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Put your hands on the remote! browse music »Crossed Paths by Fred Hess
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fave it Traditional Jazz Combo | Post-Bop
9 tracks | 55 minutes
Released Oct 2006
on Tapestry
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- sample lyrics "DOWNLOAD" 06:50 On Perry St lyrics BUY MP3 06:50 On Perry St lyrics "GIFT MP3" 06:50 On Perry St
- sample lyrics "DOWNLOAD" 06:18 Zane lyrics BUY MP3 06:18 Zane lyrics "GIFT MP3" 06:18 Zane
- sample lyrics "DOWNLOAD" 04:58 In The No lyrics BUY MP3 04:58 In The No lyrics "GIFT MP3" 04:58 In The No
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- sample lyrics "DOWNLOAD" 07:41 The Clef's Visit Grandma's lyrics BUY MP3 07:41 The Clef's Visit Grandma's lyrics "GIFT MP3" 07:41 The Clef's Visit Grandma's
- sample lyrics "DOWNLOAD" 05:59 Crossed Paths lyrics BUY MP3 05:59 Crossed Paths lyrics "GIFT MP3" 05:59 Crossed Paths
- sample lyrics "DOWNLOAD" 02:04 Mystery Woman lyrics BUY MP3 02:04 Mystery Woman lyrics "GIFT MP3" 02:04 Mystery Woman
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My music is described as Acoustic Post-Bop, but is "informed" by all the jazz styles that preceded it.
Editorial review
Due to the similar instrumentation and the free jazz originals by Fred Hess, the quartet on Crossed Paths is a bit reminiscent of Ornette Coleman's early groups. As with Ornette, the mood of the songs serves as the basis for the improvising rather than any set chord patterns. What is different is that Fred Hess is an expressive tenor-saxophonist with his own style (rather than copying Coleman or Dewey Redman) and trumpeter Ron Miles is also quite individual, having more technique than Don Cherry. With bassist Ken Filiano and drummer Matt Wilson contributing stimulating support and interaction, Hess and Miles are both heard in top form, whether blending in ensembles or making individual statements in this explorative but very coherent outing. ~ Scott Yanow, All Music Guide
Bio / Background
Crossed Paths (Tapestry) by the Fred Hess Quartet is easy to admire, thanks to Hess' painstakingly conceived and formally ambitious compositions, his inspired solos, and others by trumpeter Ron Miles and bassist Ken Filiano. Hess is an inventive melodist, both as an improviser and as a composer.
Chris Kelsey-JazzTimes
There are some very unique sonic experiences here, & any dedicated fan of the genre will find themselves listening over & over. One of the best quartets I've listened to in 2005, they get a MOST HIGHLY RECOMMENDED from me!
Rotcod Zzaj-Mixposure
Born in Abington, Pennsylvania, Hess grew up in New Jersey, attending Trenton State College, before moving to Colorado in 1981. He graduated with a doctorate in music composition from the University of Colorado, Boulder in 1991. His early experiences include studies with saxophonist Phil Woods, a stint with bandleader Fred Waring, and composing music for the world premiere of a Sam Shepard play.
↓ more ↓As a composer, his influences encompass the contributions of the great figures in jazz history, avant-garde classical sources, as well as Anthony Braxton and the members of the AACM. He is currently Director of Composition at The Metropolitan State College of Denver.
Committed to exploring the boundaries of both notated and improvised music, Hess attended the Creative Music Studio, Woodstock, NY, in 1979. Moving to Colorado, he began the Boulder Creative Music Ensemble in 1982. In addition to his own projects as a leader (BCME and The Fred Hess Group), he was the founding director of Denver’s Creative Music Works Orchestra and has been a member of drummer Ginger Baker’s Denver Jazz Quintet, as well as ensembles led by trumpeter Ron Miles. His current performing groups are the Fred Hess Band and the Fred Hess/Marc Sabatella Duo.
Along with recording twelve CDs under his own name, Hess has twice received the Colorado Council on the Arts Composition Fellowship (1986 and 1994), and captured first place in the inaugural Hennessey Jazz Search in Denver (1991), In 2000, Hess received the Julius Hemphill Award for Jazz Composition awarded by the Jazz Composers Alliance, and in 2006, he won first prize at the International Jazz Composers Symposium held in Tampa Fl.. Favorable articles and CD reviews have appeared in such periodicals as DownBeat, Jazziz, JazzTimes, Coda, The Wire, JazzWise, Cadence, and Spin, as well as online jazz websites.
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