's Suit lyrics "GIFT MP3" 05:59 Friday's Face in Sunday's Suit
- sample lyrics "DOWNLOAD" 01:27 Tom R. lyrics BUY MP3 01:27 Tom R. lyrics "GIFT MP3" 01:27 Tom R.
- sample lyrics "DOWNLOAD" 04:41 Little Miss Whiplash lyrics BUY MP3 04:41 Little Miss Whiplash lyrics "GIFT MP3" 04:41 Little Miss Whiplash
- sample lyrics "DOWNLOAD" 06:32 John McConnell's Ghost lyrics BUY MP3 06:32 John McConnell's Ghost lyrics "GIFT MP3" 06:32 John McConnell's Ghost
- sample lyrics "DOWNLOAD" 04:38 Space Room lyrics BUY MP3 04:38 Space Room lyrics "GIFT MP3" 04:38 Space Room
- sample lyrics "DOWNLOAD" 05:11 It's Gonna Be Alright lyrics BUY MP3 05:11 It's Gonna Be Alright lyrics "GIFT MP3" 05:11 It's Gonna Be Alright
- sample lyrics "DOWNLOAD" 06:05 Otis Tolstoy lyrics BUY MP3 06:05 Otis Tolstoy lyrics "GIFT MP3" 06:05 Otis Tolstoy
Crackerbash / Jr.High frontman goes solo. Following national tour with Elliott Smith, this is his debut solo album. A mixture of pop, soul, folk, and rock, Otis Redding and Elvis Costello.
Editorial review
Sean Croghan's amazing first solo offering is a desolate, razor-burned troubadour's record loaded with confessional angst both real and artistic, a few full revolutions from the music he made with Crackerbash and Jr. High. His outpouring of woeful emotion runs the gamut, from an almost whimsical kind of feigned misery ("Gweneveire") to the adamant, resentful sort that sounds genuinely hurt. By mixing up the approach, the tenor of the album never seems like too much or too little of a painful thing. It isn't strictly an open wound, although there's an element of that. But Croghan is also smart enough to know that, as messy as love may be, there is an element of silliness that comes with investing so much into a single venture. The gloom, after all, will eventually pass, and when it does, you'll only be left with the memory of how pathetic it made you look. That is the beauty of From Burnt Orange to Midnight Blue. Stark, haunting songs like "Fridays Face in Sundays Suit" and the bleak cabaret of "Tom R." strip the drama down to its naked core while others, like the wonderfully jovial "Little Miss Whiplash" and "Its Gonna Be Alright," build it right back up. The music is as frayed as Croghan's singing, which jumps from its normal register up into a strained falsetto that falls just a few whiskey's shy of a tearful (or comical) bender, wandering into and out of tune. But the lo-fi atmosphere paints the music all the appropriate hues, whether shadow-colored or brilliant, whether it is a warped, bottom-heavy Western saga ("John McConnells Ghost") or a raw plea. And he pulls out all the stops on "Otis Tolstoy," an over-the-top rock on which he conjures Prince's pleading scream over and over until you start to reach for the handkerchief, to offer to the singer if not to use yourself. It is a wonderful album that leaves you wondering why you loved it so much, until you realize that Croghan covers the range of human frailties and failings with so much feeling that you have to catch up with the insights. The comparisons to Elvis Costello don't seem far off base at all. ~ Stanton Swihart, All Music Guide
Bio / Background
New Project from Crackerbash/Jr. High Frontman Sean Croghan!
A dark, smoky club, the stench of alcohol, and beer spilled everywhere. Sticky floors and a noisy crowd make you wish were at home. That is, until Sean Croghan hits the stage.
The mood quickly changes from drunk and tired to shattering as Croghan's oft-desolate approach to angst and fear shakes you awake with picturesque lines easily relatable to anyone that's ever lived with self-doubt, confusion, or pain.
Beautiful confessionals open Sean Croghan and his songs up to the listener, as they attentively feel each note and await the ending of the story.
Sean Croghan is not about gloom though, as his live shows attest to. Playing more like a mix of Abbott and Elvis Costello or the sad clown smiling with a glass of whiskey in his hand, Croghan's live show has been known to incorporate spit takes, trip falls, and a wide assortment of engaging activities that further adorn the music.
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Sean Croghan has been a staple on the Northwest Music Scene since the late 80's with his hard-hitting, chaotic punk band Crackerbash and then with his much-beloved power-pop quartet Jr. High (both on eMpTy Records).
Fans of Crackerbash and Jr. High will find Croghan's debut solo album quite compelling. Re-affirming himself as both a strong songwriter and a top-notch performer, From Burnt Orange To Midnight Blue mixes a combination of unsettling singer-songwriter piano songs ("Space Room" and "Tom R.") with catchy pop ("Friday's Face in Sunday's Suit" and "Gweneviere"), while opening up the music to soul ("Otis Tolstoy") and combustible rock ("It's Gonna Be Alright").
Special guests Martyn Leaper and Rebecca Cole (the duo behind SpinArt's The Minders), Paul Pulvirenti (ex-Jr. High, No. 2), Luther Russell (ex-Freewheelers), and Larry Crane on bass help round out the album with a full-band feel.
Key Selling Points:
-National Press Mailing of 300 CDs - including Alternative Press, Magnet, Spin.com, Rollingstone.com, Billboard, fanzines, and more.
-Record includes appearances by members of The Minders, No. 2, Fernando, and Freewheelers. Live band also includes members of The Minders, No. 2, and Fernando.
-Full-band and solo acoustic shows throughout the Northwest in spring/summer 2001.
-Engineered and Mixed at Jackpot! Studios by Larry Crane (Tape Op! Editor and internationally-recognized engineer).
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