Song for the 9th Ward by Jeff Busch

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Hard Bop | Afro-Cuban Jazz

7 tracks | 44 minutes

Released Sep 2007
on Bongo Records

Click Listen sample for a 30-second preview. All tracks are 192kbps high fidelity sound quality. Protected WMA $0.77 or unprotected MP3 $0.88.

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sample lyrics "DOWNLOAD" 06:54 I Too Am Worthy lyrics BUY MP3 06:54 I Too Am Worthy lyrics "GIFT MP3" 06:54 I Too Am Worthy
sample lyrics "DOWNLOAD" 03:52 Peg Leg Bates lyrics BUY MP3 03:52 Peg Leg Bates lyrics "GIFT MP3" 03:52 Peg Leg Bates
sample lyrics "DOWNLOAD" 06:36 Lament lyrics BUY MP3 06:36 Lament lyrics "GIFT MP3" 06:36 Lament
sample lyrics "DOWNLOAD" 08:33 Flamenco lyrics BUY MP3 08:33 Flamenco lyrics "GIFT MP3" 08:33 Flamenco
sample lyrics "DOWNLOAD" 03:00 The Struggle lyrics BUY MP3 03:00 The Struggle lyrics "GIFT MP3" 03:00 The Struggle
sample lyrics "DOWNLOAD" 08:07 Song For the 9th Ward lyrics BUY MP3 08:07 Song For the 9th Ward lyrics "GIFT MP3" 08:07 Song For the 9th Ward
sample lyrics "DOWNLOAD" 07:51 Mississippi Grill lyrics BUY MP3 07:51 Mississippi Grill lyrics "GIFT MP3" 07:51 Mississippi Grill

This is the 2nd album of original jazz by this drummer/composer. His quintet has an open, organic sound, reminiscent of the hard bop era, though the Cuban jazz influence of pianist Julio Jauregui adds a refreshing twist to this swinging mix.


Bio / Background

‘Song for the 9th Ward’ is the 2nd album of original jazz, by drummer/bandleader Jeff Busch. The tunes were written for the play ‘Katrina: I too am worthy’, by Seattle play write, Donte Felder. The music, and script are based on the stories of Hurricane Katrina victims, and the sound of this quintet still conjures memories of the hard bop era. Busch’s writing continues to have a strong Afro 6/8 rhythmic presence, but he also draws upon the brilliant Cuban piano skills of Julio Jauregui, on tunes such as ‘Flamenco’, and upon the spontaneous ‘free playing’ of horn men Brian Kent and Tony Grasso on a piece called, ‘The Struggle’. Bassist Evan Flory Barnes always seems at home no matter what the style, and his bowed solo on ‘Lament’ adds an emotional texture to this album’s range of sounds. Busch’s writing is influenced from many years of work in both the traditional jazz and Latin jazz scenes. As he says, "Afro 6/8 rhythms and swing are like brothers...

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