Aleecat by Alan Merrill

Artwork | Cover of Aleecatview larger image
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Classic Rock | 70's Rock

14 tracks | 46 minutes

Released Aug 2004
on MEC Records

Click Listen sample for a 30-second preview. All tracks are 192kbps high fidelity sound quality. Protected WMA $0.77 or unprotected MP3 $0.88.

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sample lyrics "DOWNLOAD" 03:24 Every Time She Comes Around lyrics FREE 03:24 Every Time She Comes Around lyrics "GIFT MP3" 03:24 Every Time She Comes Around
sample lyrics "DOWNLOAD" 03:02 Illusion lyrics BUY MP3 03:02 Illusion lyrics "GIFT MP3" 03:02 Illusion
sample lyrics "DOWNLOAD" 02:59 Trisha Uptown lyrics BUY MP3 02:59 Trisha Uptown lyrics "GIFT MP3" 02:59 Trisha Uptown
sample lyrics "DOWNLOAD" 03:19 No Speed Limit lyrics BUY MP3 03:19 No Speed Limit lyrics "GIFT MP3" 03:19 No Speed Limit
sample lyrics "DOWNLOAD" 02:28 Straight From Your Heart lyrics BUY MP3 02:28 Straight From Your Heart lyrics "GIFT MP3" 02:28 Straight From Your Heart
sample lyrics "DOWNLOAD" 03:23 Lost In Lust lyrics BUY MP3 03:23 Lost In Lust lyrics "GIFT MP3" 03:23 Lost In Lust
sample lyrics "DOWNLOAD" 03:23 Somebody Special lyrics BUY MP3 03:23 Somebody Special lyrics "GIFT MP3" 03:23 Somebody Special
sample lyrics "DOWNLOAD" 03:11 Next Time lyrics BUY MP3 03:11 Next Time lyrics "GIFT MP3" 03:11 Next Time
sample lyrics "DOWNLOAD" 02:31 Phoenix And The Renegade lyrics BUY MP3 02:31 Phoenix And The Renegade lyrics "GIFT MP3" 02:31 Phoenix And The Renegade
sample lyrics "DOWNLOAD" 03:34 Saxozone lyrics BUY MP3 03:34 Saxozone lyrics "GIFT MP3" 03:34 Saxozone
sample lyrics "DOWNLOAD" 03:54 Feet lyrics BUY MP3 03:54 Feet lyrics "GIFT MP3" 03:54 Feet
sample lyrics "DOWNLOAD" 03:18 Nothing To Lose lyrics BUY MP3 03:18 Nothing To Lose lyrics "GIFT MP3" 03:18 Nothing To Lose
sample lyrics "DOWNLOAD" 04:14 Woman (Come On Home) lyrics BUY MP3 04:14 Woman (Come On Home) lyrics "GIFT MP3" 04:14 Woman (Come On Home)
sample lyrics "DOWNLOAD" 03:21 When The Night Comes lyrics BUY MP3 03:21 When The Night Comes lyrics "GIFT MP3" 03:21 When The Night Comes

Modern rock n roll sounds with a 70s flavor, by the lead singer of UK hitmakers The Arrows.


Editorial review

A beautifully constructed collection of tightly coiled pop/rock from one of America's better-kept musical secrets -- Merrill's spangled past as a member of Vodka Collins and Arrows really never leaked out of Japan and Europe, respectively, but that hasn't prevented the New York native from undertaking a steady stream of solo albums, each of which proves that the ears that envisioned "I Love Rock 'n Roll" have not lost an iota of sparkle or passion across the intervening years. Aleecat was recorded in the U.K. in early 2004 with a backing band highlighted by Glitter Band mainstay Pete Phipps; from start to (almost) finish, it was cut in just 12 hours, a red-hot session that allows each song to stand on its barest attributes. The gorgeously Beatlesque "Illusion," the motorvatin' "No Speed Limit," the glam-stomping "Lost in Lust," and the mellow acoustics of "Phoenix and the Renegade" all sparkle with a sparseness that is all the more beautiful for the brittle bareness that gives the album a timelessness that a "fuller" sound would have stripped away altogether. That is reserved for the four bonus tracks, the distinctly late-'70s-shaded demos for a projected second album by Merrill's post-Arrows band, Runner. The highlight is the original demo of "When the Night Comes," a song later covered by Lou Rawls and Catherine Howe, and a prototype of "Feet (All Around the World)," which Merrill subsequently cut with the re-formed Vodka Collins. ~ Dave Thompson, All Music Guide

Bio / Background

The basic tracks of this album were recorded in London England, at Stone Room Studios in February 2004.

On a trip to London from his home in New York, former Arrows lead singer-guitarist Alan Merrill was given a couple of free days studio time by his old friend, the Stone Room studio owner Rob Cox.

He immediately called in his UK all-star rhythm section, Pete Phipps (Gary Glitter Band / XTC / Eurythmics) on drums, and Dave Glover (Slade / Brian Connolly's Sweet ) on bass. The trio recorded 9 basic tracks over the two days.

Then Alan Merrill returned to New York's Studio 900 with the tapes and brought in Joel Diamond for some keyboard flourishes. Diamond did his typically melodic and lyrical overdubs on piano and Hammond B-3 organ.

The album was then mixed by Frank Garfi, former live soundman at the famous New York club "Max's Kansas City".

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