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Put your hands on the remote! browse music »Cycles by Ron Thomas
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fave it Free Jazz | Soundscapes
11 tracks | 127 minutes
Released Jan 2007
on Vectordisc
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Improvisational electric-acoustic Music, freely based on jazz, electronic and experimental classical.
Bio / Background
"Cycles"
Ron Thomas - Keyboard Synthesizer
John Swana - EVI Synthesizer
Joe Mullen - Percussion
Vectordisc 006 & 007
2 CD Set
Recorded by Glenn Ferracone
at The Music Centre, Exton, PA
June 17, 2003 and October 12, 2004
Mastered by Paul G. Kohler
Produced by Richard Burton
Cycles is a collection of 11 feature
length tone poems, cinematic landscapes
and quasi-mystical soundscapes. John Swana
and Ron Thomas (synthesizer sounds) and
Joe Mullen (percussion)create everything
from tiny microscopic events to swirling
masses of raging mountainous ostinatos.
The resulting music is more like drama
and cinema(characters, psychologies,
plots, narratives) than just "listening
to" music. Essential to the presentation
of course is the excellent soundscape
recording techniques of recording engineer
Glenn Ferracone. Several trial sessions
preceded the pieces released here and
other projects are ahead for this group
including performances and future recordings.
↓ more ↓Ron Thomas
John Cage was always a great source of joy
and refreshment for me. I visited him once or
twice a year. We drank strong Japanese tea
together, and I would just let him talk about
whatever he was into at the moment: Satie,
Thoreau, Nanotechnology. We had some great
discussions.
I think it is helpful to remember that John
was a Buddhist and also was very interested
in technology. He really was trying to change
the way both artists and the public thought
about art. And him succeeded.
Ron Thomas
I discovered the music of Karlheinz
Stockhausen around 1958 or 1959 through the
Robert Craft recording of Zeitmasse wind
quintet. After I graduated from the Manhattan
School of Music, I learned that Stockhausen
was going to be in Philadelphia in the spring
of 1964. I appeared in his class at the
University of Pennsylvania. He was substituting
for George Rochberg for the semester. I latched
myself onto him, told him, I sold everything I
had to come here! Ah, a true artist, he said.
He was a young man still - 36, and I was 24.
He gave me a direct insight into post-World
War II musical thinking in Europe. I absolutely
adored him. But he was also way too much of a
blinding light in a way. I needed to recover
from him-a bit too charismatic.
He gave music new forms of expression, new
feelings. Miles Davis called it bettering the
forms of music. Berlioz called it endowing the
music with new actions.
Ron Thomas
Ron Thomas can be heard on other Vectordisc
recordings as a leader (Scenes from a Voyage
to Arcturus, The House of Counted Days with
John Swana and Joe Mullen and 17 Solo Piano
Improvisations). Ron also appears as on the
following Vectordisc recordings The Mike
Falcone Quartet's "Playing Live", Richard
Burton's "Simple Major Simple Minor" and
Kristin Garson's "Music Under the Influence".
Ron has other CDs as a leader (Music in
Three Parts and Doloroso) on Art of Life
Records. He also appears on Pat Martino's
"Live" and Eric Kloss's "One, Two, Free".
For information go to www.RonThomasMusic.com
and www.vectordisc.com.
Information about Criss Cross Jazz recording
artist John Swana can be found at www.johnswana.com
and www.crisscrossjazz.com.
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