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Put your hands on the remote! browse music »Department Store Girl by The Rosenbergs
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12 tracks | 53 minutes
Released Jan 2004
on Force MP Entertainment L.L.C.
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- sample lyrics "DOWNLOAD" 03:40 Holding Pattern lyrics BUY MP3 03:40 Holding Pattern lyrics "GIFT MP3" 03:40 Holding Pattern
- sample lyrics "DOWNLOAD" 03:46 Department Store Girl lyrics BUY MP3 03:46 Department Store Girl lyrics "GIFT MP3" 03:46 Department Store Girl
- sample lyrics "DOWNLOAD" 03:57 Crockett & Tubbs lyrics BUY MP3 03:57 Crockett & Tubbs lyrics "GIFT MP3" 03:57 Crockett & Tubbs
- sample lyrics "DOWNLOAD" 03:28 Birds Of A Feather lyrics BUY MP3 03:28 Birds Of A Feather lyrics "GIFT MP3" 03:28 Birds Of A Feather
- sample lyrics "DOWNLOAD" 03:31 Blue Skies lyrics BUY MP3 03:31 Blue Skies lyrics "GIFT MP3" 03:31 Blue Skies
- sample lyrics "DOWNLOAD" 04:07 Bulletproof Vest lyrics BUY MP3 04:07 Bulletproof Vest lyrics "GIFT MP3" 04:07 Bulletproof Vest
- sample lyrics "DOWNLOAD" 02:53 Woods lyrics BUY MP3 02:53 Woods lyrics "GIFT MP3" 02:53 Woods
- sample lyrics "DOWNLOAD" 04:22 Nighttime Lover lyrics BUY MP3 04:22 Nighttime Lover lyrics "GIFT MP3" 04:22 Nighttime Lover
- sample lyrics "DOWNLOAD" 02:15 Weekend (meet me, hurry up) lyrics BUY MP3 02:15 Weekend (meet me, hurry up) lyrics "GIFT MP3" 02:15 Weekend (meet me, hurry up)
- sample lyrics "DOWNLOAD" 04:17 Gold Coast lyrics BUY MP3 04:17 Gold Coast lyrics "GIFT MP3" 04:17 Gold Coast
- sample lyrics "DOWNLOAD" 03:43 Pushing Up Daisies lyrics BUY MP3 03:43 Pushing Up Daisies lyrics "GIFT MP3" 03:43 Pushing Up Daisies
- sample lyrics "DOWNLOAD" 13:12 Unperfect Love lyrics BUY MP3 13:12 Unperfect Love lyrics "GIFT MP3" 13:12 Unperfect Love
the new pop masterpiece from this critically acclaimed band.
Editorial review
The Rosenbergs spent the early 2000s riding a most unfortunate roller coaster: They were offered a slot on the then-hip Farmclub TV show, but turned it down when the contract terms proved unacceptable. They inked a groundbreaking profit-sharing record label deal with Robert Fripp's artist-friendly imprint Discipline Global Mobile, only to be left holding the bag when DGM failed to bear fruit. And their vocal advocacy of Napster went for naught when the file-sharing service crumbled under its own controversy. The band could have been forgiven, then, if they had followed up 2000s Mission: You with a record embittered or indulgently dwelling on the trappings and challenges of the record industry. To their credit, they do not, instead releasing a record so earnestly pop and so incessantly buoyant that one suspects they might actually only be in the business for the sake of making good music. Department Store Girl is a far less-produced effort than Mission: You, foregoing bells and whistles (literally) in favor of keeping the attention on Joe Mahoney's chunky guitar riffs and David Fagin's glossy vocals. Like Cheap Trick's better moments, the formula works fabulously in places, particularly when Fagin gets to toy with playful rhymes and pop culture references. "Crockett & Tubbs," an homage to kids playing TV characters, is the best example; other standouts include the bouncy "Birds of a Feather" and "Nighttime Lover." Beyond the up-tempo successes, the ballad "Woods" marries a gorgeous acoustic guitar melody to tasteful strings and tight harmonies, showcasing a new side of the band. All told, Department Store Girl is a smart, tight collection of pop underground gems, deserving of the same success that Fountains of Wayne experienced in this time period with their fluke hit "Stacy's Mom." This is a highly recommended album for fans of true power pop. ~ Joseph McCombs, All Music Guide
Bio / Background
When The Rosenbergs released Mission:You in 2000, POP MATTERS said "this is the band, the sound, and the record you didn't know you were waiting for."
