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World Without End by Karl Ruch
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fave it Folk Rock | Folk Pop
10 tracks | 45 minutes
Released Dec 2005
on Karl Ruch
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for a 30-second preview. All tracks are 192kbps high fidelity sound quality. Protected WMA $0.77 or unprotected MP3 $0.88.
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- sample lyrics "DOWNLOAD" 04:46 Roll the Windows Down lyrics BUY MP3 04:46 Roll the Windows Down lyrics "GIFT MP3" 04:46 Roll the Windows Down
- sample lyrics "DOWNLOAD" 05:03 Galileo's Hope lyrics BUY MP3 05:03 Galileo's Hope lyrics "GIFT MP3" 05:03 Galileo's Hope
- sample lyrics "DOWNLOAD" 03:53 If I Could lyrics BUY MP3 03:53 If I Could lyrics "GIFT MP3" 03:53 If I Could
- sample lyrics "DOWNLOAD" 04:09 Space lyrics BUY MP3 04:09 Space lyrics "GIFT MP3" 04:09 Space
- sample lyrics "DOWNLOAD" 04:17 Jimmy lyrics BUY MP3 04:17 Jimmy lyrics "GIFT MP3" 04:17 Jimmy
- sample lyrics "DOWNLOAD" 04:22 The Silence Inside lyrics BUY MP3 04:22 The Silence Inside lyrics "GIFT MP3" 04:22 The Silence Inside
- sample lyrics "DOWNLOAD" 04:42 You Will Go On lyrics BUY MP3 04:42 You Will Go On lyrics "GIFT MP3" 04:42 You Will Go On
- sample lyrics "DOWNLOAD" 04:11 I Don't Wonder lyrics BUY MP3 04:11 I Don't Wonder lyrics "GIFT MP3" 04:11 I Don't Wonder
- sample lyrics "DOWNLOAD" 05:00 Jack's Dream lyrics BUY MP3 05:00 Jack's Dream lyrics "GIFT MP3" 05:00 Jack's Dream
- sample lyrics "DOWNLOAD" 05:20 Hymn II lyrics BUY MP3 05:20 Hymn II lyrics "GIFT MP3" 05:20 Hymn II
KARL RUCH is a singer-songwriter from Asheville, NC whose pop-folk songs are influenced by the likes of David Gray, John Mayer, and David Wilcox. He has shared the stage with contemporary folk icons such as Pierce Pettis, Chris Rosser, and Tom Kimmel.
Bio / Background
KARL RUCH is a singer-songwriter from Asheville, NC whose pop-folk songs are influenced by the likes of David Gray, John Mayer, and David Wilcox. He has played for over 10,000 people throughout the U.S. and has shared the stage with contemporary folk icons such as Pierce Pettis, Chris Rosser, Josh Lamkin, Johnsmith, Ginny Owens, and Tom Kimmel.
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"What strikes me first and most about Karl's music isn't its aural beauty or supple, subtle wit, though both are in ample supply, but its transparency. It seems to me the songs themselves are, as I know the man to be, inherently, sometimes unnervingly, truthful, their foundations firmly set in... And whether that kernel of truth concerns himself, his marriage, his journey through the wider world, or the God whose love he pursues, the simple and substantial reality of these thing comes to the fore.
I watch Karl perform with a strangely comforting mix of jealousy and awe.
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