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Put your hands on the remote! browse music »49th and melancholy by otis gibbs
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fave it Country Folk | Power-folk
14 tracks | 50 minutes
Released Feb 2006
on otis gibbs
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- sample lyrics "DOWNLOAD" 05:19 east texas sutra lyrics BUY MP3 05:19 east texas sutra lyrics "GIFT MP3" 05:19 east texas sutra
- sample lyrics "DOWNLOAD" 03:21 waltzin' with you lyrics BUY MP3 03:21 waltzin' with you lyrics "GIFT MP3" 03:21 waltzin' with you
- sample lyrics "DOWNLOAD" 03:00 don't have to take it so hard lyrics BUY MP3 03:00 don't have to take it so hard lyrics "GIFT MP3" 03:00 don't have to take it so hard
- sample lyrics "DOWNLOAD" 04:05 the great american monkey choir lyrics BUY MP3 04:05 the great american monkey choir lyrics "GIFT MP3" 04:05 the great american monkey choir
- sample lyrics "DOWNLOAD" 02:44 portrait of mada premavesi lyrics BUY MP3 02:44 portrait of mada premavesi lyrics "GIFT MP3" 02:44 portrait of mada premavesi
- sample lyrics "DOWNLOAD" 03:58 both sides of the line lyrics BUY MP3 03:58 both sides of the line lyrics "GIFT MP3" 03:58 both sides of the line
- sample lyrics "DOWNLOAD" 03:39 bernadine lyrics BUY MP3 03:39 bernadine lyrics "GIFT MP3" 03:39 bernadine
- sample lyrics "DOWNLOAD" 03:45 sunday sunday lyrics BUY MP3 03:45 sunday sunday lyrics "GIFT MP3" 03:45 sunday sunday
- sample lyrics "DOWNLOAD" 03:41 thinkin' 'bout jolene lyrics BUY MP3 03:41 thinkin' 'bout jolene lyrics "GIFT MP3" 03:41 thinkin' 'bout jolene
- sample lyrics "DOWNLOAD" 04:46 the gallows tree lyrics BUY MP3 04:46 the gallows tree lyrics "GIFT MP3" 04:46 the gallows tree
- sample lyrics "DOWNLOAD" 02:39 wanamaker lyrics BUY MP3 02:39 wanamaker lyrics "GIFT MP3" 02:39 wanamaker
- sample lyrics "DOWNLOAD" 02:17 deep blue dream lyrics BUY MP3 02:17 deep blue dream lyrics "GIFT MP3" 02:17 deep blue dream
- sample lyrics "DOWNLOAD" 05:04 ghost of the 587 lyrics BUY MP3 05:04 ghost of the 587 lyrics "GIFT MP3" 05:04 ghost of the 587
- sample lyrics "DOWNLOAD" 01:55 sleep gently lyrics BUY MP3 01:55 sleep gently lyrics "GIFT MP3" 01:55 sleep gently
For Fans of early Dylan or "Nebraska" era Springsteen. Americana/ Alt-Country
Editorial review
Sounding like a typical troubadour, Otis Gibbs takes an acoustic slant to most of the songs on 49th and Melancholy, starting with "East Texas Sutra." With a gravel-like vocal and basic guitar strumming, the track has a lovable country twang in the style of Steve Earle circa Guitar Town or Ralph Boyd Johnson. Unfortunately, it tends to drag too long near the ending. "Waltzin With You" is a down-tempo ballad that resembles Soul Asylum or a polished Tom Waits. It has the same feeling as "Here Comes a Regular" by the Replacements, but packs a little less punch. "Don't Have to Take It So Hard" features some harmony vocals and dobro. It's also one of the less than stellar tracks here. "The Great American Monkey Choir" is a nice melodic track that finally gives some percussion to the album, however subtle. "This town sucks, this town sucks," Gibbs sings over the song, which would fit in well with John Mellencamp's Lonesome Jubilee. His strong lyrics are one of the album's many selling points, creating some vivid imagery with simple words. "Both Sides of the Line" is similar to an earlier track, but is more heartfelt in its tone. When he stretches his vocals on the Americana-sounding "Bernadine," Gibbs brings to mind Bruce Springsteen. Some Celtic touches on "Thinkin 'Bout Jolene," courtesy of a mandolin, are a welcome change for the album. The song also features a bit more instrumental work, while Gibbs wishes for Los Angeles to "fall into the sea." "Wanamaker" is the oddest track, a rambling story about getting out of town with some tinny vocals and an accordion. "Ghost of the 587" has an eerie Nebraska flavor, with Gibbs giving his best performance. Hopefully, this isn't the last listeners will hear of this talented singer/songwriter. ~ Jason MacNeil, All Music Guide
Bio / Background
Having spent the ‘90’s recording and touring with his band, The Lost Highway, Indiana native Otis Gibbs has become a bit of a mid-west legend. When asked what his influences are, the answer that you get isn't always what you would expect. The first to leap to mind would be names like Townes Van Zandt, Jerry Jeff Walker, Butch Hancock or Bob Dylan, but if you dig a little deeper you start hearing names like Wim Wender, Jack Kerouac, Noam Chomsky and Gustav Klimt. Once he gets rolling, you get facts like he's bowled a 226, planted over 6,000 trees, was the 5th grade yo-yo champion at Wanamaker Elementary, has an FBI file and an IQ of 142. 49th & Melancholy, Gibbs’ 3rd full -length release, is a shining example of just this sort of dichotomy. Both haunting and beautiful, 49th is a 14-song collection that illustrates just how deep and wide Gibbs’ breadth as a singer/songwriter as well as a reluctant witness to the human condition goes.
↓ more ↓Self- produced and predominately acoustic, 49th and Melancholy is a record brimming with stories of hopes and dreams, high romance and love unrequited. Stripped down, stark arrangements compliment Gibbs’ soulful but weary voice. Multi-instrumentalist extraordinaire John Byrne (Mere Mortals, Floating Men, rain chorus) adds an eerily beautiful layer to the recordings on guitar and dobro. Susan Morris provides a soothing, transcendental quality to the recordings on violin with Craig “Slim” Small contributing on fiddle and mandolin as well. Lost Highway veteran Nick McDermot rounds out the arrangements on accordion.
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"OTIS GIBBS is apparently an institution of sorts in
the rock clubs of central Indiana, having spent equal
time making music with his band the Lost Highway
onstage and making sure you were 21 at the front door.
As of late, he's become an institution around my CD
player thanks to this appealing solo debut, which
brings to mind several other breakthrough first
releases. It has the simpatico acoustic backing of
Bap Kennedy's 'Domestic Blues,' the gruff charm of
Malcom Holcombe's 'A Hundred Lies,' and flashes of the
this-is-something-special intangibles of Richard
Buckner's 'Bloomed.'
The all-night road song 'East Texas Sutra,' which
folds in a verse of 'farther along' to nice effect
sets the album's pensive tone and introduces Gibbs'
Regular Joe poetry as he promises 'I'm savin' kisses
on the side/I'll bring them to you tomorrow night.'
By the time Gibbs lives up to that vow on the
album-closing lullaby, 'Sleep Gently,' you'll be
grateful there was room in the truck for you.
The images stick ('Her Sunday dress was made of
white/Her eyes reflected Saturday nights,' offers the
fragile 'Portrait of Mada Premavesi'), as do the
melodies. Most memorable on both counts is
'Bernadine,' that oft-told tale of a small-town boy
whose girl leaves him to become a supermodel It's the
perfect mix of wit and grit."
-Rick Cornell
No Depression
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