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Put your hands on the remote! browse music »Yesca One by Travis Baker & Sara Schoenbeck
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fave it Free Jazz
11 tracks | 39 minutes
Released Jul 2006
on Spool
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- sample lyrics "DOWNLOAD" 04:30 12341241 lyrics BUY MP3 04:30 12341241 lyrics "GIFT MP3" 04:30 12341241
- sample lyrics "DOWNLOAD" 03:01 Cards #2 lyrics BUY MP3 03:01 Cards #2 lyrics "GIFT MP3" 03:01 Cards #2
- sample lyrics "DOWNLOAD" 02:40 Blip lyrics BUY MP3 02:40 Blip lyrics "GIFT MP3" 02:40 Blip
- sample lyrics "DOWNLOAD" 03:57 When One lyrics BUY MP3 03:57 When One lyrics "GIFT MP3" 03:57 When One
- sample lyrics "DOWNLOAD" 04:20 Yesca One lyrics BUY MP3 04:20 Yesca One lyrics "GIFT MP3" 04:20 Yesca One
- sample lyrics "DOWNLOAD" 02:13 Bungalow Hop lyrics BUY MP3 02:13 Bungalow Hop lyrics "GIFT MP3" 02:13 Bungalow Hop
- sample lyrics "DOWNLOAD" 02:21 Extra Over lyrics BUY MP3 02:21 Extra Over lyrics "GIFT MP3" 02:21 Extra Over
- sample lyrics "DOWNLOAD" 03:06 Rocky Clucks lyrics BUY MP3 03:06 Rocky Clucks lyrics "GIFT MP3" 03:06 Rocky Clucks
- sample lyrics "DOWNLOAD" 04:47 Cards #1 lyrics BUY MP3 04:47 Cards #1 lyrics "GIFT MP3" 04:47 Cards #1
- sample lyrics "DOWNLOAD" 06:44 Seven lyrics BUY MP3 06:44 Seven lyrics "GIFT MP3" 06:44 Seven
- sample lyrics "DOWNLOAD" 01:23 Effervescing lyrics BUY MP3 01:23 Effervescing lyrics "GIFT MP3" 01:23 Effervescing
Free Improvisation
Editorial review
A duo session between bass and bassoon is not something you come across often. At first one could think Yesca One has to do with contemporary classical, but no, it has been released in Spool's improvisers series (the label also has a composers series). Bassoonist Sara Schoenbeck and bassist Travis Baker obviously have background in classical music. You can hear it in their phrasing, their pacing, and the way they develop their melodic material. Roughly half of the 11 pieces seem to be fully improvised. Three are Baker compositions; two more were derived from Ellen Burr's Card Composition System. Baker's "12341241" opens the album elegantly with a slightly mournful piece that has more to do with chamber music than improv. Schoenbeck displays an interesting multiphonics technique in "Cards #2." When they improvise, the two musicians show an impressive level of telepathy, varying dynamics in perfect synchronization ("When One"), but in some instances the music remains a bit cold and distant. Baker's compositions tend to lean more toward contemporary music and yet they feel more immediate, reaching a peak in the lyrical "Seven," the longest track at close to seven minutes. Yesca One clocks in at 39 minutes. Listeners could have taken more of this, yet it gives a nice first look at what these two can do -- and a rare glimpse at the bassoon in a free improv context. ~ Fran?ois Couture, All Music Guide
Bio / Background
Travis Baker, bass
Sara Schoenbeck, bassoon
This recording is the culmination of a two year process of experimenting with instrumental possibilities stemming from a mutual love of extended technique, microtonal music and a willingness and desire to explore the many facets of the human psyche through sound. The depth and richness of the unique combination of Bassoon and Doublebass, two instruments typically known as support instruments lends credence to this duo’s commitment to the expansion of the vocabulary and voices of their respective instruments.
Recorded and mixed at Blue Wave Studios by Shawn Pierce. Produced by Travis Baker.
What the Critics are Saying:
Both Travis Baker and Sara Schoenbeck are virtuosi on their instruments, and their coupling, which may seem odd at first, makes perfect sense. The bassoon and bass roughly share the same range, with strikingly different timbre.
↓ more ↓I'd guess from Schoenbeck's clear tone, crisp articulation, and fine sense of rhythm that she comes from a classical background. Her improvisational skills are finely honed too, as she listens carefully, producing well developed lines. Occasionally she explodes, but she is most comfortable with short runs and logical phrasing. Baker, on the other hand, is more carefree in his approach, more likely to let loose, to experiment, to scratch beneath the surface. Together they are an impressive pair, complementing one another and interacting precisely, although the bassoon is the dominant voice. ... The results are more than a curio; they are something of value.
Steve Loewy, Cadence
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