The Good Night by Victory at Sea

Artwork | Cover of The Good Nightview larger image
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Emo | Math Rock

10 tracks | 33 minutes

Released Oct 2003
on Kimchee Records

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Editorial review

The Good Night is a wonderfully ironic title for Victory at Sea's third and strongest record; though their slow, simmering sound revels in nocturnal languor, the pervasive aura is anything but restful, evoking the stark mysteries and creeping dread of the darkness with unnerving precision. Comparisons to PJ Harvey's early Dry-era work seem inevitable, but the brute emotional force of Mona Elliott's haunted vocals and grim lyrics is tempered by moments of unexpected simplicity and beauty that set The Good Night apart. Its structure is likewise unique: Opening with the smoldering "Mary in June," the record seems to crumble in a kind of psychic free fall, with the songs growing progressively starker and more affecting as they count down. ~ Jason Ankeny, All Music Guide

Bio / Background

Victory at Sea had their rudimentary beginnings in 1994 when Mona Elliott, late of Taang! recording artists Spore, hooked up with Swirlies singer/guitarist Christina Files, who had offered to contribute her drumming to the Elliott solo repertoire. Mel Lederman, veteran of various Boston bands, was later invited to play bass. The three became a full-time working entity by 1996 and over the next two years released two singles and an EP on the Villa Villakula and Magic Eye labels.

The Dark is Just the Night, their full-length debut on Slowdime Records, followed in 1999. Christina then left the band and spirited upstart Fin Moore got called to take over the drum seat. It's then that Kimchee Records arrived on the scene to release a split EP with Victory at Sea and Helms as well as their sophomore long player Carousel in 2001. By 2002 Finny was gone and Carl Eklof had arrived, emoting like original drummer Files but also pushing the envelope like Moore did.

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