Song of the True Hand by Elizabeth Reian Bennett

And there are many others yet to record: deer, cranes and rushes are a few that come to mind. This is why Elizabeth Reian chose to call her improvisation at the end of the CD after the hawthorne, a nature image of spring, when the piece was created.

Other pieces have to do with metaphysical ideas or activities related to Buddhism. The first track, after which the CD is named, "Song of the True Hand", is one of these – it is a true hand that a player seeks, not just the accomplished hand of the musician, but a hand that expresses a changed mind and being. Even some of the nature pieces have deeper implications, such as "The Sky", for example, which can also be interpreted as ‘the void’. And the ‘A’ of the first sound of the Buddha of Light’s name, in "Meditation on ‘A’", is a pointer to breath itself and the human being as a conveyor of breath from one world to the next.

REVIEWS:

From http://blogcritics.org/archives/2006/12/29/101403.php

BLOGCRITICS.ORG NOMIMATES "SONG OF THE TRUE HAND" INSTRUMENTAL ALBUM OF THE YEAR!

"...(exemplifies) the way a single individual with a musical instrument can wordlessly conjure the human spirit out of thin air."

From fRoots, Jan/Feb 2007 No. 283/284

"Many students of foreign disciplines are tempted to record prematurely, without necessarily mastering their style at the highest level. But this is not a concern with the American shakuhachi player Elizabeth Reian Bennett...The music on her very fine album "Song of the True Hand" is all in... a very clear and classic style... (with) a lovely tone..."

From The Hartford Advocate, November 30, 2006

A Burst of Creativity From Local Female-fronted Bands and Soloists

By Dan Barry

"The word "haunting" is easy to sling around in music reviews, but if one were to be haunted, the accomanpanying sound would probably be that of a shakuhachi. This traditional instrument is the instrument of wanderers and seekers...On "True Hand", Bennett wrings a dazzling variety of techniques from the bamboo; though the music is quite unlike jazz, her technical vocabulary is reminiscent of Coltrane in his prime."

From blogcritics.org/archives/2006/08/24/141424.php

Music Review: Indie Round-Up for August 24 2006 - Bennett, Swann, Angelo

By Jon Sobel

"...Elizabeth Reian Bennett's mastery of the traditional Japanese bamboo flute is evident in every moment of this fascinating hour of music. No recording can replace the experience of sitting in a room...listening to a live shakuhachi performance, but Reian Bennett's haunting, sliding tones and seemingly infinite variations in attack, volume, and breathiness are quite capable of taking the listener on a deep sonic and spiritual journey even through a pair of stereo speakers..."

Average Customer Review: 5