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Put your hands on the remote! browse music »The Composer Plays III: Works for Imaginary Piano by Steve Layton
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fave it Experimental | Contemporary
11 tracks | 64 minutes
Released Mar 2004
on Steve Layton
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- sample "DOWNLOAD" 04:07 And Then It Rained BUY MP3 04:07 And Then It Rained "GIFT MP3" 04:07 And Then It Rained
- sample "DOWNLOAD" 11:19 Jeff Harrington - BlueStrider BUY MP3 11:19 Jeff Harrington - BlueStrider "GIFT MP3" 11:19 Jeff Harrington - BlueStrider
- sample "DOWNLOAD" 05:31 Pegasus BUY MP3 05:31 Pegasus "GIFT MP3" 05:31 Pegasus
- sample "DOWNLOAD" 03:18 Harbisong BUY MP3 03:18 Harbisong "GIFT MP3" 03:18 Harbisong
- sample "DOWNLOAD" 09:48 Appearances and Disappearances BUY MP3 09:48 Appearances and Disappearances "GIFT MP3" 09:48 Appearances and Disappearances
- sample "DOWNLOAD" 06:04 Kolokola and Apaches BUY MP3 06:04 Kolokola and Apaches "GIFT MP3" 06:04 Kolokola and Apaches
- sample "DOWNLOAD" 03:12 Dasamuka BUY MP3 03:12 Dasamuka "GIFT MP3" 03:12 Dasamuka
- sample "DOWNLOAD" 05:12 Unseen Figure BUY MP3 05:12 Unseen Figure "GIFT MP3" 05:12 Unseen Figure
- sample "DOWNLOAD" 03:24 Hanuman BUY MP3 03:24 Hanuman "GIFT MP3" 03:24 Hanuman
- sample "DOWNLOAD" 08:45 Iannis Xenakis - Evryali BUY MP3 08:45 Iannis Xenakis - Evryali "GIFT MP3" 08:45 Iannis Xenakis - Evryali
- sample "DOWNLOAD" 03:48 American Ghost Song BUY MP3 03:48 American Ghost Song "GIFT MP3" 03:48 American Ghost Song
Subtle, strong and absolutely musical realizations of both "possible" and "impossible" contemporary piano music.
Bio / Background
Continuing his exploration of composition and performance with "virtual" piano, Seattle-based composer Steve Layton (b. 1956) offers the third in his series of "The Composer Plays" CDs. For the first time in the series, in addition to his own works Layton here performs compositions by two other excellent composers: New Yorker Jeff Harrington (b. 1955), and the late master Iannis Xenakis (1922-2001).
Harrington's "BlueStrider" is a pounding monster of a piece, with the drama and contrapuntal skill of Beethoven and Stravinsky married with Harrington's own New Orleans barrel-house-blues roots. Obsessive riffs weave their way through both iron-clad logic and exuberance.
Xenakis' "Evryali" is one of the pianistic monuments of the late 20th century, full of fearsome blocks of sound and densely intertwining branches of pulsing lines; so dense at times that virtually no single pianist can manage all of the notes in places.
↓ more ↓Layton's own "virtual" realization allows all of what Xenakis wrote to be heard just as he wrote it.
Layton's own music is sometimes extremely complex, other times deceptively simple, with the full gamut of moods, colors, tonality and chromaticism; a kind of delerious and unpredictable "hyper-romanticism", yet with a kind of deep formal structure. He often attempts to integrate "impossible" kinds of pianism with the traditionally possible, in a seamless fashion that makes those kinds of distinctions melt away into the simple intensity of the musical experience.
No musical keyboard was touched for any of these performances; yet each is an absolutely convincing and real musical experience, with each note crafted by the mind and "touch" of the composer himself.
A nearly life-long resident of the Pacific Northwest, Steve Layton has built an imposing body of work over the last twenty-five years, both for traditional as well as electronic instrumentation. Besides "classical", he knows that Art can be made with any style, so is equally open to creating work that borrows (or subverts) pop, ethnic, and historical traditions. He has performed and been performed across the West, and has been very involved recently with the new ways the Web allows for composers and audience to "meet" worldwide.
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