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Put your hands on the remote! browse music »After the Harvest by Michael Kent Smith
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fave it Contemporary | New Age
14 tracks | 50 minutes
Released Feb 2002
on Circle One
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- sample "DOWNLOAD" 06:45 The Fruits of Your Labor FREE 06:45 The Fruits of Your Labor "GIFT MP3" 06:45 The Fruits of Your Labor
- sample "DOWNLOAD" 03:09 Tapestry #1 BUY MP3 03:09 Tapestry #1 "GIFT MP3" 03:09 Tapestry #1
- sample "DOWNLOAD" 04:15 Konstantin Surveys his Land BUY MP3 04:15 Konstantin Surveys his Land "GIFT MP3" 04:15 Konstantin Surveys his Land
- sample "DOWNLOAD" 02:05 Fourteen Generations BUY MP3 02:05 Fourteen Generations "GIFT MP3" 02:05 Fourteen Generations
- sample "DOWNLOAD" 02:44 The Veil BUY MP3 02:44 The Veil "GIFT MP3" 02:44 The Veil
- sample "DOWNLOAD" 04:11 Sing Mother Earth BUY MP3 04:11 Sing Mother Earth "GIFT MP3" 04:11 Sing Mother Earth
- sample "DOWNLOAD" 03:01 Peace is Every Step BUY MP3 03:01 Peace is Every Step "GIFT MP3" 03:01 Peace is Every Step
- sample "DOWNLOAD" 02:53 The Family Tree BUY MP3 02:53 The Family Tree "GIFT MP3" 02:53 The Family Tree
- sample "DOWNLOAD" 02:29 Aucun Vont BUY MP3 02:29 Aucun Vont "GIFT MP3" 02:29 Aucun Vont
- sample "DOWNLOAD" 03:48 The Royal Chamber BUY MP3 03:48 The Royal Chamber "GIFT MP3" 03:48 The Royal Chamber
- sample "DOWNLOAD" 05:01 The (W)hole Above Me BUY MP3 05:01 The (W)hole Above Me "GIFT MP3" 05:01 The (W)hole Above Me
- sample "DOWNLOAD" 03:35 As the Crow Flies (parts I & II) BUY MP3 03:35 As the Crow Flies (parts I & II) "GIFT MP3" 03:35 As the Crow Flies (parts I & II)
- sample "DOWNLOAD" 03:38 Until Next Year (the Haymakers Dance) BUY MP3 03:38 Until Next Year (the Haymakers Dance) "GIFT MP3" 03:38 Until Next Year (the Haymakers Dance)
- sample "DOWNLOAD" 02:54 The Noble Vine BUY MP3 02:54 The Noble Vine "GIFT MP3" 02:54 The Noble Vine
Inspired by medieval musical ideas, played largely on traditional American folk instruments and composed in a style derived from minimalist classical music, these pieces combine to tell a tale of how our lives are inexorably tied to the ever turning cycle
Bio / Background
Composer, multi-instrumentalist, painter and printmaker Michael Kent Smith had a busy fall 2001.
In addition to finishing 18 new canvases and delving heavily into the craft of printmaking, he finally completed his first solo album titled "After the Harvest".
The music on "After the Harvest" is built on ideas from his studies of medieval and traditional American folk music, but was constructed in a computer environment and electonic devices are frequently a part of the mix.
The songs have a very pictoral quality that is no doubt due to the hours spent painting and making prints.
On the disc Michael plays several different instrumets: 6 & 12 string guitars, mountain dulcimer, hammer dulcimer, bandurria, bowed psaltery, organ, synthesizer, recorder and percussion.
Electonics and computers have long been an interest of Michael's and he integrates them regularly into what might seem, at first listening, to be purely acoustic music.
↓ more ↓As much as he loves music history, he believes that all tools available to an artist should be used when appropriate.
Notes from the Composer about "After the Harvest"
I have long been interested in medieval music and the compositional processes of composers Guillaume Machaut, Perotin and Guillaume Dufay. I wanted to explore some ideas I have about those processes and their connection to the music of post-minimalist composers Steve Reich and Arvo Pärt.
Another factor impacting this music is the information gathered by my mother's genealogical research. It shows both my deep American roots (since 1610) and the British Isles/Celtic ancestry still farther back.
My study of traditional American music, especially the mountain dulcimer and its Appalachian repertoire, has also planted a whole new collection of sounds and ideas into my mind's ear. A number of the works recorded here are built on specific medieval compositions. What we refer to today as Gregorian Chant was a single line musical style, with no harmony or multiple voice parts.
During the 12th century, composers began to add a 2nd part to the single line of existing chants.This style was referred to as organum. By the 13th century a 3rd part was being added to existing 2-part organum to create what was called a motet. It is this idea of adding to existing works that inspired my working methods.
I selected several medieval pieces and either sequenced them or created audio tracks from an existing recording. To these tracks I added 2 to 10 more tracks of overdubs. Next, the original sequences or audio tracks of the medieval work were removed.
I then used the editing environment of the computer to craft the remaining tracks into the form you hear here.
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