Lori Bell by Lori Bell

Artwork | Cover of Lori Bellview larger image
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Smooth Jazz | Bossa Nova

9 tracks | 47 minutes

Released Oct 2002
on Beezwax Records

Click Listen sample for a 30-second preview. All tracks are 192kbps high fidelity sound quality. Protected WMA $0.77 or unprotected MP3 $0.88.

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Editorial review

Flutist Lori Bell once more joins with Ron Satterfield and Dave Mackay, this time as leader. On the trio's other album, Bell was part of Mackay's trio. Perhaps the next release will be Satterfield's turn as leader. In addition to this trio, four other jazz artists join the session, adding a complete rhythm section and a horn. But Bell is clearly the main attraction in this set. She plays the flute with as much substance as that light instrument will allow, which -- when compared to other horns -- isn't all that much. But one thing the flute can do is be lyrical, flowing, and pretty, and Bell's performance is all that. On such cuts as "Joy Bell," Bell floats and wafts over the various percussive instruments provided by Duncan Moore. There's a lengthy dramatic intro to "Autumn in New York" before the group, led by Bell's flighty flute, segues into a lovely weightless version of this popular classic. A cornucopia of sounds by Satterfield's electronic apparatus helps provide body to the tune, as does Mackay's piano. This is six-plus minutes of musical magic, with some clever improvisation by Bell. Most of the play list is composed by the main players on the CD, with Bell getting the lion's share of the composing credits. And it's all so very elegant and soothing, if not very challenging. But music need not be challenging to be enjoyable, and this album certainly is. While Arturo Velasco shows up with a trombone chorus on "Equinox," tunes such as "Love Dance" and "Joy Bell" will bring a smile to the face and warmth to the heart, if not a tap to the toe. Recommended. ~ Dave Nathan, All Music Guide

Bio / Background

Brooklyn native Lori Bell is a flutist and composer of admirable depth and broad musical sympathies. A resident of San Diego, she has contributed to the development of higher standards of performance while earning acclaim from both peers and critics for her artistry on stage and in recordings.

Lori has studied with such esteemed pedagogues as Frederick Baker, Damian Bursill-Hall, Judith Mendenhall, Claude Monteux, and Phil Cohen.

Her debut on Discovery Records, “Love Will Win” with pianist Dave Mackay and bassist Andy Simpkins, received warm praise and four and a half stars (out of five) from the esteemed Leonard Feather and was selected on the Grammy list for Best New Artist in 1983. A second Discovery disc, “Take Me To Brazil”, demonstrated her ability to maintain a high level of inspiration. This album featured the first of several fine original compositions and was enthusiastically given four stars by the Los Angeles Times in 1989.

Over the past 15 years, Ms.

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