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Put your hands on the remote! browse music »My Little Fire-Filled Heart by Tara VanFlower
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fave it Experimental | Soundscapes
12 tracks | 65 minutes
Released May 2005
on Silber Records
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- sample "DOWNLOAD" 00:54 ligertily BUY MP3 00:54 ligertily "GIFT MP3" 00:54 ligertily
- sample "DOWNLOAD" 03:18 yaya BUY MP3 03:18 yaya "GIFT MP3" 03:18 yaya
- sample "DOWNLOAD" 06:48 rabbit BUY MP3 06:48 rabbit "GIFT MP3" 06:48 rabbit
- sample "DOWNLOAD" 03:52 the honour of silence BUY MP3 03:52 the honour of silence "GIFT MP3" 03:52 the honour of silence
- sample "DOWNLOAD" 05:48 naked king BUY MP3 05:48 naked king "GIFT MP3" 05:48 naked king
- sample "DOWNLOAD" 06:53 silverback BUY MP3 06:53 silverback "GIFT MP3" 06:53 silverback
- sample "DOWNLOAD" 07:37 the girl from the green dimension BUY MP3 07:37 the girl from the green dimension "GIFT MP3" 07:37 the girl from the green dimension
- sample "DOWNLOAD" 06:27 i lost the moon BUY MP3 06:27 i lost the moon "GIFT MP3" 06:27 i lost the moon
- sample "DOWNLOAD" 04:03 a rusted nail through the wrist BUY MP3 04:03 a rusted nail through the wrist "GIFT MP3" 04:03 a rusted nail through the wrist
- sample "DOWNLOAD" 08:01 a conversation with Death FREE 08:01 a conversation with Death "GIFT MP3" 08:01 a conversation with Death
- sample "DOWNLOAD" 11:28 wren BUY MP3 11:28 wren "GIFT MP3" 11:28 wren
- sample "DOWNLOAD" 00:37 tigerlily BUY MP3 00:37 tigerlily "GIFT MP3" 00:37 tigerlily
Tara's long-awaited follow up to her debut solo album This Womb Like Liquid Honey entitled My Little Fire-Filled Heart. This release was composed, performed, and produced entirely by Tara using her talented voice, traditional and improvised percussive in
Editorial review
Tara Vanflower's second solo effort continues in the same striking, loving vein as her first -- it's the sound of someone confounding expectations based on her group work to make her own personal, entrancing statement. Certainly there's no mistaking the soft singing and echo that open up the album with "Ligertily" as being anyone or anything but that of the voice that helps make Lycia so lovely, but the fragmentary nature of the song, combined with the soft, backward-masked guitar shards, is miles away from that band's serene, percussion-driven glowering. From there, My Little Fire-Filled Heart suggests a series of contrasts, Vanflower's voice (often singing spiked, sharp words suggesting controlled currents of violence or obsession) contrasting against murky though never overly chaotic collages of sound -- "Silverback" and its clattering bells and buried spoken word samples, for instance, or the Tom Waits-like "cabaret in a coal mine" beats of "A Rusted Nail Through the Wrist" -- or empty, minimal arrangements. Often examples of the latter, such as "Rabbit" or "The Girl from the Green Dimension," work best as songs, since Vanflower's singing provides the core melody on its own, the equivalent of whistling past a graveyard come to unquiet life. Other standouts include the rhythmic grunts and calls underpinning the chants of "Naked King," the rainfall and soft chiming of the 11-minute "When," and the reworking of the traditional song "A Conversation With Death," with Vanflower combining several different ways of singing the words into an overlapping whole. One of the best efforts is an inspired cover of Death in June's "The Honour of Silence," which transitions from the buried shards of sounds in "Rabbit" to include a dark synth drone over which Vanflower sings. It's a striking balance of sounds, with Vanflower harmonizing with herself for even stronger effect. ~ Ned Raggett, All Music Guide
Bio / Background
Experimental-ambient recording artist Tara Vanflower, best known for her work on keyboards and vocals with darkwave artists Lycia, has a history in music performance and writing dating back over 10 years. Blessed with a multi-octave voice capable of many diverse forms and an eclectic writing style, Tara has created selected ambient works showcasing the darker side of her compositional skills.
Tara is currently promoting the long-awaited follow up to her debut solo album This Womb Like Liquid Honey entitled My Little Fire-Filled Heart. This release was composed, performed, and produced entirely by Tara using her talented voice, traditional and improvised percussive instruments, and some guitar work. This album is very ambient and organic. Her vocal ranges from the playfully seductive to the passionately aggressive. Utilizing loops to fill out the background, Tara has created a blissful wash of echoing chimes, throbbing basses, and howling choruses.
↓ more ↓The pieces on this album are very free form in tempo, but blissfully appealing to ears attuned to more "experimental" artists such as instuerzende Neubauten, Current 93, and Nurse With Wound. In songs such as "I Lost The Moon," for example, Tara creates a musical piece that is more "textured" than "composed." A soft choir of heavy breathing duels with an improvised guitar track and Tara's aching voice for control of the listener.
This album features an excellent rendition of Death In June's "The Honor Of Silence," as well as the traditional piece "A Conversation With Death." Spanning 10 tracks, this release is certain to provide hours of blissful sonic seduction.
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