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Put your hands on the remote! browse music »Peaceful Lunatic by Kurt Custer
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fave it Folk Blues | California Pop
13 tracks | 53 minutes
Released Mar 2002
on Kurt Custer
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- sample lyrics "DOWNLOAD" 04:27 Mr. Pinkeye lyrics BUY MP3 04:27 Mr. Pinkeye lyrics "GIFT MP3" 04:27 Mr. Pinkeye
- sample lyrics "DOWNLOAD" 04:51 You're What I Want lyrics BUY MP3 04:51 You're What I Want lyrics "GIFT MP3" 04:51 You're What I Want
- sample lyrics "DOWNLOAD" 04:29 Old Man Snead lyrics BUY MP3 04:29 Old Man Snead lyrics "GIFT MP3" 04:29 Old Man Snead
- sample lyrics "DOWNLOAD" 03:48 Heartbreak lyrics BUY MP3 03:48 Heartbreak lyrics "GIFT MP3" 03:48 Heartbreak
- sample lyrics "DOWNLOAD" 03:09 Where Did I Go Wrong? lyrics BUY MP3 03:09 Where Did I Go Wrong? lyrics "GIFT MP3" 03:09 Where Did I Go Wrong?
- sample lyrics "DOWNLOAD" 05:23 California Dreamer lyrics BUY MP3 05:23 California Dreamer lyrics "GIFT MP3" 05:23 California Dreamer
- sample lyrics "DOWNLOAD" 04:46 Sacrifice lyrics BUY MP3 04:46 Sacrifice lyrics "GIFT MP3" 04:46 Sacrifice
- sample lyrics "DOWNLOAD" 03:43 The Real Me lyrics BUY MP3 03:43 The Real Me lyrics "GIFT MP3" 03:43 The Real Me
- sample lyrics "DOWNLOAD" 03:34 Bottom of the Hill lyrics BUY MP3 03:34 Bottom of the Hill lyrics "GIFT MP3" 03:34 Bottom of the Hill
- sample lyrics "DOWNLOAD" 03:43 Nikki, Pay Your Bills lyrics BUY MP3 03:43 Nikki, Pay Your Bills lyrics "GIFT MP3" 03:43 Nikki, Pay Your Bills
- sample lyrics "DOWNLOAD" 03:44 County Fair lyrics BUY MP3 03:44 County Fair lyrics "GIFT MP3" 03:44 County Fair
- sample lyrics "DOWNLOAD" 04:38 Runaway lyrics BUY MP3 04:38 Runaway lyrics "GIFT MP3" 04:38 Runaway
- sample lyrics "DOWNLOAD" 03:32 Everything Is Taken lyrics BUY MP3 03:32 Everything Is Taken lyrics "GIFT MP3" 03:32 Everything Is Taken
A Mixture of Pop/Folk/Blues presented with insightful lyrics, tight harmonies and well crafted arrangements.
Bio / Background
Kurt Custer
Biography
"I believe drums were made to be hit hard."
Kurt Custer's journey into the world of professional music seemed destined. California-born in 1964 into a musically inclined family, he grabbed his first pair of drumsticks when he was still in diapers. By his fourth birthday, he was already keeping steady time to 45rpm sides of 1960's pop and rock bestsellers. His talent evident, Kurt began amazing family and friends with hi impeccable timing, dazzling creativity and overall drum-kit expertise.
Among his earliest influences, Custer lists Gene Krupa and Buddy Rich-whose virtuoso performance on the "Tonight Show" he remembers rarely missing. As his exposure to popular music grew, so did his appreciation for the styling of Ringo Starr, Mitch Mitchell, Ginger Baker, John Bonham, Roger Taylor, Stewart Copeland and others.
"I played a lot like Keith Moon and Mitch Mitchell at first," he recalls. "There's nothing wrong with that if you can add something to the music.
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Over the past 20 years, Kurt's played professionally, gaining experience and honing his skills. Custer has toured extensively in North America and overseas. His first national recognition came with the southern-California band Little America, which recorded two albums for Geffen Records (Little America (1987), Fairgrounds (1989). During this time, his talent came to the critically acclaimed album Copperhead Road (1988), which subsequently went Gold in the U.S. and Platinum in Canada.
Soon after, members of the southern rock group Lynyrd Skynyrd recruited Custer to perform on their new recording and worldwide tour. His rock-solid and expressive drumming helped the band re-establish its memorable sound on the Atlantic releases Lynyrd Skynyrd 1991 and The Last Rebel (1993). With Skynyrd, Kurt's creative input extended beyond the drum set. On both recordings, veteran producer Tom Dowd worked with Kurt in arranging the songs,along with the greatest guitar player in the world, Ed King. The Dowd-Custer-King arranged "1991" has since achieved U.S. Gold status.
Throughout his professional associations, Kurt has continued to adapt his drumming approach to meet the needs of the music. In short, his musicianship has matured.
"I'm more solid than I used to be," he says. "Straightforward, not elaborate. Some people call me a mathematical drummer. Maybe that's true. I'm deliberate where I place my fills and how I play them. Laying down a groove for a song is more important than just being flashy."
Custer left Skynyrd in 1994, and settled in Nashville to continue developing his abilities as a songwriter, arranger, producer, vocalist and multi-instrumentalist. He and longtime partner Andy Logan combined efforts on the self-titled Custer &Logan (1994), writing, producing engineering and performing all tracks. They also played locally on the Nashville club scene.
In 1996, Steve Earle returned to the business after a lengthy personal leave and again contacted Custer, asking him to rejoin his group on a new recording and world tour. On Earle's I Feel Alright (1996), Kurt's signature drumming and backing vocals come through with distinction.
With his ironically titled new CD Peaceful Lunatic, the multi-talented Custer blends a diversity of musical influences and life experiences into a style and voice uniquely his. What emerges is a meticulously crafted self-portrait; creative, revealing, confident and immensely satisfying.
Kurt is firmly in command at the helm of Peaceful Lunatic. In addition to producing and engineering the project, he arranged and wrote or co-wrote every tune and performed all the musical parts and lead vocals along with Logan.
Lyrically, Peaceful Lunatic covers a range of expression, from fondly reflective and humorous, to folksy, confessional and insightful and insightful. Similarly, the intricately structured arrangements display Custer's Continuing growth as a producer and songwriter. His melodic treatments feature tonal, rhythmic and phrasing variety, enhanced by rich vocal and instrumental harmonies.
The underlying foundation of the music on the CD is, of course, Kurt's drum work. It's sharper, more articulate and supportive, without sacrificing the expressiveness or individuality that are the hallmarks of his playing.
"If you can be creative and add expression, it adds nuance and enhances the song. Drums should accentuate the vocal," he believes.
"I do what's best for the song. Whatever the song lends itself to, that's what I play. It could be straight-ahead rock, or something intricate, urgent or laid back. I'm a song-oriented drummer who likes to be flashy at times. That's the best description of my playing."
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