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Put your hands on the remote! browse music »The Fundamentals by Theo Croker
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fave it Jazz Fusion | Traditional Jazz Combo
10 tracks | 59 minutes
Released Dec 2006
on Left Sided Music
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- sample lyrics "DOWNLOAD" 02:53 Interlude One lyrics BUY MP3 02:53 Interlude One lyrics "GIFT MP3" 02:53 Interlude One
- sample lyrics "DOWNLOAD" 07:27 Focus lyrics BUY MP3 07:27 Focus lyrics "GIFT MP3" 07:27 Focus
- sample lyrics "DOWNLOAD" 01:57 Interlude Two lyrics BUY MP3 01:57 Interlude Two lyrics "GIFT MP3" 01:57 Interlude Two
- sample lyrics "DOWNLOAD" 06:27 The Middle Passage lyrics BUY MP3 06:27 The Middle Passage lyrics "GIFT MP3" 06:27 The Middle Passage
- sample lyrics "DOWNLOAD" 05:41 With You lyrics BUY MP3 05:41 With You lyrics "GIFT MP3" 05:41 With You
- sample lyrics "DOWNLOAD" 08:28 The Fundamentals lyrics FREE 08:28 The Fundamentals lyrics "GIFT MP3" 08:28 The Fundamentals
- sample lyrics "DOWNLOAD" 09:36 Blooze lyrics BUY MP3 09:36 Blooze lyrics "GIFT MP3" 09:36 Blooze
- sample lyrics "DOWNLOAD" 07:19 Falling lyrics BUY MP3 07:19 Falling lyrics "GIFT MP3" 07:19 Falling
- sample lyrics "DOWNLOAD" 03:08 Interlude Three lyrics BUY MP3 03:08 Interlude Three lyrics "GIFT MP3" 03:08 Interlude Three
- sample lyrics "DOWNLOAD" 06:13 Left Sided lyrics BUY MP3 06:13 Left Sided lyrics "GIFT MP3" 06:13 Left Sided
"There are good, great and nice musical players, but then there are phenomenal instrumentalist such as Theo. I would place Theo in a class of musicians who will redirect the flow, change and alter the current of today's New Jazz." -Donald Byrd
Editorial review
The grandson of the late Doc Cheatham trumpeter Theo Croker's outstanding debut as a leader would have made his grandfather very proud. Assembling a group of presumably young lions (Croker was around twenty one years old at the time of recording), the trumpeter wrote and arranged everything. Unlike many such projects, where a leader has the chops but isn't quite ready to showcase so much original material at once, Croker displays a surprising gift for creating memorable pieces that hold one's interest. The opener, "Interlude One," features the only overdubs of the section, a chorus of trumpets playing an intricate progression that is based upon the harmonic progression of "The Fundamentals." "Focus" is a wild post-bop vehicle with crisp unison lines and terrific percussion by drummer Ulysses Bim Owens. "Middle Passage" opens with an ominous vamp before developing into a slinky blues, highlighted by the leader's expressive playing. But the acid test is playing at a slow tempo and Croker shines in "With You," a masterful ballad that shows his obvious gifts as a thoughtful player and composer. Alto saxophonist Stantman Kendrick, trombonist Andre Murchison, pianist Sullivan Fortner and bassist Chris Mees all provide excellent support throughout the session. ~ Ken Dryden, All Music Guide
Bio / Background
A great teacher once told me “Some people want to play music and some people have to play music.” To me, music feeds the soul of anyone who is willing to connect to it. This connection can be established through composition, academic study, performance, or simply opening your ears. Since music has had such a profound influence on my life and spirit, I feel the desire to similarly inspire those around me. I am one of those people who have to play music.
This album was recorded in one session without the use of splicing or overdubbing (with the exception of interlude one).
Interlude One, as well as the second and third interludes, is based on the harmonic progression of the title track. This first melody (of five) will later be heard as the bass line for The Fundamentals.
Focus, which frequently shifts meters, was inspired by a great drummer and close friend, Kassa Overall.
Interlude Two is a return to the harmonic material from The Fundamentals.
↓ more ↓Here, we explore the harmony under the influence of a heavy 6/4 groove. This song was composed to display the beautiful tone and dance-like phrasing of trombonist Andre Murchison.
The Middle Passage represents the journey of the African to the New World. It was in the bottom of a ship that the spirit of the blues was born. Deeply rooted in a 6/8 groove, the feel is dictated “with no mercy” by bassist Chris Mees.
With You is a slow love song composed with a Strayhorn/Ellingtonian influence and can best be understood through its lyrics: “Sometimes- I sit- and think of things in this world that make me complete- And I notice- that all of these things- are with you- And I start to think- If I did lose you- then I’d be in a world that nobody knows- So all that- I need in this world- is to be with you.” This song is dedicated to Eva.
The Fundamentals (as expressed earlier) is the theme of life and purpose. It is in a 15/8 meter and deals with a repeating pattern of four chords. The harmony is rooted in a tri-chord system built off of the one, the flatted fifth, and the major seventh. The chords move in a succession of fourths.
Blooze is at a tempo that the band refers to as “grown ass man tempo-” slow, steady, and with lots of soul. This is the first opportunity to hear bassist Chris Mees as a soloist and also features an unaccompanied piano solo by Sullivan Fortner.
Falling was composed for Sullivan Fortner to display his unique and very soulful style. It is meant to evoke the feeling of a gentle, weightless, and endless descent.
Interlude Three is the final variation of The Fundamentals. Fast and Swingin’, it was composed to feature saxophonist Stantwan Kendrick and drummer Ulysses “Bim” Owens.
Left Sided is about being on the left side of things. About taking a step to the left and marking your own path.
It is my aspiration to push music beyond the limits and expectations defined by tradition. Jazz encompasses many elements of life & music. It is a lifestyle, not a title or classification. With the recent rise in popularity of Jazz education and preservation, I fear that many (not all) of my peers have lost sight of a purpose in the music. We cannot place the blame upon the current cultural and artistic state of our society. We must remember that we as people define what art is and what art is not. My music must be explored as far as my soul will go. These are my fundamentals.
I would like to thank my family for their endless love & support, all of my teachers for their guidance & tolerance, Donna & Stewart Kohl for their continuous support & friendship, the band & my good friends, Ulysses, Stantwan, Andre, Sullivan, and Chris for their hard work and dedication to the music. This album is dedicating to the loving memory of my father.
Musically yours,
Theo Croker
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