Integration II by Greg Chako

Artwork | Cover of Integration IIview larger image
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World Fusion | Bebop

10 tracks | 65 minutes

Released Jun 2005
on Chako Productions Pte Ltd

Click Listen sample for a 30-second preview. All tracks are 192kbps high fidelity sound quality. Protected WMA $0.77 or unprotected MP3 $0.88.

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sample lyrics "DOWNLOAD" 07:14 Tokong Burung-Nazri`s Place lyrics BUY MP3 07:14 Tokong Burung-Nazri`s Place lyrics "GIFT MP3" 07:14 Tokong Burung-Nazri`s Place
sample lyrics "DOWNLOAD" 05:27 The Sweet One lyrics BUY MP3 05:27 The Sweet One lyrics "GIFT MP3" 05:27 The Sweet One
sample lyrics "DOWNLOAD" 07:46 Smooth Ride lyrics BUY MP3 07:46 Smooth Ride lyrics "GIFT MP3" 07:46 Smooth Ride
sample lyrics "DOWNLOAD" 08:20 French Island Fantasy lyrics FREE 08:20 French Island Fantasy lyrics "GIFT MP3" 08:20 French Island Fantasy
sample lyrics "DOWNLOAD" 07:20 Afro-Asian Chant lyrics BUY MP3 07:20 Afro-Asian Chant lyrics "GIFT MP3" 07:20 Afro-Asian Chant
sample lyrics "DOWNLOAD" 01:04 Ipoh Girl lyrics BUY MP3 01:04 Ipoh Girl lyrics "GIFT MP3" 01:04 Ipoh Girl
sample lyrics "DOWNLOAD" 06:27 Fine Aussie Weathered lyrics BUY MP3 06:27 Fine Aussie Weathered lyrics "GIFT MP3" 06:27 Fine Aussie Weathered
sample lyrics "DOWNLOAD" 06:08 Ocean Blues lyrics BUY MP3 06:08 Ocean Blues lyrics "GIFT MP3" 06:08 Ocean Blues
sample lyrics "DOWNLOAD" 07:08 Tokong Burung-Nazri`s Place, alternate lyrics BUY MP3 07:08 Tokong Burung-Nazri`s Place, alternate lyrics "GIFT MP3" 07:08 Tokong Burung-Nazri`s Place, alternate
sample lyrics "DOWNLOAD" 08:27 The Hunny Lady lyrics BUY MP3 08:27 The Hunny Lady lyrics "GIFT MP3" 08:27 The Hunny Lady

Lyrical, Rhythmic, Melodic, Exotic Blue Note meets Ethno-World Jazz Blakey meets Wes meets Metheny Lyrical, Rhythmic, Melodic, Exotic Blue Note meets Ethno-World Jazz Blakey meets Wes meets Metheny Lyrical, Rhythmic, Melodic, Exotic Blue Note m


Editorial review

This album is a sequel to the Singapore-based guitarist's initial release, Integration. He has beefed up his band, the most prominent being sax player Greg Lyons, who shows on such cuts as "Tokong Burung's-Nazri's Place" that he can handle alto, tenor, soprano and baritone with equal facility. Also new is Reggie Perera playing the Australian Aborigine native instrument, the didgeridoo, which gives off a resonance similar to a jew's harp. Chako continues his exploration of harmonies and rhythms which helps assure each track has something new and different to offer. The catchy, groovy "Ocean Blues" has Chako and his guitar in a Kenny Burrell mode. Some good bass plucking by Chako's regular bass player, Christy Smith, is heard here as well. Horns playing mostly in unison come to the fore on the boppish "The Hunny Lady," where a subtle Latin beat is added to give the tune some bounce to add to the fluidity of the playing. This is the only tune that is not the product of Chako's creative composing pen. Creatively mixing major and minor chords, "The Sweet One" fulfills the promise of its title as Chako's deftly plucked guitar leads the way on a plaintive musical recitation. "Smooth Ride," which Chako wrote while on a ferry, is the album's swinger with good contributions by David Humphreys' tenor sax and Brian Hill's trombone. Chako continues to write music that both performers and audience can sink their teeth into, providing real, not artificially contrived, variety with each cut. Recommended. ~ Dave Nathan, All Music Guide

Bio / Background

"Guitarist Greg Chako has a fat, aggressively beautiful tone...

Whether pushing delicious lines along like he's in a Bop dream state ("Smooth Ride"), or passing pianist Michael Stanton a subtly different color feel to work from at the end of his "Hunny Lady" solo, Chako's playing is consistently satisfying. As a writer he has a talent for scoring long, involved melodies that open like wings into the solo spaces. Check out the opening "Tokong Burung" for instance, whose winding melody employs tension and release masterfully. "French Island Fantasy" could almost fit onto Pharoah Sanders "Thembi". The superb "Afro-Asian Chant", reminiscent of McCoy Tyners "Sama Layuca", heats up to boiling, staying on the stove through a potent combination of cross rhythms and kicks. The one traditional Guitar trio piece, "Ocean Blues", is appropriately spacious, with Edmond Bransons' fine cymbal work evoking the shimmer of white-capped waves.

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