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In Bed w/Her by Duke
Cutthroat Standards & Black Pop by Abby Travis
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fave it Goth | Glam
13 tracks | 73 minutes
Released Jul 2004
on Educational Recordings
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- sample lyrics "album only" 04:56 So Far Away lyrics "album only" 04:56 So Far Away lyrics "album only" 04:56 So Far Away
- sample lyrics "album only" 05:51 Of Eyes Remain lyrics "album only" 05:51 Of Eyes Remain lyrics "album only" 05:51 Of Eyes Remain
- sample lyrics "album only" 04:07 Have I Got A Deal For You lyrics "album only" 04:07 Have I Got A Deal For You lyrics "album only" 04:07 Have I Got A Deal For You
- sample lyrics "album only" 03:10 Sunday Is The Day For Love lyrics "album only" 03:10 Sunday Is The Day For Love lyrics "album only" 03:10 Sunday Is The Day For Love
- sample lyrics "album only" 04:11 Hope lyrics "album only" 04:11 Hope lyrics "album only" 04:11 Hope
- sample lyrics "album only" 02:22 Hangover Flower lyrics "album only" 02:22 Hangover Flower lyrics "album only" 02:22 Hangover Flower
- sample lyrics "album only" 05:28 Everything's Wonderful lyrics "album only" 05:28 Everything's Wonderful lyrics "album only" 05:28 Everything's Wonderful
- sample lyrics "album only" 04:19 October lyrics "album only" 04:19 October lyrics "album only" 04:19 October
- sample lyrics "album only" 02:50 Sometimes I Wish I Had A Gun lyrics "album only" 02:50 Sometimes I Wish I Had A Gun lyrics "album only" 02:50 Sometimes I Wish I Had A Gun
- sample lyrics "album only" 04:54 Bottom of the Sea lyrics "album only" 04:54 Bottom of the Sea lyrics "album only" 04:54 Bottom of the Sea
- sample lyrics "album only" 03:02 Monster lyrics "album only" 03:02 Monster lyrics "album only" 03:02 Monster
- sample lyrics "album only" 05:42 The Hate Song lyrics "album only" 05:42 The Hate Song lyrics "album only" 05:42 The Hate Song
- sample lyrics "album only" 22:13 Bonus Hidden Track lyrics "album only" 22:13 Bonus Hidden Track lyrics "album only" 22:13 Bonus Hidden Track
Glitter Rock Cabaret
Editorial review
Combining sonic and sartorial elements from Kate Bush, Siouxsie and the Banshees, and {+Phantom of the Opera}, the second record from Abby Travis is a very strange yet intriguing mishmash of pop and Victorian goth maneuvers. Cutthroat Standards & Black Pop is a fitting title for this alternately pretentious and sincere collection, which stylistically can only be called kitsch'n sink. Travis bounds from such show-tune numbers as "So Far Away" to a bit of Brecht/Weill-meets-Franziskaner madness on "Have I Got a Deal for You" to a loungy bossa nova groove on "Sunday Is the Day for Love." Like Elton John on his mid-'70s epics, Travis uses the CD canvas to prove her facility in multiple genres; a chanteuse for all seasons. Fortunately, she has the songwriting chops and malleable voice to do it; unfortunately, she goes to extremes in her steering, weighing down her songs with arrangements and deliveries excessively Elizabethan and thickly maudlin. The tiresome goth show-tune dramatics of "October" ("embrace the naked moon of Halloween") show Travis' bad side -- allowing her interest in cultivating an image to prevail over making sure the songs hold up as songs, first and foremost. For every cute <I>bon mot</I> (her reasoning on "Sometimes I Wish I Had a Gun" is, simply enough, "'cuz competition isn't fun"), there's a lapse into juvenile poetry, rendering Cutthroat Standards & Black Pop a flawed if unique listen. ~ Joseph McCombs, All Music Guide
Bio / Background
Looking for a truly modern Diva? Abby Travis has arrived. Her voice is A sultry cross between Debbie Harry and Julie London. Her lyrics and melodies are elegant. Her performances are true drama, magical and expertly executed. She is a critic's favorite appearing with alarming frequency in publications like Billboard, Entertainment Today, Alternative Press, The LA Times and The Washington Post.
