Top tracks
Listeners also bought
Other Contemporary albums
Other Asian albums
Put your hands on the remote! browse music »Rinko EP by The Degenerate Art Ensemble
view larger image
fave it Contemporary | Asian
10 tracks | 32 minutes
Released May 2003
on Unit Circle Rekkids
Click
for a 30-second preview. All tracks are 192kbps high fidelity sound quality. Protected WMA $0.77 or unprotected MP3 $0.88.
listen album 30sec. shuffle buy CD review album promote album
- sample "DOWNLOAD" 03:49 Hibernation BUY MP3 03:49 Hibernation "GIFT MP3" 03:49 Hibernation
- sample "DOWNLOAD" 01:44 The Woman awakes... BUY MP3 01:44 The Woman awakes... "GIFT MP3" 01:44 The Woman awakes...
- sample "DOWNLOAD" 06:02 The Hunt BUY MP3 06:02 The Hunt "GIFT MP3" 06:02 The Hunt
- sample "DOWNLOAD" 02:21 The Target BUY MP3 02:21 The Target "GIFT MP3" 02:21 The Target
- sample "DOWNLOAD" 03:55 Silence BUY MP3 03:55 Silence "GIFT MP3" 03:55 Silence
- sample "DOWNLOAD" 02:49 Interlude BUY MP3 02:49 Interlude "GIFT MP3" 02:49 Interlude
- sample "DOWNLOAD" 02:09 Guilt BUY MP3 02:09 Guilt "GIFT MP3" 02:09 Guilt
- sample "DOWNLOAD" 02:29 Confrontation BUY MP3 02:29 Confrontation "GIFT MP3" 02:29 Confrontation
- sample "DOWNLOAD" 04:49 Circle BUY MP3 04:49 Circle "GIFT MP3" 04:49 Circle
- sample "DOWNLOAD" 02:24 Chase BUY MP3 02:24 Chase "GIFT MP3" 02:24 Chase
Avant-post-modern-experimental-classical music
Bio / Background
This Seattle orchestra, formerly known as The Young Composer's Collective, is sort of like a Kronos Quartet for the Coffee Generation (only with way more players -- ten on this release, to be exact). Which is not to say that they're amped up or anything, but that they have a more "modern" approach to classical musical and traditional sounds. Under their earlier name released a soundtrack to Fritz Lang's METROPOLIS [un-labeled records]; on this one they worked with Scott Colburn, who has also worked with The Climax Golden Twins and The Black Cat Orchestra. So obviously they have a good pedigree.... Their sound is that of an orchestra (albeit a most unconventional one), and they coax some unusual rhythms and sounds from their instruments on this release, the music based on a butoh dance and concept by Haruko Nishimura. I'm not familiar enough with butoh to know how this fares by comparison to other butoh-styled music, but it's certainly engaging enough in its own right.
↓ more ↓Occasionally unsettling, too -- just as you've been lulled into submission by the low-key "The Woman Awakes," the giant percussion of "The Hunt" will make you literally jump out of your seat. The opening piece "Hibernation" is a perfect example of their sense of dynamics, with the instruments slowly swelling in volume then receding, over time growing louder and more "awake."
The danger and uneasiness of traditional butoh comes through in "The Target," which is almost all wildly unpredictable percussion (percussionist Robert Walker is particularly spectacular all across the disc, actually). I find "Interlude" especially interesting, given its echoes of Tony Conrad in the dissonant intervals and drones that build to a frenzied full band climax before fading away and coming back in a more chromatic fashion. The thundering rhythms in in "Confrontation" are closer to tribal psychosis than anything i normally associate with the orchestra -- maybe i've been listening to the wrong stuff all the time, eh? The crickets (or mimicry of such) at the end are a nice touch....
Their initial assault of sonic violence at the beginning of the final track, "Chase," is worthy of early Neubaten, only in the context of an orchestra as opposed to maniacs playing shopping carts and bandsaws. In fact, the whole tone of the the piece is pretty strident, and much heavier than you'd expect, plus laced with plenty of dissonance for my taste. Drop in unexpected bursts of percussion heaviess and riffs that gradually fade out and slow down in perfect time and you have moments of pure heaviness in a most unexpected context. Recommended, and not just for the classical or butoh enthusiasts, either. (Dead Angel, Issue #48)
↑ less ↑









