Gone by Keren

Artwork | Cover of Goneview larger image
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Power Pop | Modern Rock

11 tracks | 38 minutes

Released Jan 2004
on Big Pea & A Dime Music

Click Listen sample for a 30-second preview. All tracks are 192kbps high fidelity sound quality. Protected WMA $0.77 or unprotected MP3 $0.88.

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sample lyrics "DOWNLOAD" 03:38 boy on t.v. lyrics BUY MP3 03:38 boy on t.v. lyrics "GIFT MP3" 03:38 boy on t.v.
sample lyrics "DOWNLOAD" 03:25 see ya around lyrics BUY MP3 03:25 see ya around lyrics "GIFT MP3" 03:25 see ya around
sample lyrics "DOWNLOAD" 04:22 gone lyrics BUY MP3 04:22 gone lyrics "GIFT MP3" 04:22 gone
sample lyrics "DOWNLOAD" 03:11 w.i.s. (part II) lyrics BUY MP3 03:11 w.i.s. (part II) lyrics "GIFT MP3" 03:11 w.i.s. (part II)
sample lyrics "DOWNLOAD" 03:27 sleep lyrics BUY MP3 03:27 sleep lyrics "GIFT MP3" 03:27 sleep
sample lyrics "DOWNLOAD" 03:00 save me lyrics BUY MP3 03:00 save me lyrics "GIFT MP3" 03:00 save me
sample lyrics "DOWNLOAD" 04:18 a little better lyrics BUY MP3 04:18 a little better lyrics "GIFT MP3" 04:18 a little better
sample lyrics "DOWNLOAD" 03:55 daydreams & lies lyrics BUY MP3 03:55 daydreams & lies lyrics "GIFT MP3" 03:55 daydreams & lies
sample lyrics "DOWNLOAD" 02:40 sunday lyrics BUY MP3 02:40 sunday lyrics "GIFT MP3" 02:40 sunday
sample lyrics "DOWNLOAD" 02:54 timings off lyrics BUY MP3 02:54 timings off lyrics "GIFT MP3" 02:54 timings off
sample lyrics "DOWNLOAD" 03:53 running to stand still lyrics BUY MP3 03:53 running to stand still lyrics "GIFT MP3" 03:53 running to stand still

a blue haired cross between pat benatar, gwen and shirley. keren offers's haunting melodies with a power pop bang most recently heard on nbc's "scrubs" & mtv's "laguna beach"


Editorial review

The scraggly guitars and muscular rhythms of Gone's louder moments seem designed to sell the idea that, when the good girls don't, Keren just might. But didn't Bree Sharp already give listeners a brassier version of "Boy on T.V."? Bree even named names ("David Duchovny, why won't you love me..."). Likewise, for all its window rattling and triumphant chord changes, "W.I.S., Pt. 2" sounds a lot like Hilary Duff's G-rated popternative nugget "Come Clean." It's that meticulously arranged, highly salable sound, popularized by people like Avril Lavigne and Michelle Branch with the aid of producers like the Matrix or John Shanks, that becomes the main thrust of Gone. There are ballads here, too, where contemplative guitars pluck over scattered drum programming and atmospheric swirls of synth; Keren herself is in there, but where? "Wake me when you're gone," she sings on the midtempo title track, and the mixture of anger and hurt in her voice is real. But then there are the empty lyrics and general racket of "Save Me," and the percolating electronic bottom end of "Daydreams & Lies" -- where Keren's breathy pitch and filtered backing harmonies could be any post-Britney hair-dye diva -- and Gone becomes a peculiar jumble of things listeners have heard before. This wouldn't be so bad of a thing -- there's nothing wrong with grabbing a little of the spotlight, after all. It's just that, despite writing credits throughout and a back story heralding Keren's determination and desire to rock, Gone's slick sonics and sound-alike brand positioning make it feel like she settled for opportunism. ~ Johnny Loftus, All Music Guide

Bio / Background

pop's next major voice. a blue haired cross between pat benatar and today's most respected modern rock women, gwen and shirley, keren is making a name and place for herself in today's music scene.

writer, performer, producer, player, keren is just beginning to explore what her passions and destinies are. two hours after high school graduation, she left miami for new york. keren began to carve her sound in what would become her adopted home town, building a strong and steady following with each gig. with years playing new yorks lower east side, keren secured her roots at new york's mercury lounge, where bands like the strokes and interpol got their start. with performances on the 3rd and final lilith fair and lending her vocals to jonathan richman's "i'm so confused", the ric ocasek produced project from the punk legend who was featured in the hit "there's something about mary", keren is more than getting her name out there.

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