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Put your hands on the remote! browse music »Rosebud by Harriet Schock
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fave it Modern Country | 70's Pop
13 tracks | 46 minutes
Released Aug 2003
on Evening Star Music Group
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- sample lyrics "DOWNLOAD" 02:55 Rosebud lyrics BUY MP3 02:55 Rosebud lyrics "GIFT MP3" 02:55 Rosebud
- sample lyrics "DOWNLOAD" 03:55 Patsy Cline lyrics BUY MP3 03:55 Patsy Cline lyrics "GIFT MP3" 03:55 Patsy Cline
- sample lyrics "DOWNLOAD" 03:02 Fool That I Was lyrics BUY MP3 03:02 Fool That I Was lyrics "GIFT MP3" 03:02 Fool That I Was
- sample lyrics "DOWNLOAD" 03:36 I'm Gonna Hold You To That lyrics BUY MP3 03:36 I'm Gonna Hold You To That lyrics "GIFT MP3" 03:36 I'm Gonna Hold You To That
- sample lyrics "DOWNLOAD" 05:05 Dreaming of Casablanca lyrics BUY MP3 05:05 Dreaming of Casablanca lyrics "GIFT MP3" 05:05 Dreaming of Casablanca
- sample lyrics "DOWNLOAD" 02:57 Worn Around the Edges lyrics BUY MP3 02:57 Worn Around the Edges lyrics "GIFT MP3" 02:57 Worn Around the Edges
- sample lyrics "DOWNLOAD" 02:51 Last Love Song lyrics BUY MP3 02:51 Last Love Song lyrics "GIFT MP3" 02:51 Last Love Song
- sample lyrics "DOWNLOAD" 03:50 It Flies lyrics BUY MP3 03:50 It Flies lyrics "GIFT MP3" 03:50 It Flies
- sample lyrics "DOWNLOAD" 05:02 A Tree Grows in Brooklyn lyrics BUY MP3 05:02 A Tree Grows in Brooklyn lyrics "GIFT MP3" 05:02 A Tree Grows in Brooklyn
- sample lyrics "DOWNLOAD" 03:23 Over and Over and Over lyrics BUY MP3 03:23 Over and Over and Over lyrics "GIFT MP3" 03:23 Over and Over and Over
- sample lyrics "DOWNLOAD" 02:52 Marlene lyrics BUY MP3 02:52 Marlene lyrics "GIFT MP3" 02:52 Marlene
- sample lyrics "DOWNLOAD" 04:07 Ok, You Win, I Give Up, You're Right, I'm Gone lyrics BUY MP3 04:07 Ok, You Win, I Give Up, You're Right, I'm Gone lyrics "GIFT MP3" 04:07 Ok, You Win, I Give Up, You're Right, I'm Gone
- sample lyrics "DOWNLOAD" 03:19 You Are lyrics FREE 03:19 You Are lyrics "GIFT MP3" 03:19 You Are
Piano-based pop/alt country with strong melody and lyrics by hit songwriter covered many times, produced by the legendary Nik Venet.
Editorial review
After spending much of the 1980s behind the scenes as a songwriter, as well as establishing herself as a teacher of repute, Schock returned to recording, first with American Romance, and then, even more triumphantly, with Rosebud. The album is produced by the legendary, late Nik Venet - most celebrated for his work with The Beach Boys, as well as singer/songwriter Dory Previn - and the sound is suitably mid-tempo, spare and uncrowded, with the singer and the songs very much at the forefront. Sympathetic accompaniment is provided by a handful of guitarists, a small string section and two pianists, and the feel is a marriage of folk and adult pop, with the melodic values of a stage musical. The ultimate victory, though, is very much Shock's own - if her songwriting was always solidly reliable, here it simply excels itself. Rosebud is, loosely, a concept album, drawing inspiration from classic cinema. The title track takes its cue from Citizen Kane, and finds Schock examining the 'rosebud' in her own life - not, in her case, a sled, but her father. Elsewhere are references to Casablanca, Marlene Dietrich, and other icons of film. However, this doesn't mean that Rosebud is a self-indulgent wallow in nostalgia - the music tingles with quiet vigour and freshness, and Schock is never imprisoned by the album's concept, straying from it as often as she adheres to it. What makes Schock such a compelling songwriter is her ability to look beyond herself (a rare gift in the singer/songwriter genre), resulting in touching, observational pieces like "Over and Over and Over" - written about the elderly couple that reside above Schock's apartment. The trademark wry humour that characterises much of Schock's writing is still present, but never as glaringly signposted as before. Check out some of the acidic kiss-off lines in "Okay, you win, I Give Up, You're Right, I'm Gone": "Your blood was blue/ Your shoes were grey/ But your feet were one hundred per cent pure clay". There's more where that came from, too: "Day by day you pontificate/ On all the people you've come to hate/ And here I'm sitting at three a.m/ Aware at last that I'm one of them". Add to this Schock's earthy, expressive singing, and you have what surely ranks as one of the most important, impressive albums of the decade. Those still not won over will find it even harder to resist the closing "You Are" - a testament to the supremacy of love over the pettiness that sometimes threatens to destroy it, rendered with breathtaking sensitivity and tenderness. ~ Charles Donovan, All Music Guide
Bio / Background
HARRIET SCHOCK
Award-Winning Songwriter, Performer, Teacher & Author
Harriet Schock is a gold and platinum songwriter with six successful solo CDs to her credit. She has been voted twice as the "Best New Female Artist" by Cashbox magazine, received a Dramalog Award for her live show and has a long line of TV& film credits to her name. Her early Grammy nominated song, "Ain't No Way to Treat a Lady" led to wonderful publishing opportunities which developed into having her songs being covered by artists such as, Smokey Robinson, Roberta Flack, Helen Reddy, & Johnny Mathis, just name a few.
Her book, BECOMING REMARKABLE is used in her work as a songwriting consultant and teacher. Schock remarks, "I remember when I was in seventh grade and we were given the option of writing a poem instead of the usual composition. To me this was like being given the choice between eating cherry pie or liver.
↓ more ↓" She received an "A" on that early project and since she had been playing the piano by ear since she was four, it was natural that she start writing melodies and putting them to words. Harriet teaches group, private and by-correspondence sessions that inspire, encourage and inform the creator on how to truthfully create a concept that will flourish into a powerful message through lyric, melody and chords. Her simple, direct communication skills have been featured at colleges, Songwriting Associations and Music Business Panels all over the US.
When speaking of Harriet's songs and live performances, Alda Paveltich from the internet publication girlmusicians.com puts it best by saying... "the difference between Harriet and the storyteller singer-songwriter, is that others sing short stories, poems, & ballads where we may see tableaux, landscapes, noirs, while Harriet Schock's songs are like little movies." While great artists have recorded her music, there is something magical that happens when the parent of those great songs performs them for an audience. Schock not only gives us her deepest self, but also she interjects stories creating one continuous experience. Harriet herself believes in revealing a story in a way that will move people to want to share your art, while all along seeing themselves through the musical expression.
Harriet Schock continues to perform her music live, has BECOME REMARKABLE by sharing her expertise through teaching, really adores working with film scorers to help shape a melody while writing the lyrics, and really gets down to business by working one- on-one with rising songwriters. She is definitely a "people-person" in every sense of the word...a "must see" artist of the new millennium.
See more about Harriet Schock at http://www.harrietschock.com
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