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Put your hands on the remote! browse music »Don't Be Afraid - Songs by Kurt Weill, Bertolt Brecht & Hanns Eisler by Eastside Sinfonietta
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fave it Contemporary | Cabaret
15 tracks | 53 minutes
Released Mar 2004
on True Classical CD's
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- sample "DOWNLOAD" 01:14 Don't Be Afraid BUY MP3 01:14 Don't Be Afraid "GIFT MP3" 01:14 Don't Be Afraid
- sample "DOWNLOAD" 05:01 Bilbao Song BUY MP3 05:01 Bilbao Song "GIFT MP3" 05:01 Bilbao Song
- sample "DOWNLOAD" 03:49 The Liquor Dealer's Dream BUY MP3 03:49 The Liquor Dealer's Dream "GIFT MP3" 03:49 The Liquor Dealer's Dream
- sample "DOWNLOAD" 05:45 Youkali Tango BUY MP3 05:45 Youkali Tango "GIFT MP3" 05:45 Youkali Tango
- sample "DOWNLOAD" 02:56 The Drowned Girl BUY MP3 02:56 The Drowned Girl "GIFT MP3" 02:56 The Drowned Girl
- sample "DOWNLOAD" 05:06 Sailor's Tango BUY MP3 05:06 Sailor's Tango "GIFT MP3" 05:06 Sailor's Tango
- sample "DOWNLOAD" 03:06 Supply & Demand BUY MP3 03:06 Supply & Demand "GIFT MP3" 03:06 Supply & Demand
- sample "DOWNLOAD" 02:53 Remembering Maria A BUY MP3 02:53 Remembering Maria A "GIFT MP3" 02:53 Remembering Maria A
- sample "DOWNLOAD" 05:36 Surabaya Johnny BUY MP3 05:36 Surabaya Johnny "GIFT MP3" 05:36 Surabaya Johnny
- sample "DOWNLOAD" 03:18 Ballad of the Lily of Hell BUY MP3 03:18 Ballad of the Lily of Hell "GIFT MP3" 03:18 Ballad of the Lily of Hell
- sample "DOWNLOAD" 02:53 Mandelay Song BUY MP3 02:53 Mandelay Song "GIFT MP3" 02:53 Mandelay Song
- sample "DOWNLOAD" 01:24 Hollywood BUY MP3 01:24 Hollywood "GIFT MP3" 01:24 Hollywood
- sample "DOWNLOAD" 02:06 The Swamp BUY MP3 02:06 The Swamp "GIFT MP3" 02:06 The Swamp
- sample "DOWNLOAD" 04:14 Solomon Song BUY MP3 04:14 Solomon Song "GIFT MP3" 04:14 Solomon Song
- sample "DOWNLOAD" 04:18 Moritat (Mac the Knife) BUY MP3 04:18 Moritat (Mac the Knife) "GIFT MP3" 04:18 Moritat (Mac the Knife)
"with Weba Garretson as an arresting, latter-day Lotte Lenya, the songs - sour and sensuous - seem just about perfect for our own times" Los Angeles Times
Bio / Background
.....about the Eastside Sinfonietta:
Recognizing a natural Brechtian in singer Weba Garretson, the organizers of the Brecht Centennial asked her to participate. Garretson didn't look to the classical community to staff the Eastside Sinfonietta; instead she dug into her own post-punk,
street-art back yard.
Bassist Ralph Gorodetsky had teamed with Garretson before, as well as thrashing and jazzing in club bands such as Universal Congress Of. Joseph Berardi had played with practically everyone in town, from the Fibonaccis to Stan Ridgway and Rufus Wainwright -- but usually as a percussionist; here he settled behind the vibraphone and the orcoa, a kind of accordion built like a suitcase. Drummer Jason Payne was a former member of the Brit industrial-techno group Nitzer Ebb, a special favorite of Marilyn Manson. Tracy Wannomae had blown woodwinds with poppers Macy Gray and jazzbos Brad Mehldau.
↓ more ↓These were musicians slavering for challenge, and possessing more than enough cutlery to eat it up.
The Sinfonietta brought their Brecht act to the tidy little auditorium of L.A.'s Central Public Library for a couple of 1998 concerts, and the audience, prepared for innocuous family fare, were unmistakably delighted with the casual, full-bodied artfest that the quintet dropped in their laps. Further performances generated a heady buzz in the art community. L.A's. MOCA and Goethe Institute agreed respectively to present and to sponsor a full-on, 360-degree multimedia production of Brecht/Weill's Happy End for 12 performances in 2000, including the precise centennial of Weill's birth, March 2. L.A.'s Happy End ended up stunning capacity crowds with its innovation, wit and pure spectacle.
The compact disc that confronts you is a document of the Eastside Sinfonietta's repertoire, drawn from the songs of Brecht, Weill and Hanns Eisler and performed with the Sinfonietta's own brand of emotional if not literal authenticity. Some selections are from Happy End, some not; some are familiar, some less so. You will hear ontological/semiotic/commercial discursions on the subject of rice. You will hear of social malaise, violence and perverted love. And you will perhaps feel that the music of Weimar Germany can seem very modern, and enduringly truthful.
Listen to the sweat and garbage. You rat. - excerpts from liner notes by Greg Burk
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