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Avalon by Margie Adam
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fave it Political | like Joni
11 tracks | 45 minutes
Released Aug 2005
on Pleiades Records
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- sample lyrics "DOWNLOAD" 04:30 Avalon lyrics BUY MP3 04:30 Avalon lyrics "GIFT MP3" 04:30 Avalon
- sample lyrics "DOWNLOAD" 04:46 I'll Be Right Over lyrics FREE 04:46 I'll Be Right Over lyrics "GIFT MP3" 04:46 I'll Be Right Over
- sample lyrics "DOWNLOAD" 03:58 Will You Love Me Tomorrow lyrics BUY MP3 03:58 Will You Love Me Tomorrow lyrics "GIFT MP3" 03:58 Will You Love Me Tomorrow
- sample lyrics "DOWNLOAD" 04:19 Woman of My Heart lyrics BUY MP3 04:19 Woman of My Heart lyrics "GIFT MP3" 04:19 Woman of My Heart
- sample lyrics "DOWNLOAD" 04:51 Eyrie lyrics BUY MP3 04:51 Eyrie lyrics "GIFT MP3" 04:51 Eyrie
- sample lyrics "DOWNLOAD" 04:43 A Woman's Work Is Never Done lyrics BUY MP3 04:43 A Woman's Work Is Never Done lyrics "GIFT MP3" 04:43 A Woman's Work Is Never Done
- sample lyrics "DOWNLOAD" 04:07 Woman In the Mirror lyrics BUY MP3 04:07 Woman In the Mirror lyrics "GIFT MP3" 04:07 Woman In the Mirror
- sample lyrics "DOWNLOAD" 02:57 Waves lyrics BUY MP3 02:57 Waves lyrics "GIFT MP3" 02:57 Waves
- sample lyrics "DOWNLOAD" 03:10 Make Believe lyrics BUY MP3 03:10 Make Believe lyrics "GIFT MP3" 03:10 Make Believe
- sample lyrics "DOWNLOAD" 03:40 Watch For Me lyrics BUY MP3 03:40 Watch For Me lyrics "GIFT MP3" 03:40 Watch For Me
- sample lyrics "DOWNLOAD" 04:48 Avalon (Instrumental) lyrics BUY MP3 04:48 Avalon (Instrumental) lyrics "GIFT MP3" 04:48 Avalon (Instrumental)
Singer/songwriter/pianist Margie Adam explores the intersections of feminist activism and spirituality with soaring vocals and infectious rhythms.
Editorial review
Adam is a crisp-voiced singer/songwriter who creates a unique atmosphere full of the sound of "loving women" in a piano-driven, folksy new age environment. She makes the unique choice of including several piano instrumentals among numerous vocals, a brilliant move because sweeping little dramatic pieces like the haunting "Eyrie" and the lively, optimistic "Waves" are far more engaging than the well intentioned but not always engaging vocal pieces. "Waves," punctuated with orchestral swells and percussive violin harmonies by Barbara Higbie, ranks up with any Suzanne Ciani or David Lanz piece as a potential new age classic. Typical of the vocal tunes are "I'll Be Right Over," which is a solid showcase for Adam's solid emotional range but kind of static musically and hardly original lyrically. "A Woman's Work Is Never Done" has more interesting lyrics about the roles of women in the modern age, but the melody isn't extremely compelling. Part of Adams' flaw is that while her voice is likeable and pretty, her delivery is straightforward to the point of being almost stiff; she delivers "Will You Love Me Tomorrow" kindly and competently, but without much flair. Her piano playing has that sorely needed uniqueness and she'd be wise to do more instrumentals in the future, perhaps reversing the vocal-instrumental balance. ~ Jonathan Widran, All Music Guide
Bio / Background
Margie is a rarity among musicians in that she has created two distinct bodies of work. She is best-known as a singer-songwriter of elegant love songs and inspiring songs of conscience. At the same time, Margie Adam continues to explore the realm of pop-jazz solo piano music as a composer and instrumentalist.
