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Put your hands on the remote! browse music »Other Stories by Taylor Ho Bynum
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fave it Weird Jazz | Contemporary
10 tracks | 56 minutes
Released Nov 2005
on 482 Music
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- sample "DOWNLOAD" 06:48 Supo Eno Part One BUY MP3 06:48 Supo Eno Part One "GIFT MP3" 06:48 Supo Eno Part One
- sample "DOWNLOAD" 04:42 Supo Eno Part Two BUY MP3 04:42 Supo Eno Part Two "GIFT MP3" 04:42 Supo Eno Part Two
- sample "DOWNLOAD" 11:46 Supo Eno Part Three BUY MP3 11:46 Supo Eno Part Three "GIFT MP3" 11:46 Supo Eno Part Three
- sample "DOWNLOAD" 02:51 Supo Eno Part Four BUY MP3 02:51 Supo Eno Part Four "GIFT MP3" 02:51 Supo Eno Part Four
- sample "DOWNLOAD" 01:19 Stuart's Theme BUY MP3 01:19 Stuart's Theme "GIFT MP3" 01:19 Stuart's Theme
- sample "DOWNLOAD" 01:29 Small Mistakes BUY MP3 01:29 Small Mistakes "GIFT MP3" 01:29 Small Mistakes
- sample "DOWNLOAD" 03:02 Together BUY MP3 03:02 Together "GIFT MP3" 03:02 Together
- sample "DOWNLOAD" 06:59 Dakinis' Dance BUY MP3 06:59 Dakinis' Dance "GIFT MP3" 06:59 Dakinis' Dance
- sample "DOWNLOAD" 10:57 Chuck BUY MP3 10:57 Chuck "GIFT MP3" 10:57 Chuck
- sample "DOWNLOAD" 06:23 Meditation BUY MP3 06:23 Meditation "GIFT MP3" 06:23 Meditation
"The best album of the year." - All About Jazz
Editorial review
This album is Taylor Ho Bynum's first large project on record billed to his own name. At first, the cornetist had devised SpiderMonkey Strings as a classical string quartet with two violins (Jason Kao Hwang and Jean Cook), viola (Stephanie Griffin), and cello (Okkyung Lee), augmented by an electric guitar (Peter Fitzpatrick) and the cornet. That's the instrumentation heard on the six-minute-long "The First Three Lives of Stuart Hornsley," a funny little piece recorded in April 2003. It is sandwiched between two longer pieces (around 25 minutes each) recorded in February 2005 by a nonet version of the band that now also features tuba (Joe Daley), drums (Luther Gray), and vibraphone (Jay Hoggard) -- there have also been a few changes in the string section, Jessica Pavone and Tomas Ulrich respectively replacing Cook and Lee. This nonet can make a lot of noise (as featured in the raucous second section of "SpiderMonkey Stories"), but Bynum knows how to keep control in the quiet, more delicate passages of "Supo Eno," by far the most surprising composition here. This four-part suite offers an unusual blend of complex Anthony Braxton-like interactions, contemporary string quartet work, and string-drenched post-rock. The music morphs from one style or influence to another -- Bynum is not flipping channels, he tries hard to make these changes sound natural, almost required by the music. It doesn't always work out that well, but at least he is going for something different as a composer and his writing has enough interesting strengths and quirks to tone down any areas that need improvement (and no doubt will be improved in the next few years). Some passages would have benefited from one or two extra takes and the instruments lack a bit of separation in the nonet recordings, but otherwise Other Stories makes a fine, promising initial statement from Bynum the bandleader. ~ Fran?ois Couture, All Music Guide
Bio / Background
Other Stories [Three Suites] is the debut CD from trumpeter/composer Taylor Ho Bynum's SpiderMonkey Strings. Named after two mythic tricksters, Anansi the Spider of West Africa and the Monkey King of China, this all-star ensemble brings a genre-defying spirit and sense of humor to its eclectic extended suites.
"With SpiderMonkey Strings, I am blessed to work with many of the finest musicians and improvisers on the East Coast," Bynum writes. "In 2002, I received a commission for the recording of a film score ("The First Three Lives of Stuart Hornsley," directed by Leigh Dana Jackson) for string quartet. I was so excited by the personalities and musicianship of that string quartet, that I combined it with the guitar, tuba, and drums I had been performing with to to create a working band, and my focus for composing and bandleading.
↓ more ↓Along with composing in the Ellington tradition of writing with specific musicians in mind, I have also been particularly influenced by the concepts of Charles Ives and Anthony Braxton for musically independent sub-ensembles coexisting in one sonic space. The instrumentation gives me a wealth of different compositional possibilities."
Bynum has been called "a cutting edge trumpet phenom" (Boston Phoenix), "a creative force" (Boston Globe), "a distinct voice that never succumbs to simple paths" (Cadence) and "a marvelous cornetist with an outwardly directed post-bop sensibility (AllAboutJazz.com). The Village Voice's Francis Davis adds, "Bynum is one of the savviest trumpeters to come along in recent years, a growling sound-and-space man in the tradition of Lester Bowie." In addition to sideman work with legends including Braxton and Cecil Taylor, he has appeared on more than 30 recordings and performs regularly with the Fully Celebrated Orchestra, the Jason Kao Hwang Quartet, the Matana Roberts Quartet, Ghanaian master drummer Kwaku Kwaakye Obeng's band and the avant-salsa group, Zemog el Gallo Bueno. He has also recently toured Europe and North America with Braxton's Sextet, Twelvetet, and Trio, with more performances coming this fall. Along with SpiderMonkey Strings, Bynum leads his own sextet and has an ongoing duo collaboration with dancer/choreographer Rachel Bernsen.
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"I have had different projects called SpiderMonkey for many years. I have a fascination with trickster myths and trickster mythology and so SpiderMonkey, of course, being named after the two great trickster spirits: Anansi the Spider and the Monkey King, from Africa and Asia respectively. For me, the trickster embodies a lot of the attributes that are necessary to be a creative artist, a sense of humor, a sense of reverence, a type of spirituality, a willingness to play in the ambiguous areas. It is not all black and white. It is not all good and evil. It is the unknown and we should celebrate that. So I have always had this fixation with that and so often, when I have a project of unusual instrumentation, I named it SpiderMonkey... It is a totally different place to be, an incredible challenge for me because there are certain things that I know how to do when I am in front of a bass player and drummer that I just can't do in this context. It is a whole different way for me to blend as a cornet. I don't want it to be me with strings. I want it to be a band that has a sound that has strings and a cornet in an organic way, as opposed to a featured soloist with a string quartet behind them. It's a great challenge to figure out how to write for that, how to be a part of that, how to play in that." -Taylor Ho Bynum
Musicians: Taylor Ho Bynum (cornet), Jason Kao Hwang (violin), Jessica Pavone (violin & viola), Stephanie Griffin (viola), Tomas Ulrich (cello), Pete Fitzpatrick (guitar), Joseph Daley (tuba), Luther Gray (drums), Jay Hoggard (vibraphone) with Jean Cook (violin), Okkyung Lee (cello)
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