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Put your hands on the remote! browse music »Lori Bell by Lori Bell
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fave it Smooth Jazz | Bossa Nova
9 tracks | 47 minutes
Released Oct 2002
on Beezwax Records
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- sample lyrics "DOWNLOAD" 04:42 Playful lyrics FREE 04:42 Playful lyrics "GIFT MP3" 04:42 Playful
- sample lyrics "DOWNLOAD" 05:16 Prayer For Peace lyrics BUY MP3 05:16 Prayer For Peace lyrics "GIFT MP3" 05:16 Prayer For Peace
- sample lyrics "DOWNLOAD" 05:10 Equinox lyrics BUY MP3 05:10 Equinox lyrics "GIFT MP3" 05:10 Equinox
- sample lyrics "DOWNLOAD" 06:19 Autumn In New York lyrics BUY MP3 06:19 Autumn In New York lyrics "GIFT MP3" 06:19 Autumn In New York
- sample lyrics "DOWNLOAD" 04:35 Joybell lyrics BUY MP3 04:35 Joybell lyrics "GIFT MP3" 04:35 Joybell
- sample lyrics "DOWNLOAD" 04:54 A Heart is But A Flower lyrics BUY MP3 04:54 A Heart is But A Flower lyrics "GIFT MP3" 04:54 A Heart is But A Flower
- sample lyrics "DOWNLOAD" 04:58 Cartagena lyrics BUY MP3 04:58 Cartagena lyrics "GIFT MP3" 04:58 Cartagena
- sample lyrics "DOWNLOAD" 05:21 Desire lyrics BUY MP3 05:21 Desire lyrics "GIFT MP3" 05:21 Desire
- sample lyrics "DOWNLOAD" 06:21 Love Dance lyrics BUY MP3 06:21 Love Dance lyrics "GIFT MP3" 06:21 Love Dance
Contemporary jazz with a tantalizing Latin/Brazilian flavor and dazzling flutes.
Editorial review
Flutist Lori Bell once more joins with Ron Satterfield and Dave Mackay, this time as leader. On the trio's other album, Bell was part of Mackay's trio. Perhaps the next release will be Satterfield's turn as leader. In addition to this trio, four other jazz artists join the session, adding a complete rhythm section and a horn. But Bell is clearly the main attraction in this set. She plays the flute with as much substance as that light instrument will allow, which -- when compared to other horns -- isn't all that much. But one thing the flute can do is be lyrical, flowing, and pretty, and Bell's performance is all that. On such cuts as "Joy Bell," Bell floats and wafts over the various percussive instruments provided by Duncan Moore. There's a lengthy dramatic intro to "Autumn in New York" before the group, led by Bell's flighty flute, segues into a lovely weightless version of this popular classic. A cornucopia of sounds by Satterfield's electronic apparatus helps provide body to the tune, as does Mackay's piano. This is six-plus minutes of musical magic, with some clever improvisation by Bell. Most of the play list is composed by the main players on the CD, with Bell getting the lion's share of the composing credits. And it's all so very elegant and soothing, if not very challenging. But music need not be challenging to be enjoyable, and this album certainly is. While Arturo Velasco shows up with a trombone chorus on "Equinox," tunes such as "Love Dance" and "Joy Bell" will bring a smile to the face and warmth to the heart, if not a tap to the toe. Recommended. ~ Dave Nathan, All Music Guide
Bio / Background
Brooklyn native Lori Bell is a flutist and composer of admirable depth and broad musical sympathies. A resident of San Diego, she has contributed to the development of higher standards of performance while earning acclaim from both peers and critics for her artistry on stage and in recordings.
Lori has studied with such esteemed pedagogues as Frederick Baker, Damian Bursill-Hall, Judith Mendenhall, Claude Monteux, and Phil Cohen.
Her debut on Discovery Records, “Love Will Win” with pianist Dave Mackay and bassist Andy Simpkins, received warm praise and four and a half stars (out of five) from the esteemed Leonard Feather and was selected on the Grammy list for Best New Artist in 1983. A second Discovery disc, “Take Me To Brazil”, demonstrated her ability to maintain a high level of inspiration. This album featured the first of several fine original compositions and was enthusiastically given four stars by the Los Angeles Times in 1989.
Over the past 15 years, Ms.
↓ more ↓Bell’s many performances in venues such as the Wadsworth Theater, The Neurosciences Institute, and the Kennedy Center, established her reputation, among musicians and audiences alike, as a remarkably vital interpreter. A recent performance at The Vic was exemplary of this quality, prompting the critic for the L.A. Times to note that “Bell’s playing - on C flute and the lower, darker sounding alto flute - was gorgeous, filled with light and air on the ballads, briskly inventive on her bop-tinged improvisations”.
In 1998, this artistic maturity was delightfully demonstrated with her stellar work with Dave Mackay and guitarist/vocalist Ron Satterfield in the trio INTERPLAY. Their self-titled first album was selected on the 1999 Grammy ballot in four categories, including Best Jazz Solo by Ms. Bell on Pat Metheny’s, ”It’s Just Talk.” The disc, which garnered four stars from Scott Yanow in Strictly Jazz magazine, also features her composition “Playing in The Snow”, a waltz that skillfully combines an uncommon musicality with a fresh, intrinsic charm. After a 2004 date at “The Vic”, the L.A. Times noted that Interplay’s “constantly engaging set” rendered “the tunes with the collective enthusiasm and musicality that defines the work of this superlative ensemble”.
Ms. Bell conveyed her special talents to a wider audience with her most recent endeavor, her eponymous CD. Released in 2002 on the Beezwax label, the “Lori Bell” album featured several fine arrangements of original compositions and standards. The Grammy Award panel recognized the album’s comprehensive excellence with selections in five categories, among them Best Instrumental Arrangement, Best Composition, and Best Instrumental Solo.
Most recently, Ms. Bell headlined in at the Gala for the 2003 Annual Conference of the National Flute Association. She and her musical partner, Ron Satterfield, distinguished themselves as worthy peers of the many fine musicians that graced the stage that evening.
Currently, Lori is touring a concert program called “From Bach to Bebop”, and is teaching both classical technique and jazz improvisation as instructor of flute at San Diego State University.
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