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Put your hands on the remote! browse music »Shambhala Moon by Bola Sete
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8 tracks | 41 minutes
Released Nov 2003
on Samba Moon Records
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- sample lyrics "DOWNLOAD" 05:53 The Sun Pours Through the Darkness Gently, Gently lyrics BUY MP3 05:53 The Sun Pours Through the Darkness Gently, Gently lyrics "GIFT MP3" 05:53 The Sun Pours Through the Darkness Gently, Gently
- sample lyrics "DOWNLOAD" 09:09 Moonbeams, Moonlight, Midnight Magic lyrics BUY MP3 09:09 Moonbeams, Moonlight, Midnight Magic lyrics "GIFT MP3" 09:09 Moonbeams, Moonlight, Midnight Magic
- sample lyrics "DOWNLOAD" 03:21 Morning Rises Through the Mist lyrics BUY MP3 03:21 Morning Rises Through the Mist lyrics "GIFT MP3" 03:21 Morning Rises Through the Mist
- sample lyrics "DOWNLOAD" 04:58 Night Shadows lyrics BUY MP3 04:58 Night Shadows lyrics "GIFT MP3" 04:58 Night Shadows
- sample lyrics "DOWNLOAD" 04:20 Sorcerers, Spirits, Devas, and Delights lyrics BUY MP3 04:20 Sorcerers, Spirits, Devas, and Delights lyrics "GIFT MP3" 04:20 Sorcerers, Spirits, Devas, and Delights
- sample lyrics "DOWNLOAD" 06:10 Shambhala Moon lyrics BUY MP3 06:10 Shambhala Moon lyrics "GIFT MP3" 06:10 Shambhala Moon
- sample lyrics "DOWNLOAD" 04:21 Many Shades of Green lyrics BUY MP3 04:21 Many Shades of Green lyrics "GIFT MP3" 04:21 Many Shades of Green
- sample lyrics "DOWNLOAD" 03:34 Devas' Lament lyrics BUY MP3 03:34 Devas' Lament lyrics "GIFT MP3" 03:34 Devas' Lament
Bola Sete's solo guitar suite containing the music of hidden and magical places.
Editorial review
When Bola Sete's widow Anna issued Ocean Memories, a series of solo recordings made in 1972, it marked the first time his sophisticated solo guitar music had been on CD. The music that appears here was recorded ten years later and issued on the Dancing Cat label. It is the only known recording of Sete playing solo with a steel-string guitar. The two suites that make up this recording are, frankly, on another level entirely than virtually anything else the guitarist issued in his lifetime. His fusion of Brazilian, classical, flamenco, jazz, and numerous folk styles was unprecedented and remains unmatched. Here, while sitting in a full lotus position, Sete moves through an astonishing array of techniques and nuances of expression that make the sound of the guitar literally float, suspended outside the time-space continuum. His aren't seemingly flashy techniques, but most guitarists wouldn't even attempt them. Often utilizing bossa nova and samba chord progressions to initiate an improvisation on a theme, he will slide through cascading minor keys (as on "Morning Rises Through the Mist") to find a place to embellish them by augmentation, suspension, and even diminishment, distilling a pattern to its essence before stretching it back out again, ending in an otherworldly counterpoint to his original premise. No cut offers a greatest example of this than the title piece, which Sete begins as a nocturne in E minor in the Spanish style before stretching it to a minor; once he establishes a rhythmic and syntactic pattern on the sixth, he constructs a bridge to an augmented ninth and folds in everything he's played thus far, before tearing it back down to a skeletal whisper of a theme. For guitar students and fans or not, Shambhala Moon is quite simply among the most inspired examples of passionate and technically brilliant guitar playing in the recorded history of the instrument. This reissue --with great notes by Ann and George Winston -- is a fitting tribute to Sete's underappreciated genius. ~ Thom Jurek, All Music Guide
Bio / Background
ALL MUSIC GUIDE
September 2001
Bola Sete
SHAMBHALA MOON
When Bola Sete's widow Anne issued "Ocean Memories", a series of solo recordings made in 1972, it marked the first time his sophisticated solo guitar music had been on CD.
"Shambhala Moon" was recorded ten years later and issued originally on the Dancing Cat label. This re-issue on CD is the only known recording of Sete playing solo with a steel-string guitar.
The two suites that make up this recording are, frankly, on another level entirely than virtually anything else the guitarist issued in his lifetime. His fusion of Brazilian, classical, flamenco, jazz, and numerous folk styles was unprecedented and remains unmatched.
Here, while sitting in a full lotus position, Sete moves through an astonishing array of techniques and nuances of expression that make the sound of the guitar literally float, suspended outside the time-space continuum.
↓ more ↓His aren't seemingly flashy techniques, but most guitarists wouldn't even attempt them.
Often utilizing bossa nova and samba chord progressions to initiate an improvisation on a theme, he will slide through cascading minor keys (as on "Morning Rises Through the Mist") to find a place to embellish them by augmentation, suspension, and even diminishment, distilling a pattern to its essence before stretching it back out again, ending in an otherworldly counterpoint to his original premise.
No cut offers a greater example of this than the title piece, which Sete begins as a nocturne in E minor in the Spanish style before stretching it to a minor. Once he establishes a rhythmic and syntactic pattern on the sixth, he constructs a bridge to an augmented ninth and folds in everything he's played thus far, before tearing it back down to a skeletal whisper of a theme.
For guitar students and fans or not, "Shambhala Moon" is quite simply among the most inspired examples of passionate and technically brilliant guitar playing in the recorded history of the instrument.
Thom Jurek, All Music Guide
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