road kill by Cordelia's Dad

Artwork | Cover of road killview larger image
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Punk | Grunge

11 tracks | 35 minutes

Released Feb 2003
on Scenescof

Click Listen sample for a 30-second preview. All tracks are 192kbps high fidelity sound quality. Protected WMA $0.77 or unprotected MP3 $0.88.

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Editorial review

A document of Cordelia's Dad's years as an electric folk-rock trio, the 1996 live CD Road Kill is also a farewell to that era of their career. After this release, the trio continued in a more traditional acoustic vein. With its 11-track lineup written out in the manner of a set list (only one or two key words of each song title), the album starts with the obsessively brooding "Brother Judson" and continues in a similarly dark and noisy vein for the next 35 minutes. Even the breakneck-paced version of the gospel standard "Will the Circle Be Unbroken" has an undercurrent of existential dread. Other highlights include an amazingly intense version of "Her Bright Smile Haunts Me Still," a key song from the Anne and Frank Warner collection that was one of Cordelia's Dad's signature numbers in their early years. Noisier and more raucous than any of their studio albums, Road Kill is a powerful document, but novices should probably start with How Can I Sleep? or Comet. ~ Stewart Mason, All Music Guide

Bio / Background

For over a decade, Cordelia's Dad has been on ongoing series of musical experiments. Beginning with an unabashed punk rock fury, evolving into the tender, intricate acoustic songs of Comet and Spine, and returning to bouyant, noisy rock on What It Is, the common threads have been powerful harmony singing, haunting melodies, and insistent rhythm. Founders Tim Eriksen and Peter Irvine, along with long-time member Cath Oss, have traveled throughout North America and Europe, melding their passionate interpretations of early American hymns, ballads, and fiddle and banjo tunes with their own contemporary pop music sensibilities.

Road Kill is a rough document of the band's live rock shows circa 1994-95. No holds barred, this is the real deal, with plenty of distortion, feedback, athletic drumming, tight rhythm and occasional bum notes. Puts you in the cement-walled, sticky-floored punk club without having to change your clothes.

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