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Put your hands on the remote! browse music »Dream ON by Michael ONeill
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fave it Folky Pop | Acoustic
11 tracks | 43 minutes
Released Jun 2001
on ST Music Seattle
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- sample lyrics "DOWNLOAD" 03:34 Love Go Bad lyrics BUY MP3 03:34 Love Go Bad lyrics "GIFT MP3" 03:34 Love Go Bad
- sample lyrics "DOWNLOAD" 05:08 Dream On lyrics BUY MP3 05:08 Dream On lyrics "GIFT MP3" 05:08 Dream On
- sample lyrics "DOWNLOAD" 04:30 Pick It Up lyrics BUY MP3 04:30 Pick It Up lyrics "GIFT MP3" 04:30 Pick It Up
- sample lyrics "DOWNLOAD" 04:00 Pale Horse Pale Rider lyrics BUY MP3 04:00 Pale Horse Pale Rider lyrics "GIFT MP3" 04:00 Pale Horse Pale Rider
- sample lyrics "DOWNLOAD" 02:52 Limbo lyrics BUY MP3 02:52 Limbo lyrics "GIFT MP3" 02:52 Limbo
- sample lyrics "DOWNLOAD" 03:37 Undercover lyrics BUY MP3 03:37 Undercover lyrics "GIFT MP3" 03:37 Undercover
- sample lyrics "DOWNLOAD" 03:01 Motor Run lyrics BUY MP3 03:01 Motor Run lyrics "GIFT MP3" 03:01 Motor Run
- sample lyrics "DOWNLOAD" 03:17 Love Is the Healing Thing lyrics BUY MP3 03:17 Love Is the Healing Thing lyrics "GIFT MP3" 03:17 Love Is the Healing Thing
- sample lyrics "DOWNLOAD" 04:25 Brand New Hold lyrics BUY MP3 04:25 Brand New Hold lyrics "GIFT MP3" 04:25 Brand New Hold
- sample lyrics "DOWNLOAD" 04:29 Young Heart lyrics BUY MP3 04:29 Young Heart lyrics "GIFT MP3" 04:29 Young Heart
- sample lyrics "DOWNLOAD" 04:21 Reckon Some Rain lyrics BUY MP3 04:21 Reckon Some Rain lyrics "GIFT MP3" 04:21 Reckon Some Rain
"Michael O'Neill's Soul-Folk brand of Rock wins over the heartland and the city slickers alike with his rich melodies and storylike lyrics." - Cindy Paine, The Los Angeles Music Connection
Bio / Background
Washington-based singer-songwriter/producer Michael O'Neill sits atop an impressive heap of writing and performing credentials. From legendary Stax soul guitarist/tunesmith Steve Cropper ("Sitting On the Dock of the Bay," "In the Midnight Hour," "Knock on Wood"), to the Grateful Dead's Bob Weir, to members of Little Feat, Poco, Chicago and other popular bands of the '60s, '70s and '80s, O'Neill's numerous songwriting collaborations have given him rich soil in which to cultivate his roots-rock sensibilities.
O'Neill's musical fire was first sparked by the West Coast-centered '60s folk and folk-rock scenes, turning him into sponge for anything and everything he could feed his ears.
"The folk music brought the words, the rock and blues gave a beat, and the middle class kids sang in harmonies," O'Neill says, recounting the influences he
later shaped into a rootsy, melodic sound.
↓ more ↓He gained on-the-job music education when he took a production job for Concerts West, exposing him to touring
musicians like B.B. King, Elvin Bishop, and The Byrds.
Inspired more by the emotional impact of a good song than visions of guitar godliness, O'Neill advanced his own songwriting craft on the college and club circuit, eventually ending up in Los Angeles signed to Jet Records.
The Jet recording sessions led to the formation of the Michael O'Neill Band, featuring Kenny Gradney and Sam Clayton of Little Feat, John Shanks from the Melissa Etheridge Band, Steve Chapman from Poco, and James Openhime Jazz Saxophonist Bonny James. The group went on to record for Geffen and Warner Brothers, and toured with Bob Weir and Stevie Ray Vaughan.
Along the way, O'Neill continued to hone his songwriting chops, penning music with Steve Cropper, Jeff "Skunk" Baxter (Steely Dan, Doobie Brothers), bassist/singer Jason Sheff (Chicago), and Bob Weir These writing sessions yielded tunes for Dolly Parton, Dave Edmunds, the Everly Brothers, and Bill Medley.
Around 1990, O'Neill relocated to the Northwest, but found that his music didn't fit into the burgeoning grunge scene. He found better reception on the college coffeehouse circuit, where his breadth of musical knowledge enabled him not only to perform, but also conduct workshops on songwriting and navigating the rough currents of the music business.
O'Neill's latest effort, Dream On, features two tracks co-written with Cropper and one with Weir (the B3-soaked groove-blues CD opener, "Love Go Bad"). Throughout the CD, on tunes like the upbeat roots-reggae flavored "Pick It Up" (penned with John Shanks); the electric guitar-fueled, melodically contoured title track; and the hooky, Tom Petty-esque chorus of "Hold Me Now", O'Neill invests his soulful tenor with a sweet yearning that smoothly bridges his roots and pop tastes.
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Quotes & Reviews:
"Michael O'Neill's Soul-Folk brand of Rock wins over the heartland and the city slickers alike with his rich melodies and storylike lyrics."
- Cindy Paine, The Los Angeles Music Connection
"Not so much songs of innocence as experience, conveyed warmly and passionately...well above the usual singer/songwriter standard."
- Chris Nickerson, The Seattle Rocket
"Pop-Rock writer Michael O'Neill has a list of national writing credits that won't quit. This is solid pop material."
-Chris Lunn, The Victory Review
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