And there's more! The vessel for this wealth of talent is overflowing with super Femme- Fatale sensuality. Abby' s been blessed with the face of a 40's movie star and a pin- up body straight out of a Russ Myers film! The Art World Understands that She is both master musician and muse: In one weekend alone there are two portraits of Abby being shown at Los Angeles Galleries: (Howard Hallis at Backstreet Gallery 2/28, Kristian Hoffman Retrospective/ at Gallery 4016 2/27).
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Abby has a punk rock pedigree worthy of royalty and undisputable street cred dating back to the tender age of sixteen, when she played bass for The Love Dolls, a tongue-in-cheek combo spawned from director Dave Markey's underground cult film of the same name. During the 1995 Lollapalooza tour, she astounded the nation playing Bass in back-to-back sets with Beck and Elastica. For years, she played and sang in the house band at Hollywood's hottest and most popular club Make-Up, backing luminaries like Dee Dee Ramone, Jayne County, and The Runaways. She has performed and/or recorded with the likes of Exene Cervenka's Original Sinners, Michael Penn, KMFDM, Vanessa Paradis, El Vez and even Spinal Tap!
In 1998, she began her solo career with the full length CD The Abby Travis Foundation. Travis produced, penned and released Foundation on her own label. After a nationwide tour and a Japanese release of this CD, Abby followed up with Cutthroat Standards & Black Pop (co-produced by Travis with Kristian Hoffman), in 2001. Cutthroat took Travis' artistry and vision up a notch; nearly single-handedly spearheading the nation-wide 1920's cabaret music revival. The Washington Post described this CD as a "Brecht-Weill" epiphany. As a vampy, feather-headressed chanteuse, she has been selling out venues across the country.
Not only have the art and music worlds taken notice of Ms. Travis; Her spellbinding charisma and excellent comic timing have made her a sought after actress on stage and screen. Travis has appeared in the films Shadow Hours, Weathermen 69 and The Book of Manson; and starred in award-winning playwright Justin Tanner's The Strip, where Lily Tomlin and Jack Black were often spotted in the front row.
Music remains Travis' true love and Abby's newest work is her most sophisticated and accessible to date. In the wryly-existential "Now Was" Abby asks:
"What's to prove? Regurgitated shallow views/ A sunset on a sea of ewes/"baaaa, baaaa" before declaring that "Now was the time to carry on!"
In "Hunger" (which also features guest appearances by luminaries Donita Sparks of L7 and Monique Powell of Save Ferris) Abby describes her subject as "the rasp of an Asp that consumes it's own tail". Travis can be sweet as well. "Blythe" is a love ballad worthy of Dolly Parton and "Grace" is a shimmering distillation of the state it describes with fantastic production and floating vocal performances.
So Far in 2004, Abby Appears on upcoming releases by the Go-Go's Kathy Valentine, guitarist Kid Congo Powers (formerly of The Cramps, Gun Club, and Nick Cave) and Fine artist Raymond Pettibon. Her underscore is prominent in the DVD anniversary release of Dave Markey's "Lovedolls Superstar". Look for her incredible cover of the classic Shangri La's selection "Past, Present and Future" as the theme for "Tina The Party Pooper" in The 04 DVD Release of Markey's Collected Short films as well. Abby also found time to produce the next full length release by Brian Grillo (Extra Fancy) due on on Spitshine Records in September. Several of her songs have appeared as featured cuts on The prime time show "High School Reunion" (The WB) this year.
If this were Hollywood's Golden Age, Abby would be starring in a big budget musical at a major studio. Happily we still have the chance to see this diva up close. Full of imagination, incomparable beauty and the chops to back it up, Abby Travis is a star who has truly arrived.
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