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Bedroom/City by L. Abramson
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fave it Modern Folk | like Joni
9 tracks | 42 minutes
Released Jan 2006
on Copperspine Records
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- sample lyrics "DOWNLOAD" 03:29 Six Months Or A Year lyrics BUY MP3 03:29 Six Months Or A Year lyrics "GIFT MP3" 03:29 Six Months Or A Year
- sample lyrics "DOWNLOAD" 03:24 Hallmark Poultry Ltd. lyrics BUY MP3 03:24 Hallmark Poultry Ltd. lyrics "GIFT MP3" 03:24 Hallmark Poultry Ltd.
- sample lyrics "DOWNLOAD" 04:18 Letters To B. lyrics BUY MP3 04:18 Letters To B. lyrics "GIFT MP3" 04:18 Letters To B.
- sample lyrics "DOWNLOAD" 03:07 Gerberas lyrics BUY MP3 03:07 Gerberas lyrics "GIFT MP3" 03:07 Gerberas
- sample lyrics "DOWNLOAD" 02:08 Waterworks lyrics BUY MP3 02:08 Waterworks lyrics "GIFT MP3" 02:08 Waterworks
- sample lyrics "DOWNLOAD" 03:34 Alligators lyrics BUY MP3 03:34 Alligators lyrics "GIFT MP3" 03:34 Alligators
- sample lyrics "DOWNLOAD" 04:26 (Come To The) Landfill lyrics BUY MP3 04:26 (Come To The) Landfill lyrics "GIFT MP3" 04:26 (Come To The) Landfill
- sample lyrics "DOWNLOAD" 03:24 Soft Parts lyrics BUY MP3 03:24 Soft Parts lyrics "GIFT MP3" 03:24 Soft Parts
- sample lyrics "DOWNLOAD" 14:51 Emergency Exit Plan lyrics BUY MP3 14:51 Emergency Exit Plan lyrics "GIFT MP3" 14:51 Emergency Exit Plan
L. Abramson sings with her hollow-body electric guitar the unusual songs that people shut up to listen to. Dark and melancholic, her songs have both sweet and sad undertones
Editorial review
In a musical sense, the first full-length solo release by L. Abramson is not particularly original or compelling - Cat Power and Joni Mitchell, for example, have explored the same sonic landscapes to great effect. Despite this, 'Bedroom/City' reveals an artist of intelligence and sensitivity, whose adept lyricism and emotional honesty make 'Bedroom/City' a subtle delight. Her constant tone is one of quiet intensity - opening with the melancholic 'Six months or a year', she yearns to "disappear, move far when she is near, Fuck your blues away, reveal it to her while in tears". 'Hallmark Poultry Ltd' laments her prostitute-ridden East Vancouver neighborhood, overwhelmed by the stench of a hated chicken slaughterhouse; while other songs explore similar themes of loss, suicide, the feeling of being trapped - all downbeat and serious. Despite the darkness of the subject matter, though, this is not a sad recording; overall it has a lighter tone than the themes would suggest. Her rootsy musical explorations with Dyad (her regular band, an American traditionalist folk-trio) gives her an understanding of instrumentation that lifts mood - piano, low fiddle, and even kazoo add a sense of optimism to her sweet, sad voice and resonant hollow-body guitar. Atmospheric and assured, there is quiet charm to be found in 'Bedroom/City'. ~ Laurie Mercer, All Music Guide
Bio / Background
L. Abramson sings with her hollow-body electric guitar the unusual songs that people shut up to listen to. Dark and melancholic, her songs have both sweet and sad undertones, without the kind of art-kid pretension that makes a dictionary an essential accessory at some shows. Leah sings songs that are haunting, intelligent and beautiful, like the long lost love-child of Jason Molina and Joni Mitchell. She is devoted to songcraft and performance, all the while wrapping dark themes in lovely melodies.
2005 sees the release of her new CD, Bedroom/City: 9 songs, some hopeful, some bitter, but all lyrically unique with poignant sentiments.
AMERICANA UK
L. Abramson “Bedroom/City” (Copperspine Records 2005)
Some good signs among strong influence
The first full length record by Vancouver native Leah Abramson (there was previously an ep ‘8 songs from the attic’).
↓ more ↓She has an interesting voice that wanders from a Woodstock era Joni Mitchell on ‘Alligators’ to something akin to a Neil Young ‘After The Goldrush’ falsetto on ‘Hallmark Lullaby Company’. Less predictably ‘Gerberas’ has that lazy Cat Power quality, with the ghost of Elliott Smith affecting the mood. The opening track has a drone not a million miles from Nick Drake’s ‘Know’. For ‘Soft Parts’ we’re back in Cat Power territory, but more due to the guitar than the vocals. Having just rattled off a list of strong influences, that’s not to say this is an overly derivative record, merely the title of ‘(Come to the) Landfill’ invokes more imagery than many songwriters muster with acres of lyrics, this song has a lighter more optimistic note than much of the record, its hard to be sad when a kazoo features, though the line ‘we’ll search for diamonds’ is possibly stretching the optimism into something altogether different. Closer ‘Emergency Exit Plan’ is arguably the best on the record, as affecting a suicide/runaway song as you could wish to hear, and, admirably, Leah does it without sinking too much into Morrissey-esque self pity, ‘I like to make life difficult for myself, so if I skip town in a while tonight, I wont be back and I wont be found’. There’s a very odd little hidden track about 12 minutes into track 9, for a while you’re not sure whether you’re listening to something being played backwards or forwards! Shake looser of some of the influences and she’ll be really onto something.
Date review added: Sunday, June 11, 2006
Reviewer: Patrick Wilkins
Reviewers Rating:
Related web link: www.leahabramson.com
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