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Zoetosis by Telomere
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fave it Ambient
7 tracks | 54 minutes
Released Feb 2005
on Evenfall
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- sample lyrics "DOWNLOAD" 09:19 Awakening lyrics BUY MP3 09:19 Awakening lyrics "GIFT MP3" 09:19 Awakening
- sample lyrics "DOWNLOAD" 09:17 Microcosmos lyrics BUY MP3 09:17 Microcosmos lyrics "GIFT MP3" 09:17 Microcosmos
- sample lyrics "DOWNLOAD" 07:39 Idiochrome lyrics BUY MP3 07:39 Idiochrome lyrics "GIFT MP3" 07:39 Idiochrome
- sample lyrics "DOWNLOAD" 06:34 Ancient Uplift lyrics BUY MP3 06:34 Ancient Uplift lyrics "GIFT MP3" 06:34 Ancient Uplift
- sample lyrics "DOWNLOAD" 08:50 Evocation lyrics BUY MP3 08:50 Evocation lyrics "GIFT MP3" 08:50 Evocation
- sample lyrics "DOWNLOAD" 06:56 Dawnlight lyrics BUY MP3 06:56 Dawnlight lyrics "GIFT MP3" 06:56 Dawnlight
- sample lyrics "DOWNLOAD" 05:56 First Forest lyrics BUY MP3 05:56 First Forest lyrics "GIFT MP3" 05:56 First Forest
Telomere's sophomore effort expands upon the ambient space music foundations laid in "Astral Currents". Composed primarily on the Serge Modular Synthesizer, Zoetosis shimmers with slowly sweeping tones and spacious harmonies.
Bio / Background
From Chuck van Zyl, host of Star's End:
Chris MacDonald is better known to STAR'S END listeners as Telomere by way of his 1998 debut album ASTRAL CURRENTS. On this recording, Telomere established himself as one of spacemusic's foremost deep-drift stylists. His fresh insight into the relationship between sound and psyche continues on ZOETOSIS. With barely a rhythm or melody, Telomere produces engaging harmonies and evolving timbres to convey profound musical ideas. Drones swell up deliberately into a slowly sweeping soft mass while tones change continually between pencil thin lines and dripping wet brush strokes. Within each piece and throughout the album is a sense of movement - a slow motion of cosmic ideas. The spirituality of the synthesizer can be felt fully as electrical current is transformed into synthesized sound. Telomere's music ascends with a clarity of vision found only far above the earth's atmosphere.
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