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Put your hands on the remote! browse music »Babalu Aye by Chucho Valdes and Irakere
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fave it Latin Jazz | Salsa
7 tracks | 50 minutes
Released Sep 2006
on Bembe
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- sample lyrics "DOWNLOAD" 05:44 Solo Te Echaron Un Medio lyrics BUY MP3 05:44 Solo Te Echaron Un Medio lyrics "GIFT MP3" 05:44 Solo Te Echaron Un Medio
- sample lyrics "DOWNLOAD" 06:04 Por Romper El Coco lyrics BUY MP3 06:04 Por Romper El Coco lyrics "GIFT MP3" 06:04 Por Romper El Coco
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- sample lyrics "DOWNLOAD" 04:57 La Comparsa lyrics BUY MP3 04:57 La Comparsa lyrics "GIFT MP3" 04:57 La Comparsa
- sample lyrics "DOWNLOAD" 14:00 Babalu Aye lyrics BUY MP3 14:00 Babalu Aye lyrics "GIFT MP3" 14:00 Babalu Aye
Cuban timba with jazzy arrangements and folkloric experimentation featuring lazaro Ros
Editorial review
Irakere came on the scene in the late '70s with a style of Latin jazz that incorporated soaring jazz brass with quite traditional Cuban rhythms, and punctuated by electric guitars and a funky bass. In the years since, Irakere music has been characterized by a hot jazz sound with a very danceable beat. Babalu Ay? closes a circle of sorts for Irakere. Most of the songs on this album are salsa Cubana, some sounding very much like the original New York salsa of years past. But of course, it's salsa with the Irakere flair: electric guitars with the distortion cranked up come in and out; the horn section plays tightly, then loosens considerably in the solos, putting little relaxed ornaments around each phrase, then suddenly tightens up again; the whole band chants phrases in unison. Then after plenty of straight-ahead salsa Cubana, the CD is finished off with a mighty rumba. Lazaro Ros, accompanied by bata drums, a coro singing responses, and the occasional Irakere instrumental, sings the story of healer Babalu Ay?, taking us back to the African traditions that still live on in Cuba, perhaps more strongly than in any other African-based community in the Americas. Irakere has always stayed close to their Afro-Cuban roots. Now on Babalu Ay? they also pay homage to another, much more urban source of the Irakere sound. This CD provides a very satisfying picture of the contrasts that make Afro-Latin music so rich. ~ Bruce Ishikawa, All Music Guide
Bio / Background
In 1973 the Cuban band Irakere burst on the scene with a revolutionary sound quite unlike anything heard before. It soon gained popularity with US audiences, winning Grammys in 1980 and 1981. Founded and led by pianist Jesus "Chucho" Valdés, (son of the legendary pianist "Bebo" Valdés), Irakere seamlessly blends jazz and traditional Cuban music to an unprecedented degree. Recalling the roots of Afro-Cuban jazz, Irakere's wind section burns with Cubanized be-bop lines. Sometimes the phrases almost seem beyond what is humanly possible. It's no surprise that the group has always had remarkable players such as Paquito d' Rivera, Arturo Sandoval, José Luis Cortés (founder of N.G. La Banda) and many others.
Irakere also experiments with incorporating resonances from Cuba's African roots through the use of traditional rhythms and folkloric drums such as the batá.
↓ more ↓Using synthesizers, batá drums, rumba, jazz, funk and salsa, Irakere is capable of blending together many genres in a steamy, delectable stew. Irakere has come to represent the cutting edge of contemporary Cuban music and the wondrous possibilities of mixing musical styles.
While Irakere has gained an international reputation as an outstanding jazz ensemble, they've always maintained a repertoire of dance music. In Cuba, dance and music are inseparable and Cuban dancers are extremely demanding. Irakere has satisfied them for over two decades now. The pyrotechnic horn lines heard from contemporary Cuban salsa groups owe their approach to the celebrated innovations of Irakere. Now it is only fitting that the original architects, those who laid the foundation for today's groups, record their own rendition of the contemporary sound of Cuba. With the release of Babalú Ayé, Irakere presents its take on the current state of Salsa Cubana.
Babalú Ayé smokes like only an Irakere record can. Chucho, the 57-year-old genius, keeps all the elements balanced, as one would expect of a seasoned master. Drummer Enrique Plá, who's been with the group since its inception, lays down an impeccable foundation. Add to this new blood like vocalist and timbalero José Miguel and the session strikes an exquisite balance between youthful fire and accomplished wisdom.
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