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Put your hands on the remote! browse music »Darkside of the Rumours by Milo
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fave it Quirky | Modern Folk
12 tracks | 32 minutes
Released Aug 2003
on Gloomy Tunes
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- sample lyrics "DOWNLOAD" 03:26 Happy World lyrics BUY MP3 03:26 Happy World lyrics "GIFT MP3" 03:26 Happy World
- sample lyrics "DOWNLOAD" 02:52 Maggie's Tale lyrics BUY MP3 02:52 Maggie's Tale lyrics "GIFT MP3" 02:52 Maggie's Tale
- sample lyrics "DOWNLOAD" 03:01 Misery lyrics BUY MP3 03:01 Misery lyrics "GIFT MP3" 03:01 Misery
- sample lyrics "DOWNLOAD" 02:02 Subway Girl lyrics BUY MP3 02:02 Subway Girl lyrics "GIFT MP3" 02:02 Subway Girl
- sample lyrics "DOWNLOAD" 02:26 Work lyrics BUY MP3 02:26 Work lyrics "GIFT MP3" 02:26 Work
- sample lyrics "DOWNLOAD" 04:13 Girl in Boxers lyrics BUY MP3 04:13 Girl in Boxers lyrics "GIFT MP3" 04:13 Girl in Boxers
- sample lyrics "DOWNLOAD" 02:25 Something to Drink About lyrics BUY MP3 02:25 Something to Drink About lyrics "GIFT MP3" 02:25 Something to Drink About
- sample lyrics "DOWNLOAD" 03:14 The Ballad of Earl and Elektra lyrics BUY MP3 03:14 The Ballad of Earl and Elektra lyrics "GIFT MP3" 03:14 The Ballad of Earl and Elektra
- sample lyrics "DOWNLOAD" 02:34 Corpse in Denial lyrics BUY MP3 02:34 Corpse in Denial lyrics "GIFT MP3" 02:34 Corpse in Denial
- sample lyrics "DOWNLOAD" 03:06 People lyrics BUY MP3 03:06 People lyrics "GIFT MP3" 03:06 People
- sample lyrics "DOWNLOAD" 01:46 Jesus Loves Me Why Can't You lyrics BUY MP3 01:46 Jesus Loves Me Why Can't You lyrics "GIFT MP3" 01:46 Jesus Loves Me Why Can't You
- sample lyrics "DOWNLOAD" 01:07 Untitled lyrics BUY MP3 01:07 Untitled lyrics "GIFT MP3" 01:07 Untitled
Gloomy but hysterically funny Goth-Americana from Atlanta's twisted troubador. Semi-acoustic tales laced with viola, blues harp, church organ and the occasional distortion pedal.
Editorial review
On his second album, Darkside of the Rumours, Milo continues where he left off, singing off-kilter, jokey, and bizarre songs such as the gloomy, morose "Happy World" and the hilarious country sendup "Jesus Loves Me Why Can't You?" This time out, the D.I.Y. production is better -- clearer, warmer, and richer. Milo's resonant voice serves him well on the many country-flavored tunes like "Work." "Subway Girl" apparently derives inspiration from the Violent Femmes. In all, Darkside of the Rumours is a scattered affair but an improvement over the debut: it's eclectic, parodic, occasionally obnoxious, grotesquely maudlin, and frequently downright funny. ~ Jim Esch, All Music Guide
Bio / Background
"Atlanta singer-songwriter Milo traffics in humor of a duskier hue than his nearest musical relative, Jonathan Richman. His varied sound has occasional country-fried flavorings but also hints at Violent Femmes and organ-drenched prog rock of turn-of-the-'70s Canterbury, England." -- ATLANTA JOURNAL CONSTITUTION
"On his second album Darkside of the Rumours, Milo continues where he left off, singing off-kilter, jokey, and bizarre songs, such as the gloomy, morose Happy World and the hilarious country sendup Jesus Loves Me, (Why Can't You?). It's eclectic, parodic, occasionally obnoxious, grotesquely maudlin, and frequently downright funny. "-- ALL MUSIC GUIDE"
As with his last album, the variety of styles is quite amazing, and that's what I find most refreshing: the man does what he wants, not what he's told! The added bonus of backing female vocals and the odd violin (especially on Misery) all add to make a most accomplished album. -- MODERN DANCE
"Gloomy tunes indeed.
↓ more ↓There are hints of a mellow jazziness, and some folk stains that crawl across the songs' dark floors, so picture some strange David Lynchian character standing by the highway playing these songs on his guitar while hitchhiking." -- THE BIG TAKEOVER
"Milo is a little bit country, 5% goth, a bit avant-pop and all unpredictable." -- SCRAM MAGAZINE
"Imagine a depressed Count Dracula singing strange, dark, pop rock tunes. There's a Tom Waits/Johnny Cash feel to the vocal delivery and a wacky sensibility to the lyrics." -- IMPACT PRESS
"There are shades of David Byrne at his Talking Headiest ("Maggie's Tale, Misery), Jonathan Richman at his most coherent (Subway Girl) and Hank WIlliams as if influenced by all of the above." -- AMPLIFIER MAGAZINE
"Milo certainly doesn't let up on diversity -- "Misery" sounds like Johnny Cash, "Subway Girl" like the Violent Femmes and "People" like Nick Cave. The combination of his gloomy delivery and a few poignant observations between gags keeps his material grounded." -- SPLENDID E-ZINE
"In short, Milo is awesome. The music has a sort of relaxed, lo-fi feel. His vocals range from a sad Tom Petty to a more sarcastic Nick Cave (can you get more sarcastic than Murder Ballads? Of course you can!)" -- INK 19
"Milo has developed from an eclectic indie artist to an artist to be reckoned with in the future mark my words! --EAR CANDY MAGAZINE
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