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Put your hands on the remote! browse music »Other Tongues by The Paul Carlon Octet
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fave it Latin Jazz | Swing/Big Band
10 tracks | 61 minutes
Released Oct 2006
on Deep Tone Records
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- sample lyrics "DOWNLOAD" 04:32 Lucid Dreaming lyrics BUY MP3 04:32 Lucid Dreaming lyrics "GIFT MP3" 04:32 Lucid Dreaming
- sample lyrics "DOWNLOAD" 07:46 Rumbatapestry lyrics BUY MP3 07:46 Rumbatapestry lyrics "GIFT MP3" 07:46 Rumbatapestry
- sample lyrics "DOWNLOAD" 08:10 Smada lyrics BUY MP3 08:10 Smada lyrics "GIFT MP3" 08:10 Smada
- sample lyrics "DOWNLOAD" 08:42 Street Beat lyrics BUY MP3 08:42 Street Beat lyrics "GIFT MP3" 08:42 Street Beat
- sample lyrics "DOWNLOAD" 03:13 A Certain Slant of Light lyrics BUY MP3 03:13 A Certain Slant of Light lyrics "GIFT MP3" 03:13 A Certain Slant of Light
- sample lyrics "DOWNLOAD" 03:37 Boogie Down Broder lyrics BUY MP3 03:37 Boogie Down Broder lyrics "GIFT MP3" 03:37 Boogie Down Broder
- sample lyrics "DOWNLOAD" 04:58 Extraordinary Rendition lyrics BUY MP3 04:58 Extraordinary Rendition lyrics "GIFT MP3" 04:58 Extraordinary Rendition
- sample lyrics "DOWNLOAD" 08:26 The Spirit Calls lyrics BUY MP3 08:26 The Spirit Calls lyrics "GIFT MP3" 08:26 The Spirit Calls
- sample lyrics "DOWNLOAD" 07:07 Portals lyrics BUY MP3 07:07 Portals lyrics "GIFT MP3" 07:07 Portals
- sample lyrics "DOWNLOAD" 05:27 Clave 66 lyrics BUY MP3 05:27 Clave 66 lyrics "GIFT MP3" 05:27 Clave 66
***Like the soundtrack to some wild Fellini film featuring Yoruban chants, a bassline by Bootsy Collins, and starring Strayhorn and Ellington as timberos***
Bio / Background
"Most enjoyable Latin-flavored jazz I've heard in years!" -- John Henry, Audiophile Audition Web Magazine
"On two-thirds of this masterful debut from tenor saxophonist/flutist Paul Carlon and his octet, things get deep into world rhythms; the mix of styles hold together well on this cohesive, high-energy set. Other Tongues proves itself an auspicious debut, weaving together vibrant world music sounds with hard-edged modern jazz." -- Dan McClenaghan, AllAboutJazz.com
"The reedman, composer and arranger unveils his own inventively contemporary take on latin jazz, deploying a sparkling range of fresh lines, orchestral colour and rhythmic diversity in a series of charts packed with incident. Despite plenty of space for solos and the presence of guests on a few tracks, this impresses most as an ensemble music because it clearly reflects Carlon's vision.
↓ more ↓A case in point is his latin reassessment of Strayhorn's venerable Smada, the only piece not by Carlon and ample evidence of the kind of imagination and self-belief he brings to the idiom."
--Ray Comiskey, The Irish Times
*****Other Tongues has been on JazzWeek's World Music Chart for 14 weeks, debuting at No. 45 on Nov. 20, 2006, and having reached a high of number 28!*****
In a combination that is both blisteringly Afro-Cuban and elegantly Jazz-inflected, this ensemble’s collective voice speaks of Strayhorn, New York City Jazz, the funk of Bootsy Collins, the humor of Fellini, and the influences of Cuba, Brazil, and Colombia. Featuring African mbira (also known as the kalimba), a collection of brass and woodwinds, and a traditional jazz rhythm section, "Other Tongues" also displays the talents of some very special guest artists.
Vocalist Ileana Santamaría brings a lyrical, lilting timbre and deep knowledge of Afro-Cuban rumba and Yoruban chants to the recording. She has been making waves of her own with her group, the Ileana Santamaría Orchestra, for which Carlon serves as musical director.
Rumbatap pioneer Max Pollak engages in two memorable duets on Other Tongues; “Rumbatapestry”, written as a feature for Pollak’s innovative and world-renowned mix of tap, Afro-Cuban folkloric dance and body percussion, includes a startling musical conversation between Pollak’s percussive tap and Carlon’s tenor. And on “Extraordinary Rendition”, Pollak and drummer William “Beaver” Bausch embark on some measure-bending trading against the odd-meter groove of the horns.
Very special guest Buddy Terry, veteran of many recordings and some of jazz’ mightiest bands (Horace Silver, Art Blakey, Ray Charles, Count Basie, et al), brings his soulful, gutbucket tenor sound to “Street Beat”, jumping into some bluesy trading with Carlon on tenor and Anton Denner on alto saxophone.
The regular personnel of the Paul Carlon Octet includes many of New York’s current crop of established young jazz and Latin jazz artists: Dave Smith on trumpet, Ryan Keberle and Mike Fahie on trombones, Anton Denner on alto saxophone and flute, John Stenger on piano, Dave Ambrosio on bass, and William “Beaver” Bausch on drums.
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