Eis Ijs Ice by Jeffrey Brian White

Artwork | Cover of Eis Ijs Iceview larger image
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Ambient | Industrial

8 tracks | 69 minutes

Released Oct 2003
on Electricanointing

Click Listen sample for a 30-second preview. All tracks are 192kbps high fidelity sound quality. Protected WMA $0.77 or unprotected MP3 $0.88.

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sample lyrics "DOWNLOAD" 03:54 Naemaschine lyrics BUY MP3 03:54 Naemaschine lyrics "GIFT MP3" 03:54 Naemaschine
sample lyrics "DOWNLOAD" 11:45 Eissteppe lyrics BUY MP3 11:45 Eissteppe lyrics "GIFT MP3" 11:45 Eissteppe
sample lyrics "DOWNLOAD" 09:32 Unter Der Eisflaeche lyrics BUY MP3 09:32 Unter Der Eisflaeche lyrics "GIFT MP3" 09:32 Unter Der Eisflaeche
sample lyrics "DOWNLOAD" 09:59 Zug Ueber Tundra lyrics BUY MP3 09:59 Zug Ueber Tundra lyrics "GIFT MP3" 09:59 Zug Ueber Tundra
sample lyrics "DOWNLOAD" 10:28 Ankommende Eisberge Mit Baeren Drauf lyrics BUY MP3 10:28 Ankommende Eisberge Mit Baeren Drauf lyrics "GIFT MP3" 10:28 Ankommende Eisberge Mit Baeren Drauf
sample lyrics "DOWNLOAD" 08:37 Risse lyrics BUY MP3 08:37 Risse lyrics "GIFT MP3" 08:37 Risse
sample lyrics "DOWNLOAD" 06:21 Ankunft lyrics FREE 06:21 Ankunft lyrics "GIFT MP3" 06:21 Ankunft
sample lyrics "DOWNLOAD" 09:23 Verloren Im Schnee lyrics BUY MP3 09:23 Verloren Im Schnee lyrics "GIFT MP3" 09:23 Verloren Im Schnee

Maschinenmusik - An admixture of looping chaos, iciness and clanging steel with Gittler guitar madness, and all mixed in a blender, then tossed into a wormhole...


Bio / Background

"How did you make THAT SOUND? It *^&%#@ smoked my tweeters!!" - true earwitness testimony.

"...reminds me of a rube goldberg machine...funky."

Slambient. Slambient. Slambient.

EIS IJS ICE (all pronounced like 'ice') is the result of a flurry of noisemaking experimentation using looping stompboxes, sleeplessness, the Gittler (a wonderful instrument), basses, guitars, metallic junk, and tape. The result is ambient music with a sharp edge. Each piece is sonic view of an arctic land or seascape

on another planet somewhere.

White started playing guitars and basses at 12 or 13, first learning punchy commercial rock, but then moving into heavy metal and progrock psychedelia. Then came punk and the departure from blues and rock tradition in his playing and composition. Even from the beginning of this encounter with sound, he experimented with spring reverbs converted into instruments, machine noises, gadgets, phasers.


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