It is the interplay of piano and voice, lyric and melody, of spirit and talk that is the unique theatre of Margie Adam. She is a performer with a brazenly smart wit, an intimate performance style and politically astute commentary.
Margie Adam was born in Lompoc, California and started playing the piano as soon as she could climb up on the piano bench. She began her performance career in 1973 at an open mic session at Kate Millett's legendary Sacramento Women's Music Festival. In the following years, she participated in the definition and expansion of women's music as an art form, a political force and an industry.
↓ more ↓Singer, Songwriter, Composer, Activist
A fifty-city tour to promote her first album Margie Adam. Songwriter. on Pleiades Records culminated at the historic National Women's Conference in Houston in 1977 where Margie performed "We Shall Go Forth!" with 10,000 women singing three-part harmony. The song is now in the archives of the Political History Division of the Smithsonian Museum.
In 1980, Margie released Naked Keys and uncovered an enthusiastic audience for solo piano music that continues today. The same year, the National Women's Political Caucus sponsored Margie on a national tour to raise funds for feminist candidates.
The leadership of 80 women's organizations attended Margie's concert with Sweet Honey In the Rock and Malvina Reynolds at Constitution Hall. The event coincided with the July 1, 1982 ratification deadline of the Equal Rights Amendment. It also marked the release date of her live album We Shall Go Forth.
Return From "A Radical's Sabbatical"
After releasing Here Is A Love Song, a collection of her love songs, Margie came off the road in 1984 for a "Radical's Sabbatical." In the intervening years, she studied piano and voice and worked in the field of chemical dependency.
To the surprise of everyone, particularly Margie Adam, she began to write music again in 1990. As she developed this new repertoire, she made the decision to perform again. The 1992 national tour which resulted led her to gather together a group of women musicians to record her sixth album, Another Place.
In 1996, she recorded Soon and Again, her second solo piano recording, which inspired the THREE OF HEARTS tour with solo pianists Liz Story and Barbara Higbie.
Adam's eighth recording, Avalon, was released in 2001 on her label, Pleiades Records. In order to fully explore the intention of each song, she gathered a complex mix of jazz, pop and folk players and vocalists for the effort. This collection of vocal and instrumental music is her most revealing and contemplative work to date, with her passion for community taking center stage.
Margie's interest in documenting women's history and in particular the contributions of feminist lesbians, led her to join with WomanVision Films as associate producer of "Radical Harmonies: A History of Women's Music," which premiered to enthusiastic audiences in Summer 2002. She is also associate producer for the film "No Secret Anymore: The Times of Del Martin & Phyllis Lyon"produced and directed by Joan Biren and released in 2003.
Margie launched a collaboration with Lauren Artress, founder of Veriditas, The World-Wide Labyrinth Project in 2002. The two debuted "At The Edge: A Conversation Between Seeker and Activist with Music and the Labyrinth" at Grace Cathedral in San Francisco, California. This complex mix of conversation, song, story-telling, piano improvisation, labyrinth walk and discussion was presented in various venues across the United States in 2002-03.
PORTAL, Margie Adam's latest instrumental recording, combines the rich contemplative core of her piano solo music with a surprising new visual element of her artistic sensibility: photography set in motion.The quiet hum of spirit that has resonated in Margie's music from Songwriter through Avalon has now surfaced full force in PORTAL, a 2-disc CD/DVD set.
The compilation CD, PORTAL, brings together ten solo piano performances with clear melodies, lush chord color and mesmerizing polyrhythms from Naked Keys, Soon and Again and her last release, Avalon. These pieces have emerged as the soundscape for Margie's work with the labyrinth.
PORTAL to Avalon is a 7-minute DVD program playable on a television or computer screen. This "eyes open" meditation is a transporting interaction between subtly choreographed photography and mesmerizing music which creates a still space in the midst of a noisy world.
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