Trumpet After Dark by Randy Sandke

Artwork | Cover of Trumpet After Darkview larger image
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Contemporary | Traditional Jazz Combo

14 tracks | 67 minutes

Released Apr 2005
on Evening Star

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sample "DOWNLOAD" 03:47 Quiet is the Night BUY MP3 03:47 Quiet is the Night "GIFT MP3" 03:47 Quiet is the Night
sample "DOWNLOAD" 05:45 Nocturne BUY MP3 05:45 Nocturne "GIFT MP3" 05:45 Nocturne
sample "DOWNLOAD" 04:36 Being Human BUY MP3 04:36 Being Human "GIFT MP3" 04:36 Being Human
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sample "DOWNLOAD" 04:16 Etude in E BUY MP3 04:16 Etude in E "GIFT MP3" 04:16 Etude in E
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sample "DOWNLOAD" 05:15 Soul Eyes BUY MP3 05:15 Soul Eyes "GIFT MP3" 05:15 Soul Eyes

Jazz in a Meditative Mood- featuring Bill Charlap with Parthenia, a Consort of Viols


Editorial review

Trumpet After Dark is subtitled "Jazz in a Meditative Mood," and that is an accurate description of this 2005 release; Randy Sandke does, in fact, favor a meditative, reflective, contemplative mood this time. And the people who help him achieve that include not only his jazz quartet -- Sandke on trumpet, Bill Charlap on piano, Greg Cohen on bass, and Dennis Mackrel on drums -- but also, the New York City-based string quartet Parthenia. All four of Parthenia's members (Lisa Terry, Beverly Au, Rosamund Morley, and Lawrence Lipnik) play some type of viol, a string instrument that was prominent in European classical and folk in the 16th and 17th centuries but has since taken a back seat to the violin. The viol, also known as the viola da gamba (which means "viola of the leg" in Italian), hasn't exactly been ubiquitous in jazz, but it's an instrument that serves Sandke pleasingly well on this acoustic, classical-influenced post-bop date. Trumpet After Dark doesn't have the sort of lushness that Charlie Parker, Chet Baker, Clifford Brown, Wes Montgomery, and others favored on their famous "jazz with strings" sessions back in the 20th century; regardless, Sandke's playing is quite lyrical and melodic on a diverse program that ranges from Sandke originals to Fryderyk Chopin's "Etude in E" to jazz warhorses like Billy Strayhorn's "Lush Life" and Mal Waldron's "Soul Eyes." A very flexible player, Sandke can -- depending on his mood -- be anything from cerebral and abstract (or even mildly avant-garde) to romantic, accessible, and melodic. And his more accessible side definitely prevails on the enjoyable Trumpet After Dark, which makes one hope that Sandke will have other encounters with Parthenia in the future. ~ Alex Henderson, All Music Guide

Bio / Background

FEATURING:

Randy Sandke (trumpet); Bill Charlap (piano); Greg Cohen (bass); Dennis Mackrel (drums) with the Parthenia Viol Consort: Rosamund Morley (treble viol); Beverly Au (treble and Bass viol); Lawrence Lipnik (tenor viol); Lisa Terry (treble and bass viol)

ABOUT THIS CD:

With some notable exceptions, jazz and strings has too often been synonymous with "sweetening" or diluting the music to appeal to a broader audience. But Randy Sandke, through his use of a string section comprised of viols, as well as his always trenchant writing and commanding trumpet technique, breathes new life into the "jazz-with-strings" concept. Sandke's influences and interests encompass Beiderbecke, Armstrong, metatonal music and everything in between. The trumpeter has proven a most inventive writer for strings-just listen to his album Awakening (Concord), a collaboration with the Bulgarian National Symphony.

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