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Put your hands on the remote! browse music »The Soul and Gone by Harris Eisenstadt
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7 tracks | 69 minutes
Released Sep 2005
on 482 Music
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- sample lyrics "album only" 12:31 The Evidence of Absence lyrics "album only" 12:31 The Evidence of Absence lyrics "album only" 12:31 The Evidence of Absence
- sample lyrics "album only" 08:49 Three Breaths lyrics "album only" 08:49 Three Breaths lyrics "album only" 08:49 Three Breaths
- sample lyrics "album only" 07:48 Holden Caulfield lyrics "album only" 07:48 Holden Caulfield lyrics "album only" 07:48 Holden Caulfield
- sample lyrics "album only" 15:37 Posauno y Schlagwerk lyrics "album only" 15:37 Posauno y Schlagwerk lyrics "album only" 15:37 Posauno y Schlagwerk
- sample lyrics "album only" 08:12 Kola #2 lyrics "album only" 08:12 Kola #2 lyrics "album only" 08:12 Kola #2
- sample lyrics "album only" 08:29 Seed lyrics "album only" 08:29 Seed lyrics "album only" 08:29 Seed
- sample lyrics "album only" 08:18 A Hard Place lyrics "album only" 08:18 A Hard Place lyrics "album only" 08:18 A Hard Place
A variety of complex compositions filled with contrapuntal devices, dense harmonies, and crosscutting lines.
Editorial review
Harris Eisenstadt's fifth album as a leader features a sextet of young Chicago players and all-star names. The lesser-known names are vibraphonist Jason Adasiewicz, gracefully waltzing through the drummer's complex compositions, and reeds player Jason Mears, who seems too busy keeping up with the score to truly shine. Bassist Jason Roebke has previously proved his worth (in Tigersmilk and the Scott Fields Ensemble, among other projects). Vandermark 5 trombonist Jeb Bishop and Tortoise guitarist Jeff Parker are the most recognizable voices in the group, and live up to the expectations their names stir. Bishop's playing is soulful as ever and downright moving in "Seed," a piece dedicated to composer Henryk G?recki. Parker's dreamy lines steal the spotlight in "Portrait of Holden Caulfield" and remain a defining element of the album throughout. Eisenstadt's writing borrows from post-bop, structured improvisation, and contemporary classical. It is neither Chicago jazz nor West Coast jazz, but something that encompasses both. This album sees him moving deeper into free-form territory, with lots of sections that are not notated but shaped, with varying results. These moments are contrasted with sharply written passages, as in "Kola #2 (Reduction)" and "The Evidence of Absence Is Not Necessarily the Absence of Evidence." The latter is the album's undisputed highlight for its witty complexity, swing, and tight ensemble playing, although "And a Hard Place" makes an excellent contender to the title, with its slow-paced, heavy theme and another dead-on solo from Bishop. Eisenstadt's music is often more melody-based than beat-driven, which is not common among composing drummers. So, by all means, don't approach The Soul and Gone as a drummer's record. Approach it instead as one of the finest American creative jazz releases of 2005. ~ Fran?ois Couture, All Music Guide
Bio / Background
Prolific young drummer/percussionist/composer Harris Eisenstadt has collaborated with a long list of notable composer/improvisers all over the world in a wide variety of formats and musical genres (including contemporary classical, jazz/improvised music, West African/Javanese dance, theater, and film scores) and on more than 25 recordings on 17 different labels. As LA Weekly's Greg Burk put it, "Harris Eisenstadt is a composer with limbs prodding into spontaneous, post-bop, and neoclassical. He works with the best." His fifth CD as a leader, The Soul and Gone, captures his young all-star sextet of the same name at Chicago's famed 3030.
Musicians: Jason Adasiewicz (vibraphone), Jeb Bishop (trombone), Harris Eisenstadt (drums), Jason Mears (alto saxophone and b-flat clarinet), Jeff Parker (electric guitar), Jason Roebke (contrabass)
"Last May LA-based drummer Harris Eisenstadt came to Chicago to play with three different lineups of musicians from our strong new-jazz scene.
↓ more ↓While this kind of ad hoc collaboration is par for the course in improvised music, apparently these one-off engagements left him wanting more. Five months later he returned to record an album with a cross section of the same people--vibist Jason Adasiewicz, trombonist Jeb Bishop, and bassist Jason Roebke--as well as guitarist Jeff Parker and LA reedist Jason Mears. But instead of just leading the group in a free-for-all blowing session, Eisenstadt brought along a variety of complex compositions filled with contrapuntal devices, dense harmonies, and crosscutting lines. On the sextet's forthcoming debut on the 482 Music label, they come together with remarkable precision, delivering wildly energetic performances with unexpected harmonic detail." - Peter Margasak, Chicago Reader 'Critic's Choice'
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