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Put your hands on the remote! browse music »Ooh La La, Sha Sha... by Miss Fairchild
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fave it Pop | Funk
10 tracks | 46 minutes
Released Aug 2007
on Miss Fairchild
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- sample lyrics "DOWNLOAD" 02:51 Poppa Music lyrics BUY MP3 02:51 Poppa Music lyrics "GIFT MP3" 02:51 Poppa Music
- sample lyrics "DOWNLOAD" 04:34 Vanilla Place lyrics BUY MP3 04:34 Vanilla Place lyrics "GIFT MP3" 04:34 Vanilla Place
- sample lyrics "DOWNLOAD" 04:42 New Thang lyrics BUY MP3 04:42 New Thang lyrics "GIFT MP3" 04:42 New Thang
- sample lyrics "DOWNLOAD" 04:21 Number One lyrics BUY MP3 04:21 Number One lyrics "GIFT MP3" 04:21 Number One
- sample lyrics "DOWNLOAD" 06:58 Trust Game lyrics BUY MP3 06:58 Trust Game lyrics "GIFT MP3" 06:58 Trust Game
- sample lyrics "DOWNLOAD" 03:16 Cheatin' Man lyrics BUY MP3 03:16 Cheatin' Man lyrics "GIFT MP3" 03:16 Cheatin' Man
- sample lyrics "DOWNLOAD" 05:32 Saint Valentine lyrics BUY MP3 05:32 Saint Valentine lyrics "GIFT MP3" 05:32 Saint Valentine
- sample lyrics "DOWNLOAD" 04:34 Wife Material lyrics BUY MP3 04:34 Wife Material lyrics "GIFT MP3" 04:34 Wife Material
- sample lyrics "DOWNLOAD" 05:57 Tic Toc lyrics BUY MP3 05:57 Tic Toc lyrics "GIFT MP3" 05:57 Tic Toc
- sample lyrics "DOWNLOAD" 03:59 Day Off lyrics BUY MP3 03:59 Day Off lyrics "GIFT MP3" 03:59 Day Off
Pop-funk
Editorial review
They've doubtless heard all the jokes, every one -- and if you're going to call your label Jive Sucka! and have a horn section called that as well, not to mention songs called "New Thang" and "Poppa Music," then one might as well start writing the Wild Cherry and Average White Band comparisons before listening. (As was the case with this review, frankly.) So does Ooh La La Sha Sha stand on its own merits or not? Well?kinda. Which may sound like a cop-out, but ultimately that's the feeling of the album as well -- if it's trying to have its cake and eat it too, fair enough, but one gets the feeling that if Daddy Wrall would just embrace his perfectly obvious (and perfectly justifiable) Prince fascination to the full rather than creating a freeze-dried -- or blow-dried -- parody/tribute/cartoon of the same then he'd end up in a better place all around. "Vanilla Place" in particular is a full-on ?if only this song was actually on disc 2 of Sign O' the Times' effort that almost could justify inclusion on that masterpiece -- and with an Elvis reference to boot --yet still somehow isn't as full-on entertainingly right/beautifully wrong as Ween's stellar lo-fi cover of "Shockadelica" nearly two decades back. On balance, Miss Fairchild love not too wisely but too well -- there's all the funk-signifier embraces, the squiggly synths, the jazz flute breaks and more that one could want, and again, Daddy Wrall in particular has a voice and can use it. But after a certain point one just actually wants to hear "Machine Gun" and "Jungle Boogie" and "Adore" and a whole lot more besides than a charming-but-adds-little recreation of same. ~ Ned Raggett, All Music Guide
Bio / Background
Miss Fairchild is more than just a band. True, they play dynamic modern pop music that also serves as a music appreciation course for lovers of soul and funk music. True, they blend a timeless sense of songwriting with an undeniable sense of now, displaying a remarkable musical palette influenced by such artists as Sly & The Family Stone and Tony Toni Toné. True their live incarnation, The Miss Fairchild Show, has drawn comparisons to the legendary JB’s for its energy and remarkable transitions. But more than all of that, Miss Fairchild exists to bring joy to an oftentimes-joyless world.
Even in their earliest days of music making, Miss Fairchild’s Daddy Wrall (vocals), Samuel P. Nice (production) and Schuyler Dunlap (instruments) have made it their mission to put the K back in Fun.
↓ more ↓In fact, they have played together under one name or another for 10 years, along the way dropping out of The School of Too Cool, that place where we all learn insecurity and a need for our neighbors’ approval and enrolling in the school of Trial and Error: Daddy Wrall learned his command of an audience from his father and grandfather, both Congregational Ministers. Samuel P. Nice learned production making beats and doing remixes for Hip-Hop artists and Indie Rock bands. And the Great Dunlap found out just how universal the language of music can be as he traveled to four continents studying flute and other instruments on a Thomas J. Watson Fellowship. Since rejoining in 2004 as Miss Fairchild, they have committed themselves to an inclusive, participatory music, so much that The Miss Fairchild Show (with Trick Johnsn on bass and Todd “The Rocket” Richard on drumset) has consistently prompted two responses: “I’ve never had that much fun in my life,” and the more serious, “This city needs you.”
On 2007’s Ooh La La, Sha Sha… Miss Fairchild has taken these thoughts from their fans to heart and made a record that reflects the unadulterated fun of The Miss Fairchild Show. Blending their remarkable gift for memorable songwriting and pitch perfect production with this commitment to fun, inclusive music, they have made record with both musical depth and pop appeal. From the effervescent “Number One” to the anthemic “Vanilla Place,” OLLSS has fans singing along as much as The Miss Fairchild Show has them clapping.
Sly Stone, in his famous Woodstock speech, said, “A lot of people don’t like to [sing along], because they feel that it might be old fashioned. But you must dig that it is not a fasion in the first place. It’s a feeling, and if it was good in the past, it’s still good.” Fast forward to 2007, and Miss Fairchild has taken this sentiment to heart; if fun music was good enough for the past, it’s still good. With all that’s wrong in the world today, who needs fear and insecurity? What we really need is more Miss Fairchild.
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