Coming of Age by Jude Johnstone

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Artwork | Cover of Coming of Age
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Today's Top 40 | Soft Rock

11 tracks | 46 minutes

Released Dec 2001
on BoJak Records

review album

sampleCry Wolf
sampleComing of Age
sampleWounded Heart
sampleNot Long For This World
sampleHearts in Armor
sampleDoesn't Anybody Know But Me
sampleUnchained
sampleThe Nightingale
sampleThe Water's Edge
sampleLet's Leave It Open
sampleWhen Someone Speaks Your Name

A rich and diversified collection of songs with reflective lyrical content and haunting melodies. Impressive background vocal contributions from Jackson Browne, Valerie Carter, Bonnie Raitt, Jennifer Warnes and Trisha Yearwood.


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Editorial review

This singer/songwriter has a lot of friends, but with such a wide array of talent lending backing vocals to her album, Jude Johnstone is worthy of such collaborations. The lovely acoustic alt country "Cry Wolf" could be a calmer version of a Lucinda Williams track; others of the female folk elite, such as Shawn Colvin, or one with an Americana flair ? la Stacey Earle would be wise to enjoy this fine opener. The only minor problems might be an extra half-minute, which is needless. Johnstone's bread and butter is finding a melody and working her slightly Southern delivery around it, as is the case on the mid-tempo title track that recalls Bruce Hornsby, Amy Farris or Lori McKenna. Valerie Carter lends backing harmonies as well on a chorus that pays off. Yet again the song should be curtailed roughly by about a minute, even with the slow fade. The melancholic piano touches of "Wounded Heart" are where Johnstone excels tremendously as Jackson Browne offers subtle but important backing harmonies. It's also a combination that meshes as well as Steve Earle and Emmylou Harris do. The album soars from this moment on, as a pop-folk blend greets the rather breezy but strong "Not Long for This World." The Celtic-tinged brilliance of "Hearts in Armor" rivals Harris or Sin?ad O'Connor in terms of her vocals causing shivers up one's spine or hairs to rise from this gorgeous piece of work. The momentum continues on the simpler, pop-inspired "Doesn't Anybody Know but Me" that would compare easily to Paula Cole. Johnstone isn't afraid to go down a gospel lane either, although "Unchained" doesn't quite live up to expectations despite the help of Bonnie Raitt and Jennifer Warnes. Perhaps to atone for the gospel lapse, she tries again with far greater rewards on the warm and gentle "The Water's Edge," that has all the nuances of Bruce Springsteen's softer side shown on Tunnel of Love. Another pop-folk nugget comes during "Let's Leave It Open," as Johnstone opens up a tad more vocally. Ending with another soulful Norah Jones-like number, "When Someone Speaks Your Name," Johnstone will be one you will hear from. A singer/songwriter's singer/songwriter if there ever was one. ~ Jason MacNeil, All Music Guide

Bio / Background

The piano in the parlor of her parents' house in coastal Maine was hers as soon as she could reach its keys. On its bench, alongside her church-soprano mother, she learned the magic of harmony. In that same room, her older brothers' records played-Stones, Creedence, Beatles-and in the evenings, her schoolteacher father's collection of Glenn Miller and Sarah Vaughn.It was, Jude Johnstone recalls, "...all the education I thought I'd ever need."

But she'd get more: writing songs by age ten, playing clubs while still in school, she surprised no one when, at nineteen, she headed west to continue her training in studios and nightclubs of LA, where she soon found herself collaborating with many of that city's top producers and musicians.

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