Matthias Bublath Band by Matthias Bublath

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Funk | Acid Jazz

10 tracks | 56 minutes

Released Jul 2006
on Matthias Bublath

Click Listen sample for a 30-second preview. All tracks are 192kbps high fidelity sound quality. Protected WMA $0.77 or unprotected MP3 $0.88.

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sample lyrics "DOWNLOAD" 03:48 Jazzy Jazz lyrics BUY MP3 03:48 Jazzy Jazz lyrics "GIFT MP3" 03:48 Jazzy Jazz
sample lyrics "DOWNLOAD" 05:40 Preachin' lyrics BUY MP3 05:40 Preachin' lyrics "GIFT MP3" 05:40 Preachin'
sample lyrics "DOWNLOAD" 05:33 The Girl From Ipanema lyrics BUY MP3 05:33 The Girl From Ipanema lyrics "GIFT MP3" 05:33 The Girl From Ipanema
sample lyrics "DOWNLOAD" 04:51 Stacy lyrics BUY MP3 04:51 Stacy lyrics "GIFT MP3" 04:51 Stacy
sample lyrics "DOWNLOAD" 07:28 Pain Relief lyrics BUY MP3 07:28 Pain Relief lyrics "GIFT MP3" 07:28 Pain Relief
sample lyrics "DOWNLOAD" 05:11 Reverend Scott lyrics BUY MP3 05:11 Reverend Scott lyrics "GIFT MP3" 05:11 Reverend Scott
sample lyrics "DOWNLOAD" 04:32 Bublath's Idea lyrics BUY MP3 04:32 Bublath's Idea lyrics "GIFT MP3" 04:32 Bublath's Idea
sample lyrics "DOWNLOAD" 07:06 Beltissimo lyrics BUY MP3 07:06 Beltissimo lyrics "GIFT MP3" 07:06 Beltissimo
sample lyrics "DOWNLOAD" 06:59 Young Lion lyrics BUY MP3 06:59 Young Lion lyrics "GIFT MP3" 06:59 Young Lion
sample lyrics "DOWNLOAD" 05:10 Decision lyrics BUY MP3 05:10 Decision lyrics "GIFT MP3" 05:10 Decision

A Mixture of Jazz, R&B, and Hammond B3 driven Funk/Souljazz. Featuring NYC based keyboardist Matthias Bublath on Piano, Fender Rhodes and Hammond B3 organ


Bio / Background

Allaboutjazz review 2006

By Tom Greenland

Making his transition from the academy to the “streets,” pianist/organist/composer/arranger Matthias Bublath has released a trio/quartet album boasting a motley mix of sounds and skills. Simmered and steeped in soulful grooviness, tracks like “Jazzy Jazz,” “Preachin’,” “Stacy,” and “Pain Relief” owe a debt to the church, blues, and funk roots of African-American improvisational music, greatly aided and abetted by drummer Simon Lott’s crackling dry snare and just-behind-the-beat backbeat, played in-the-pocket with relaxed authority. The trio cuts (with Nathan Peck on bass) include a serious take on “A Girl From Ipanema” (a risky business given the tune’s overplayed history, but pulled off with panache here), rendered in rich reharmonizations and muscular solos.

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