Department Store Girl is the new pop masterpiece from this critically acclaimed band.
Search the Internet for info on The Rosenbergs and you'll come across hundreds of articles summarizing a history of bold career moves, the most famous being their rejecting an offer to appear on the much-hyped (and now defunct) Farmclub television show. They then teamed up with Robert Fripp's label, DGM, to pave the way for artists everywhere to start taking back ownership of their masters. A few months later, while the rest of the music industry was waging war against Napster, The Rosenbergs took another controversial step by teaming with the infamous file-sharing service for tour sponsorship and a "buy one, get one free" promotion for their sophomore release Mission: You. That one pissed off a retailer or two.
↓ more ↓Over the years, the plucky DIY New York-based band has endured management, label and lineup changes, and self-financed tours on both sides of the Atlantic.
"I think some folks view us as troublemakers," muses David Fagin, the group's chief songwriter and lead vocalist. "But believe it or not, we're just a nice bunch of guys who love to make music...but don't piss us off," he laughs. "We're really not into all the hoopla."
All of which begs the question: How have The Rosenbergs managed to survive in an industry where it's almost impossible to cash in without selling out? The answer can be found on their Force MP debut Department Store Girl, an invigorating album of irresistibly catchy guitar pop bright enough to part the clouds. Bursting with hummable hooks, terrific melodies and sharp wordplay, delivered by Fagin's intoxicatingly tuneful voice, the album is everything you'd expect from the band Entertainment Weekly once praised for its "infectious songs and head-bobbing choruses."
"People that have never heard the band expect us to be some kind of political group, like U2 or Midnight Oil," says the vocalist. "Then they listen to our songs, which are basically boy-laments-girl pop tunes and they're like, 'huh?' But that's what we do."
And they do it well. Fagin leaves the leftist rants against cultural imperialism to his contemporaries; he's more interested in tackling the politics of love with musical valentines ("Birds of a Feather") and mea culpas ("Blue Skies"). In between, he struggles with stagnation ("Holding Pattern") and imagines a world where Don Johnson and Philip Michael Thomas make the streets safe and look good while doing so ("Crockett & Tubbs"). In the title track, Fagin pays tribute to fabulous retail chicks everywhere. "They're the ones who are trying to be famous from a department store," he chuckles. "You know the type-they think they're the J.Lo of J.C. Penney. When they go out on Friday night, they think 'Access Hollywood' is following them around. They're cute."
Department Store Girl is the result of a new collaboration with their current label Force MP Entertainment. "We're pretty lucky," says Fagin. "We actually have an A&R guy who likes music." The record is the follow-up to 2001's critically acclaimed Mission: You, which drew rave reviews from The Los Angeles Times, New York Times, The Hollywood Reporter, Q Magazine, Spin, NME, and many more. Songs off the album have been prominently featured in a host of television shows on FOX, CBS, NBC, WB, MTV, ESPN, the Howard Stern show, as well as in numerous retail stores and on airlines throughout the country. The band toured endlessly in support, sharing stages with everyone from No Doubt and Stone Temple Pilots to Duncan Sheik and the Strokes. It's been an eventful couple of years for the lads: They appeared on The Stern Show with rock legend Gene Simmons of Kiss, got shot at by a freeway sniper while en route to a gig in Washington, and found themselves on the wrong end of several shotguns when 50 Utah State Troopers barnstormed their motel to bust up the stolen car ring hiding in the room next door. "All in a day's work," says Fagin.
Considering everything The Rosenbergs have been through, it's remarkable that Department Store Girl has the sound of a band having fun. "I'm frequently reminded of how great it is to make music," says Fagin, who in his spare time works for The Muppets during the "Sesame Street" season. "We were in the early stages of mixing in St. Louis and one of the engineers brought his kids and their friends into the studio. They had such a blast. It reminded me of the first time I set foot in a recording studio at 17 and saw the lights and the board and the instruments. Once you re-visit it as a starry-eyed kid, you realize how lucky you are to make music. There are times when it gets to you, but what can you do? You're fed up with the business, but then another melody comes to you and you automatically pick up the guitar. We'll keep doing this because we have to." He pauses and adds, "My parents always told me to have something to fall back on. My grandmother still yells at me, 'Go back to school! You're so talented, you could be a chef!' I tell her I'm thinking about it and will get back to her."
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